photography composition – finding the other angles
At the same photo shoot-out that the stunning Film Noir Fight Scene came out of, I again worked with a model, Jill. Her hairstyle and dress were strongly reminiscent of the flapper era. It therefore just suited a more dramatic and sexy pose and styling. And of course, dramatic lighting.
For off-the-cuff / on-the-fly dramatic lighting, a video light is hard to beat.
The photo at the top is the angle that my friend Peter Salo found, while I was standing on a short ledge, shooting from above. The irony here is that the first time Peter and I met, was at another photo shoot-out, and I was insistent he find a different angle than just shooting from eye-height. I even pushed him down on the ground to convince him. And here we are, a few years later, with him finding the alternate angle that I didn’t immediately see. Using the 85mm f1.4 lens wide open, gave that shallow depth-of-field.
The second image (the wide angle shot from above) is the photograph that was easy to envision. The pattern of the tiles in the lobby immediately drew my attention as a possible idea. In the final image, the way the tile pattern recedes helps draw your eye to our model, helped by the spot-light effect of the video light.
Both images here were lit with the Lowel ID-Light (B&H), held aloft by someone else. The position of the light should be discernible by how the light falls on her, and how the shadow pattern falls under her nose.
Knowing the theme of this photo shoot was Film Noir, I didn’t use flash at all, but decided on only using the video light. Since I knew I might want something stronger than my usual LED video light, I decided on the more flexible and powerful Lowel ID-light.
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