photo session: Jeannie Dee
Last weekend I had the great pleasure of photographing Jeannie D, a well-known South African TV personality. Actually, “well-known” is an understatement – she’s a bit of a star.
The shoot was for the cover of Top Billing magazine. The cover image had specific requirements for the setup of the scene – a Manhattan apartment, with a view of the city in the background. I’ll post more of the actual cover shoot later on, but in the meantime wanted to show some of the portraits of Jeannie D that I got in between the TV crew setting up, and the setting being prepared …
For the shoot I brought in 3 Q-flashes and a barrage of umbrellas and softboxes and reflectors, as well as a Profoto AcuteB 600R kit (B&H) with softboxes. But I photographed a number of portraits, such as the one above, using just the available light in the apartment. The apartment was a corner apartment, and so had a lot of light flooding in from two sides. The light then reflected back from the white walls inside. It was like shooting inside a massive softbox. You just couldn’t go wrong!
For that image and this next one, I specifically positioned Jeannie D so that I shot downwards towards the city. This way there was still some color in the background, instead of a blown out sky. I had her sit on the window-sill and had her turn her body and her face until I had even light on her.
I thought the bit of lens flare here helped frame the portrait, drawing attention to her eyes.
We waited until the sun was setting, and then went up to the roof to get some portraits of Jeannie against the city skyline. It had snowed the day before, and the icy wind was quite strong – so it was frrrreezing up on the roof! Therefore we had to be quick. I’d set up the softbox and power-settings, and my assistant would cling onto the softbox and light-stand for dear life. Jeannie would then whip her jacket off and pose for the camera.
That was the actual colour of the sky, balanced against that of the flash.
With this image I used the Nikon 24-70mm f2.8 AF-S (B&H), and for all other images here, I used the new Nikon 70-200mm f2.8 AF-S VR II (B&H).
For the images on the rooftop, I used the Profoto AcuteB 600R with a 3×4 softbox for lighting.
The image above was shot at: camera settings: 1/125 @ f4 @ 400 ISO
The Profoto kit implies manual flash. That meant that I used my shutter speed to control the ambient light in relation to my flash exposure.
With the next two images I wanted the city scene to be brighter, and hence dropped my shutter speed to 1/50th while keeping everything the same.
With the restriction of the harsh weather, there was no chance really of being innovative here … I feel happy just getting images which looked this good and this relaxed!
1Saso says
Helo Neil.
Great site! Really superb advices and one of my favourite sites to look (and learn) :)
You mentioned that you used 1/50th shutter in some occasions. Since the model is still, it is no problem. But what, if you would like to make simillar pictures with an object that is not so steady? Let’s say children in your hand, waving around? :) And you still want that buildings to be seen as in above images.
2David Akesson says
Classy work Neil.
As usual much more than simple food for thought – fabulous
3Jeanette says
What gorgeous photos!! I’m in awe of your work, really I am!
4nick says
I actually like your window sill shots the best! Sometimes simple is best – no bounce flash on those even and they turned out great! Those intense eyes help too!
When you say you turned her head until the light was even, what exactly do you mean by that? Just that you turned her face until the shadows were doing a pleasing loop-lighting look?
-Nick
5Neil vN says
>Nick, yup, exactly that.
It does take some practice to carefully look at how the light falls on your subject’s face, and directing their body and face’s positioning for better lighting, when you use available light. Deciding to only use available light shouldn’t really leave you static about the lighting.
6Michael says
Hey Neil, What a boytjie, Nice to see one South African photographing another in America.I did some work for Top Billing magazine last year of a friend who is a master potter.It was great fun doing the shoot as well.
Keep up the great work as it inspires all of us at some point!!
Michael