photography: video light and daylight
With the recent lighting workshop in New York, we again played with the use of video light … and then took it out to the street. The blue-ish tones of the shady side of the building here, contrasted beautifully with the warm glow of the video light.
As with the article, gelling your flash for effect, this is something that can work very well when we use light sources with different color balance, thereby attaining those complementary colors. The rapid fall-off in light also helped give the photograph a dramatic quality.
The photo above is a crop of the actual image which is also a pull-back shot then to show where the light was positioned:
If you find these articles interesting and of value, then purchasing your photography equipment & other goodies through these affiliate links would be a great help in maintaining this site. Thank you!
camera settings:
1/200 @ f/3.5 @ 800 ISO
equipment used:
Nikon D4 (B&H); Nikon 70-200mm f/2.8 VR II (B&H)
Lowel ID-Light (B&H)
related articles:
- using video light for photography
- positioning the hand-held video light
Turning into another direction, we had the early evening city as a backdrop. Using a long telephoto zoom helped isolate Anelisa against these out-of-focus colors.

The technique here was to choose a background which wasn’t much brighter than we’d be able to get from the video-light … and then bring up the exposure on her with the video light. It really is the same technique we use with flash – expose for the background, and then lift the exposure for your subject with flash … or, as in this case, a video light.
I used Imagenomic Portraiture and Nik Color Efex 4 filters here to retouch the photograph.
camera settings:
1/200 @ f/3.5 @ 800 ISO
equipment used:
Nikon D4 (B&H); Nikon 70-200mm f/2.8 VR II (B&H)
Lowel ID-Light (B&H)
more info on the workshops & seminars
photography books by Neil vN
newsletter / forum / workshops & seminars
Stay informed of new articles via the monthly newsletter.
Also join us on the Tangents forum for further discussions.
If you need more direct help or instruction on flash photography,
I do present workshops & seminars and also offer individual tutoring sessions.
If you find these articles interesting and of value, then you can help by
using these affiliate links to order equipment & other goodies. Thank you!








What are you using to power the light?
Comment by Jason Craven — July 20, 2012 @ 11:07 am
Thanks for posting. I looked at the link to B&H for the ID-Light, but is the power supply for the light?
Comment by DougG — July 20, 2012 @ 11:49 am
Comment by Neil vN — July 20, 2012 @ 12:11 pm
Doug,
You need to also purchase a power supply [battery] for the Lowell light.
However, a cheaper and a much longer lasting [but heavier option] is I also purchased the XLR connector which goes into the Lowell’s connector and soldered the other end onto slide clips which fits onto a 12V sealed motorcycle battery, cost me only around $80 and I still have the battery which is now over 4 years old.
It lasts a very long time in power. I also got a little carry bag with it at the same time, $6, with a shoulder strap so my assistant has the light on a mono, and carries the power supply over shoulder.
Trev.
Comment by Trev — July 20, 2012 @ 12:39 pm
Hi Neil!
Once more, a fantastic shot!
With flash, you can easyly control the background exposure and the flash fill, separately.
How do you do this with video light? Once you have your expouser for the BG, how do you meter it for the subject? Just with the spot metering of the camera?
Regards!
Felipe
Comment by Felipe Anciaes — July 20, 2012 @ 1:01 pm
Comment by Neil vN — July 25, 2012 @ 3:35 am