lens review: Nikon 50mm f/1.4G vs Nikon 50mm f/1.8G

lens review: Nikon 50mm f/1.4G vs Nikon 50mm f/1.8G

The 50mm lens in general is an interesting optic. Not necessarily for what it does, but how it seems to have fallen out and back in favor over the years. For example, in the 1970’s pretty much all 35mm film cameras shipped with a 50mm lens. Zooms weren’t something that just came with the camera as a kit lens. It was the 50mm lens that was the “kit lens”.  So the first thing the serious amateur would do, is dump the 50mm lens and get a zoom lens to get some variety in their photographs.

Then over the years, more compact and slower aperture zooms became the norm. Even more so during the digital era.

Now, as more of the newer photographers are realizing that a 50mm lens is an inexpensive way of getting super-shallow depth-of-field, the 50mm lens is seeing something of a resurgence in popularity.  That super-shallow DoF is a look that your f5.6 kit zoom lenses just can’t give you.

With that, a 50mm lens deserves a place in your camera bag. It takes up little space, and is (usually) inexpensive. (Well, until you step up to something like the Canon 50mm f1.2L … but that’s another story.)

Nikon released the Nikon 50mm f/1.8G (Amazon) as an update to the popular Nikon 50mm f1.8D (Amazon), and as a more affordable option than the Nikon 50mm f/1.4G (Amazon) … so let’s look at how it performs.

A quick summary, comparing the Nikon 50mm f/1.8G to the Nikon 50mm f/1.4G

  • sharpness wide open at f1.8 is very close the f1.4G optic. Stopped down to f5.6 both lenses are razor sharp. As you’d expect from a lens with a fairly simple optical design like a 50mm lens. (Until you get to the Canon 50mm f1.2L which shifts focus as you stop down. But, that’s another story.)
  • the bokeh of both lenses look the same to my eye
  • focusing of the f1.8G is noticeably faster than the f/1.4G which is kind of a slouch. This might be due to the longer focusing “throw” of the f/1,4G optic. But the f1.4G just seemed slow and has received sharp criticism for that. The newer f1.8G is a huge improvement.
  • the f1.8G is more than $200 cheaper than the f1.4G
  • the f1.4G has a 2/3rd stop faster maximum aperture than the f1.8G

And that sums it up whether the Nikon 50mm f/1.4G (Amazon) or the Nikon 50mm f/1.8G (Amazon)  is more attractive.

(As an aside – I have tried three copies of the Sigma 50mm f1.4 lens at various times .. of which two exhibited back-focusing straight out of the box. That’s less endearing.)

1/500 @ f1.8 @ 200 ISO

This is typical of the look one can achieve with a 50mm lens, and using shallow depth-of-field.

In this case, the background is melting away not only because of the shallow depth of field, but also because of the way I shot against bright light, and allowed the background to over-expose. Just for interest sake, the background here above Jessica is an art display of pieces of linen blowing in the wind. (It was also seen here in this review of the Canon 8-15mm f/4L fisheye zoom lens.)


observations on the optical sharpness of the Nikon 50mm f/1.8G

With fast primes, I do think we don’t often use the lens for how sharp they are to the very edges. We photograph 3-dimensional subjects. Not flat scenes. (Besides, if you wanted sharp images from edge-to-edge for a scene that is “flat”, you’d just use an appropriately smaller aperture.)

Fast primes tend to show distinct vignetting when used wide open. But this isn’t a negative in my opinion. It can in fact lend a specific “look” to the images. (The Canon 85mm f1.2L is great for this … lending a noticeable vignette when used wide open with the 5D body.)  So the usual way of testing lenses would tell you about their optical quality .. but it would most likely not have much bearing on how the lenses are used – bringing attention to your subject via the shallow depth of field.

With these two images (click through to larger versions), you can see the difference in depth of field between f1.8 and f5.6 … but this shallow depth-of-field comes at a (slight) expenses of optical sharpness when used wide open.

Here are 100% crops (unsharpened) of her right eye of those two photos. The image at the left is for an f1.8 aperture, and the second image is for the lens used at f5.6 aperture.

The lens shows that typical slight haze (even though it looks sharp-ish) that you get with these lenses. So for me, this lens is sharp wide open, in that I would happily use it at wide apertures if I needed the shallow depth of field. If you want super-sharp though, then stop down. Those are your options.


bokeh: Nikon 50mm f/1.8G compared to a few other Nikon 50mm lenses

Before we look at the bokeh of this lens, keep in mind that shallow depth of field is not the same thing as bokeh. Bokeh is the evaluation of how pleasing the out-of-focus areas (usually) in the background appears. Also, we’re going to look at a single scene here. To really get an idea of the bokeh of a lens, we’d have to use it in a variety of situations at different focus distances and different apertures.

But this single example will already give us a good idea of whether the lens has pleasant bokeh or not.

Using a tripod, I took a series of photographs of Jessica at a specific distance. The crop images are from the top-right-hand corner.

The 50mm f/1.8G and f/1.4G show pretty much the same bokeh when used at f1.8 Note the way the out of focus areas are oval and have a soft edge to them. The f/1.4G lens appears to have slightly more round shaped out of focus highlights than the f/1.8G …. but this is such a small difference, that it wouldn’t factor in buying the one lens rather than the other.

Stopped down a little bit to f2.8 it still looks quite similar.

Comparing the newer f/1.8G lens to the f/1.8D we see that the bokeh of the G lens is more pleasing than the D optic. The out of focus highlights of the D lens has a harder edge to it, and would make the background less smooth than for the G optic. So this means to me that the f/1.8G lens has better bokeh than the f/1.8D

Stopped down to f2.8 it would appear the same and we even see that the D lens starts to exhibit a kind of hexagonal edge to the circles. (Both lenses have 7 blades to the diaphragm though.)

Just as a comparison to how the bokeh would look when it is less pleasing, here is how the older manual focus Nikon 50mm AIS lens appears at f2.8 …. the hexagonal shapes are quite distinct.

In summary … the bokeh of the Nikon 50mm f/1.8G is an improvement over the f/1.8D

The f/1.4G improved in a similar way over the older f1.4D lens in terms of its bokeh. Notice here how intrusive the bokeh of the Nikon 50mm f/1.4D can be when used wide open.


Nikon 50mm lenses

49 Comments, Add Your Own

  1. 1Darren says

    Great informative site,Just found it yesterday, Already spent a few hours reading through your great detailed lighting explanations.

    Just thought I’d say hi.

  2. 3Howard Owen says

    “Here are the DxOMark scores…”

    There are times when lab results don’t accurately reflect or predict what happens in the real world. This, I think, is one of those times.

  3. 4jake says

    just found this post as I was trying to decide if the 1.8g would be my next lens, and hoping that it would compare well to the 1.4g considering the large price difference.

    I’m happy to say that I will be buying the 1.8g for my nikon d5000! Thanks for this excellent article

  4. 5Roy Barnes says

    Yep, the 50mm is definitely bang for buck stuff! The little 50mm f/1.8 of Canon revolutionised my appreciation of lenses when I first used it…and since. That sharpness, shallow depth of field and bokeh are surely the hallmarks of fine optics. And when you appreciate this you never turn back. 50mm lenses…love them!

  5. 8Lizette says

    Hi Neil,
    This is THE best review I have read and I have been looking for days. I do portraits (incl babies) but truly love landscape photography. I have a D7000 and am looking for sharpness as well as a great bokeh. What I’ve read so far has been that the 50mm 1.4G has great bokeh and the 1.8G is sharper esp wide open. At the moment I am looking at the following lenses, the 85mm is a bit too rich for my wallet at the mo. Would you be so kind as to put them in your order of preference?

    Nikon 35mm 1.8G
    Nikon 50mm 1.4G (Can upgrade to fullframe & good bokeh)
    Nikon 50mm 1.8G (Sharpness & pleasant bokeh)
    Or should I buy the 35mm and 50mm 1.8G for approx the same price as the 50mm 1.4G
    Or should I buy the Sigma 50mm 1.4?

    Much thanks,

  6. 9 says

    Lizette … difficult choices there since the focal lengths are so different.

    If you’re sure you’ll stay with the crop sensor format, then the 35mm + 50mm combo makes most sense.

    Personally, I wouldn’t want to be tied into the smaller sensor. The larger full-frame sensor will give better quality. With that, the 50mm f/1.4G would be the better long-term choice.

  7. 10Lizette says

    mmmm – thanks Neil. That was my first choice cause I would LOVE to specialise in landscapes and then I def need a ff. I’ve read the 1.4 is not as sharp as the 1.8 wide open, is this measurable and if so can it be fixed in post processing?

    I love your site and am sorry I didn’t find it earlier. You work is amazing. Do you do any distance mentoring / advice?


    PS You have a very South African surname, any SA blood in you?

  8. 11 says

    The f1.4 optic isn’t as sharp at f1.8 as the f1.8 optic? I’d be surprised.

    Re distance mentoring … I am working with my web techie in setting something up like that. I’ll announce it on my website when everything is in place.

    And yes, I’m originally from South Africa. The “van Niekerk” is a dead give-away usually. ;)
    My bio | becoming a USA citizen

  9. 12Lizette says

    Thanks Neil, I’ll keep a lookout for the distance mentoring.

    I read on one or two review sites that the F1.4 is only as sharp as the f1.8 at aperture above 4, ). But on a few other sites I read that it was negligeable. Also the tests were done in studio.

  10. 14Jim Isham says

    I have owned both the nikon 50mm f/1.4G and the nikon 50mm f/1.8 on a D90, D700, and D7000. The f/1.8 I thought was definitely not as startlingly sharp as the f/1.4G on any of those cameras, and the f/1.8 felt frankly junky and loose. The f/1.4G, however, has such shallow depth of field (less on the full-frame than on the crop-sensor cameras) that its utility is limited to not-so-closeups. If I shoot my grandkids up close, for example, their eyes are in sharp focus while their noses and ears are a lovely bokeh. I just use zooms, therefore (18-200VR, 70-300VR, 11-16).

  11. 16Benie says

    Thank you Neil for your time in sharing this to us. I bought the 50mm f/1.8 the other night and I now have leftover to buy a basic studio kit. I also shoot sports for my kids so I prefer the faster focusing. Regards

  12. 17Yu Jin says

    Hey Neil thanks for the wonderful review. I have been doing my research on these 2 lens and its seems that the 50mm 1.8G pretty match up to the 50mm 1.4G. The 50mm 1.8G seems pretty bang for buck in terms of price/performance against the 50mm 1.4G unless you have deep pockets.

    Correct me if I’m wrong but both the 50mm 1.4G and 1.8G can be used on FX and DX bodyright?

  13. 19Aza says

    I own the Nikon 50mm 1.4G with D7000. It is a good lens and worth the money if you like to do flash-less photography. I don’t have a 1.8G lens so I can’t say for its low light capabilities. But for the 1.4G – I can light a room with one 25Watt warm light incandescent bulb with a stain glass clover. The other light source would be my Monitor as I type this message. I would place a black car key on an warm color desk. Dial in 3200 ISO on my D7000. Switch to Shutter Priority mode and set the shutter speed to 1/125. The camera will find f1.4 as the perfect exposure in this situation. The picture comes out perfectly sharp and pretty.

    But if you want to save money then there is no doubt in my mind that 1.8G can produce sharp images for less money.


  14. 20campbell henderson says

    hi Neil. I am thinking of the 50ml 1.8 but seing reviews of poor bokeh, would the 1.4 be better. budget is little tight as trying for other things or should i comit to the 1.4



  15. 21Clint says

    I’ve had most of the Nikon 50mm’s and currently own the f/1.4G lens. It’s the best optically so far. I find I actually prefer the lower contrast wide open on it and the correspondingly softer bokeh since I’m pretty much shooting portraits and more contrast is not really better. Oof elements are round instead of polygonal like the f/1.4D lens (which I’ve owned too), and images aren’t quite as saturated as the new f/1.8G lens…which is a good thing IMHO. It’s like a fine wine with everything in balance…more is not always better. Now if someone were to give me a Leica 50mm f/.95 lens I would not hold it against them. ;)

  16. 22PJ Sinohin says

    thanks Neil for the great review.. i got my 50mm f/1.8G since January ’12 for my 3-year-old D40 and people checking my photos thought that i have bought a new camera body because the photo quality improved.

  17. 23Harry says

    I currently own the f/1.4G but I’m thinking of returning it and getting the f/1.8G instead. That way I save money and I have a lens that focusses quicker. It’s a tough decision because the f/1.4G is better optically. The corners are sharper.

  18. 24Fish says

    Wow, I think I’m more confused now than before. I have the 50mm 1.8d which has been great. I was going to give it to a friend and upgrade to the 50mm 1.8g or 1.4g based on reviews. I was in to the 1.4d until I heard about the flat DOF and not as good bokeh. I can’t say money is not a factor, but I merely want the best lens. The 1.4g being slow doesn’t make me happy, but how slow is slow? I will definitely use it handheld at night and want good results, not delay in low light. I use my 50mm 1.8d for landscapes and like the sharpness at smaller apertures. Does either the 1.8g or 1.4g outshine the other at landscapes. If you could only have the 1.8g or 1.4g which would it be? A lot of guys are picking the 1.8 over the 1.4.

  19. 28Nathalie says

    Thank you Neil. This was just what I needed, there are so many sites out there, but I have not come across one that is practical. I get confused with all the technical talk, but you have explained it beautifully,and I can see what you are talking about.

    Thank you.

  20. 29Selene says

    Hi Niel, I’m so glad I found your website! I’ve been fishing around, trying to decide on a 50mm lens and your tests/posts are so helpful. However, I was wondering what was your take on the bokeh on the 50mm 1.4D vs the 1.4G. I read your post on the 1.4D about the intrusive bokeh and wondered if there’s an improvement on the 1.4G. Aside from that, I was wondering if it’s worth to invest on the 50mm 1.2 on the long run over the 1.4?

  21. 33Jeff says

    Very well written article! I am an owner of the 50mm f1.8D it looks great on my D3s but on my D800 it appears soft. I just purchased the 50mm f1.8g as I was going back and forth over f1.4g vs f1.8g – for my needs I don’t care about the shallower DoF with the f1.4g – I care about sharpness wide open and I read Nasim’s Article on Photographylife.com too. He feels the newer f1.8g with an aspherical element is the better buy – DigitalRevTV also agrees for the money the 50mm f1.8g is a better handling lens all around. Though some people want the extra shallow DoF with the f1.4g and lower light abilities – everyone’s needs are different. The bokeh is almost identical on both the f1.4g and f1.8g!

  22. 34Steve says

    “for the money….” is rather subjective!!

    I would like to add my (limited) experience in ths field!! Originally owned a 50/1.8D with my D300 and found it to be awesome, never had a problem with it, sharp wide open and reliably gave excellent results. I upgraded to a 1.4D when I went full frame with a D700 and was never really happy with it. I traded it for the 1.4G and while the IQ and general ability is improved I, like NVN, find the focus speed incredibly slow. Not such an issue once you’re there but transitioning between two subjects more than, say, a metre apart you really notice the lag. Unless you really need that extra 2/3 stop I would say that the focussing speed is a very much a deciding factor.

  23. 35 says

    hexagons have six sides. a seven sided polygon would be a heptagon.
    heptagonal bokeh is what i love about the dirt cheap 1.8d
    .. so long as were splitting hairs…

  24. 36Chandan Hazra says

    For D7000 50mm f1.8G or 50mm f1.4D which one will be good purchase. I want better low light capability with better bokeh and sharp performance from f1.4/f1.8 to f4 wideopen.

  25. 37Greg says

    Hi Neil,

    I read your excellent article comparing the Nikon 50mm 1.4G vs 1.8g.

    First of all, thank you for a great review.

    I have one question that I still have and would appreciate your opinion.

    Just for background, my main use for this lens will be low light photographs. For example, portraits at dinner in a restaurant. I find low light the most difficult situations.

    That said, I’m not sure how much I will notice the difference between the two lenses? I.e. the 0.4 difference… Is it worth the additional money?


    1. Budget is a consideration – I could buy something else with the difference in money…

    2. I have just purchased a D7100, moving up from a D3000. So it will be used on these bodies.

    Appreciate your thoughts & guidance here.

    All the best!


  26. 38 says

    Tough call. Here’s how I reason about this though:

    1.) The difference in price is about $220 … it’s a fair amount of money for what would be 0.5 stops difference in light. Now the question is, for how many years are you going to use that lens? 10 years? 20 years? Would there ever be an opportunity where the 1/2 stop difference would be essential. How often would this happen over the next 20 years? Enough times to offset the extra $200 expense? Probably.

    2.) I would rather buy gear that is better than I am capable of … or gear that is *more* than I am going to use. This way, the likelihood of me upgrading again, is reduced. I’d hate to buy a cheaper alternative, and then just end up buying the more expensive alternative somewhere in the near future. This makes the slightly more expensive item, *really* expensive.

  27. 39Denis says

    Hi Neil,

    I just discovered your website when doing a search for a comparaison of 50mm 1.8 vs 1.4. I will definitely go through the other articles you posted. I love this one, thank you, it did answer a lot of my questions. The only thing I am wondering; if I want to do low light pictures with fast action (ex: concert or dancing), since the focus is faster on the 1.8 vs the 1.4, should I tend to go for the 1.8?

    Again,thank you for a superb website and article


  28. 40 says

    For low light photos where there is action, you’d definitely want the faster aperture.

    Faster aperture = Faster shutter speed = Less subject movement

  29. 41 says

    Great stuff again Neil, this is something I’ve been struggling with for a while in the sense of gaining sharpness wide open. Thank you. I owned the canon 50mm f1.8 but sold it to buy the 1.4, I did that for two reasons, first being low light situations during church weddings in UK are pretty awful so its nice to have that extra stop of light if needed, and second the build quality is so much better. But as you have showed bokeh wise not a lot of difference.

  30. 42bridget says


    I just came across your website and I love how helpful it is! I am very new to this whole photography thing but I love taking photos so I recently purchased a Nikon D5100 DX. I would like to begin taking photos for people and am looking for a good lens that specializes in portrait photography; specifically family, children and couple photography. I see how much you love the Nikon 50mm f/1.8G FX lens and after reading about it you’ve got me hooked. I was wondering if that lens would be a good starter lens for capturing portraits on my camera? I really want a lens that provides a good depth of field and bokeh. Because my camera body is a DX would the 50mm FX still allow me to achieve that blurred out background look or should I go with a lens like the Nikon 35mm f/1.8 DX?

    If you could give me some feedback that would be wonderful! I very much appreciate your time!

    Thank you!

  31. 43 says

    The wider lens will always appear to give you more depth-of-field for the same aperture. The backgrounds will appear more defined.

    So if you want that shallow DoF look, then you need to go longer, and 50mm would be better than 35mm.

  32. 45 says

    Great review Neil, thanks!

    I’m a professional wedding photographer and have shot with the 50mm f1.4G for many years. Two things really got to me:

    1 – The slllloooowwww auto focus. Anyone shooting pictures at weddings with this lens will know that “COME ON COME ON COME ON” feeling while waiting for it to get into focus while an important moment takes place in front of you.
    2 – The harsh bookeh, in particular with leaves in the background.

    Because of this I ended up buying the Sigma 50mm f1.4. The verdict: I’m going to be selling my Nikon f1.4G.
    The Sigma is FAST and the bookeh really is much more pleasant. I can recommend it to anyone. Sure, people complain about the focus not being as precise as the Nikon, but in all honesty, I haven’t noticed a drawback because with the Sigma I can 2-3 pictures in the time Nikon takes just one. It’s often more about the moments and I prefer a lens that can capture those moment.

    The only downsides of the Sigma are:
    – The weight. Almost twice as heavy as the Nikon 50mm f1.4. The Nikon you can carry with you in a pocket, the Sigma you’d hesitate to take with you on a trip
    – The contrast when shooting in counter. I shoot a lot in counter light and the Nikon is slightly better on this one, the Sigma can sometimes look a little bit watery / flat. This is actually the only reason I’ve held on to the Nikon this long.

    The bottom-line is also that with the Sigma I’m using 50mm more often than when I was using the Nikon. I think many people don’t like shooting the 50mm partly because of this pleasure aspect (related to the slow auto focus).

    Neil, have you found the same? What are you findings of the Nikon vs Sigma?

  33. 46 says

    I’m holding out for the new Art version of the Sigma 50mm f/1.4
    If it is anywhere as good as their 35mm f/1.4 it will be a winner.

    What put me off the current Sigma 50mm f/1.4 (the regular lens), is the frequent reports that it back-focuses. And the one time I did play with the lens at B&H, their demo copy back-focused. I just resent it when I have to send a brand-new item in to be calibrated.

    • 46.1Chris Falkner says

      Hi Neil,

      I’ve just recently picked up the Sigma 50mm f/1.4 ART lens and am finding it to be a better lens for me compared to the Nikon 50mm f/1.4G. Mainly the faster focus and being much sharper wide open is what I like about the Sigma. Just wondering if you have got the chance to use one yet and if you plan on updating this review???

      Thank you for the great website by the way, has helped me learn some great on camera flash techniques as well as a few other things also.


  34. 47Eljot says

    Dear Neil,

    I got Nikon D5100 and would love to buy one of the lenses Nikkor 50mm 1.8G or 50mm 1.4G
    I will be using for fotographing my kids. Could you please advice me which one would be better for kids photography ?
    Price difference isn’t that important at the moment, I just want a good lens that will last for the whole childhood.
    There are so mamy different opinion and I got realy confused :(
    Also, I heard about 35mm 1.8f is good for kids.

    Please advice and help me.

    Thank you in advance.

Leave a Reply

Your email address will not be published. Required fields are marked *