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December 3, 2011

photography composition – finding the other angles
At the same photo shoot-out that the stunning Film Noir Fight Scene came out of, I again worked with a model, Jill. Her hairstyle and dress were strongly reminiscent of the flapper era. It therefore just suited a more dramatic and sexy pose and styling. And of course, dramatic lighting.
For off-the-cuff / on-the-fly dramatic lighting, a video light is hard to beat.
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November 25, 2011

wedding photography: bride & groom portraits with video light
For that dramatic Hollywood look, a video light is probably the easiest light to use, especially when there is the need to work fast like on a wedding day. With Alli & Scott’s engagement photo session, I knew I’d be working with a couple that would easily go along with any ideas that we’d come up with. We worked indoors at the Temple Israel in Long Island, New York, and there were all kinds of interesting nooks to explore.
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May 25, 2011

video clip – using LED video light for photography
Regular visitors to the this website will know that I favor video lights for dramatic portraits. The what-you-see-is-what-you-get nature of it, makes it really easy to get interesting light on your subjects. But it does need some finessing in how you position it for portraits.
Meeting up with Anelisa, one of my favorite models, Jessica and I created this video clip to show exactly how I use the video light for portraits. It also explains my starting point in choosing the direction of light, and also shows how I direct Anelisa during the shoot.
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May 4, 2011

using a gelled LED video light for a change in color balance
Continuing with the theme of combining dramatically different color balances in a single image, there is this striking portrait of Rebekah. She is one of our models at the workshop at Treehaven, WI, this week. Working in the fading evening light, I had Rebekah pose somewhere in the middle of a large clump of trees. I knelt down so that I could shoot up and catch the last remnants of the evening sky as the background.
The blue light filtering through the trees was then exaggerated by using an LED video light with the deep Amber gel on it. LED video lights are balanced for daylight, so the light from them is quite ‘cold’ compared to Incandescent light. By now using the specific gels that are supplied with it, you can change the color balance of the video light to match Incandescent / Tungsten light. It is normal to work with the Amber gel to shift the LED video light towards the warm spectrum of Incadescent light.
In photographing our model here, I wanted to use the warm light from the Amber-gelled LED video light to create a big jump between that and the color of our background light. (I specifically didn’t want to use the LED video light as daylight-balanced light source.) This now caused the blue-ish tones of the evening light to go to a much deeper shade of blue. The rapid fall-off in the light from the video light, gave that typical spot-light effect. This really accentuated her face.
The pull-back shots reveal just how big a jump it really was in the color between our surroundings and the video light …
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March 28, 2011

using video light as fill-light for the romantic wedding portraits
Having just photographed my first wedding of 2011, I’m back in the groove of things. Keeping to the recent theme of showing how video lights are used for photography, I’d like to show a small selection of images of Cherryl and Jim’s wedding where I used a video light to enhance the existing incandescent lighting at the reception venue …
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March 25, 2011

comparative review: Lowel ID-light & Litepanels MicroPro LED light & Dedo Ledzilla
The use of video light for stills photography has become ever more popular in recent years, as high-ISO capable cameras made it possible to shoot in lower light without having to resort to flash. The immediacy of video light – the ‘wysiwyg’ nature of video light – makes it an interesting light source to play with and experiment with on a shoot. The dramatic quality of the light is also quite appealing.
Broadly speaking, there are two kinds of video light out there:
- the traditional Tungsten / Incandescent lamps,
- video lights with an array of LEDs providing the light.
The LED video lights have several advantages over the “proper” video lights:
- they don’t become too hot to touch,
- they run for much longer, and most use AA batteries,
- they are balanced for Daylight, and can be gelled for Incandescent,
- they are more compact.
So to see just how this all stack up in actual use, I decided to compare three video lights:
- the Lowel ID-light
- MicroPro LED video light
- Dedo Ledzilla video light
We’re going to specifically look at how bright they are and how their light spread is, and what their quality of light is like …
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March 7, 2011

photo sessions - Shawna – using a variety of photographic lighting options
Shawna is the delightful model I used while I was in Las Vegas a few weeks ago. She helped us out during the mini-workshops I offered, as well as some photos of my own. I’ve posted a few photos from these already, but thought it might be interesting to show a further selection of images and discuss them …
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February 23, 2011

video light vs bounce flash
It’s easy enough getting nice clean open light with a single on-camera speedlight when shooting indoors. By bouncing your flash with the idea of getting directional light from your flash, you can effortlessly get portraits like this. As usual, I used the black foamie thing to flag my flash and get more light on the one side of my subject’s face. In this case, more subtly so than some other examples on this site.
We were working in the same location here as shown in the previous article where I photographed Shawna using only the available light. However, for certain photographs I had in mind, it quickly became obvious that a more contained light source than bounce flash would work better. When compared to a light source like a video light, bounce flash tends to flood an indoor location with light, even if directional when you look at your subject. A hand-held video light gave me the type of lighting I wanted …
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January 23, 2011

Film Noir style portrait using video light
Last week I attended the Digital Wedding Forum convention in San Antonio, where I also did a presentation. Great fun meeting up with old friends and making new ones. Since this was the 7th DWF Convention, there are a few traditions that have been established by now. One of these regular unofficial events at the Convention is the Avatar Shoot. Stephanie Zettl, who has featured on a few guest posts here on Tangents, arranges this shoot at the convention. The idea is to shoot new portraits to be used as avatars.
The theme this year was Film Noir. Using just one (or sometimes two) video lights, she created moody portraits of every innocent bystander attendee hanging out at the hotel bar the one evening. The video light is perfect for lighting for a Film Noir look to the photos. With the dramatic drop-off in light to the edges, the area around your subject will usually fall into darkness rapidly. This creates a kind of a spotlight effect. Perfect lighting for this!
The photo at the top is my portrait. I just pulled up my collar and sank back against the wall. Working so close to the wall was useful in allowing a shadow to appear … and Stephanie very effectively used the negative space there to add more drama. Just to keep the momentum of the photography process a little off-balance here .. the moment she took the first shot, I stepped away and told her we are done. Just the one shot. And it worked. It had to.
A little more about the specific video light used here:
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October 13, 2010

photo shoot: haunted fashion (using video lights)
The previous time I photographed Anna was at a pin-up photo session. I had the opportunity again to photograph her and other models again last night … but in a completely different style and setting this time. The Valley Hudson Click group arranged a Haunted Fashion theme for this photo session.
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