Available light photography - looking for good light
When shooting for fun on location with a model, and have the time, I have this personal challenge - to find interesting sources of light. Those spots of found light where a little bit of magic happens. This photo of Anastasiya was taken in Grand Central, New York. While the station's architecture is impressive, the light levels there are very low, and quite flat. It's a place you want to take photos at, because it is so beautiful inside - but it is a challenge. The light there just don't lend itself to good portraits in an obvious Read more inside...
Before we get into this review of the Canon 470EX-AI speedlite (B&H / Amazon), I need to mention that I wanted this review video to be more than just a listing of the features of this flash. We therefore also delve into bounce flash technique. So there is something here even for those photographers who don't shoot Canon, or have no real interest in getting this flash. So please do check the video out.
I was really curious to get to play with the Canon 470EX-AI speedlite (B&H / Amazon) for a review, Read more inside...
My favorite adventure in photography for the past year or so, has been to explore vintage lenses. Many of these lenses render the background in an interesting or unusual way which makes them appealing in helping to create a distinctive look to your photography. A recent purchase was the Trioplan 100mm f/2.8 lens (affiliate) for use with my Sony A7ii camera. The Trioplan 100mm f/2.8 is well known as the 'soap-bubble bokeh' lens. Created by the Meyer Optik Görlitz company, it gives perfectly spherical circles in the background when used in Read more inside...
Focal length comparison: 645 format vs 35mm format
We all know know that when you use a full-frame lens on a crop-sensor camera, that we can consider there to be a new “effective focal length” of the lens on the crop sensor because the field of view changes. When we now change our composition with the crop-sensor camera to match that of the 35mm camera, we change our own position, we then effectively get thane 1.5x or 1.6x focal length increase. This has been explored in the article: Full-frame vs Crop-sensor comparison : Depth-of-field & perspective. But now what happens when Read more inside...
That crazy bokeh there is via the Mitakon Zhongyi Speedmaster 50mm f/0.95 (B&H / Amazon), taken at widest aperture, giving this wafer-thin depth of field. Even though this is a new lens, I would classify it as a classic or vintage lens. It is manual focus, and gives that delicious look to images exactly because of that DoF and bokeh. In terms of the composition, I like how the blue lights in the foreground is echoed by the same lights in the background.
How this photo session with Anastasiya came about ...
My friend, Parker J Read more inside...
Profoto has a very strong reputation in the industry for making gear that are reliable, easy to use, powerful, and, well ... looks really good. When Profoto entered the market a few years ago with the portable Profoto B1 flash (affiliate), and then the Profoto B2 flash (affiliate), it was inevitable then that at some point they would make a grand entrance with a speedlight style flash. With this review of the Profoto A1 flash (affiliate), I wanted to show more how I would use it, than just cover the specs of the flash.
I met up Read more inside...
For any photographer moving from zooms to using primes as well, with a strong interest in portraits, the 85mm lens is your best choice. If you're a fan of Fuji, then the equivalent focal length would be the 56mm optic. And if you're a fan of Fuji, then you will already know that their lenses are razor-sharp. To test the Fuji XF 56mm f/1.2 R (B&H / Amazon), I photographed one of my favorite models, Anastasiya, using the flood of light from the billboards in Times Square. While not a thorough lens review of the Fuji XF 56mm f/1.2 Read more inside...
Using the MagMod MagBeam kit for projection effects
The lighting pattern on the background here, is 100% in-camera, created with a gobo and a light-projection kit: the MagMod MagBeam Kit (B&H / Amazon). So no Photoshop going on here (aside from mild retouching of skin blemishes.) Even that little bit of a halo around Anastasiya, is part of the effect. In-camera. With the test shots, I noticed there is a brightening of the pattern in the middle, so I placed Anastasiya directly on front of it. A bit of serendipity that I took advantage of.
Several articles on Read more inside...
The Fuji X-T2 (B&H / Amazon) is one of the most likable cameras I have ever handled, and up there with the best cameras. Ever. Fuji made immediate impact with their Fuji X-100 camera, which had sexy retro appeal, especially with the optical viewfinder. Since then, Fuji has released cameras which retain that kind of appeal, which culminated two years ago in the Fuji X-T1 - a camera which also really impressed me, as mentioned in my review: Fuji X-T1 camera.
Now we have the Fuji X-T2 which in some ways, is a considerable jump up from the Fuji Read more inside...
There's that algorithm that I most often use when shooting on-location portraits - find an interesting or complementary background, that also has good light on my subject. If there isn't good ambient light, then I add light. Then, my subject's positioning and pose is adjusted so that the photograph comes together.
Find an interesting or complementary background, that also has good light on my subject.
If there isn't good ambient light, then I add light.
Then, my subject's positioning and pose is adjusted so that the photograph Read more inside...
