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Wedding photography: Using high ISO and flash at the reception

August 15, 2012 Neil vN 36 Comments

Wedding photography: Using high ISO and flash at the reception

Chatting with other photographers at the recent WPS convention in Chapel Hill, NC, I was again struck by how there are so many different ways of approaching lighting. In this case, lighting at the wedding reception. The one photographer I was chatting to, set up multiple speedlights around the reception room, and then controls which are fired, from his on-camera Master speedlight.  Very impressive. In recent years, the wedding reception venues where I've shot on the East Coast of the USA, have moved away from being the  Read more inside...

A wedding in Central Park, New York

August 8, 2012 Neil vN 31 Comments

A wedding in Central Park, New York

A groom holding up the softbox for me ... as you may well guess, there's a story here. Alvin and Lucia are from the UK, but decided to get married in Central Park. Of course, there's a story here too.  Read more inside...

High-key studio lighting (part 2)

August 6, 2012 Neil vN 12 Comments

High-key studio lighting for portraits (part 2)

Continuing the photo session with Ulorin Vex, doing high-key studio portraits in the studio, she changed into a different costume. I wanted a more interesting edge definition than just the light spilling back from the background, so I added two gridded softboxes to each side ...  Read more inside...

Maximum flash sync speed, and the Nikon SB-900 / SB-910 speedlight

August 4, 2012 Neil vN 5 Comments

Maximum flash sync speed, and the Nikon SB-900 / SB-910 speedlight

Because of the way the focal plane shutter works in DSLRs, shutter speed doesn't affect our flash exposure ... while we don't go over maximum flash sync speed. When we go into high-speed flash sync, our flash output drops. (The linked article there explains it thoroughly.) However, when we work with ambient light (and intend to add flash to our subject), then a change in shutter speed has an indirect effect on our flash exposure. A change in shutter speed will mean a change in aperture, and this is what affects our  Read more inside...

High-key studio lighting for portraits

July 31, 2012 Neil vN 21 Comments

High-key studio lighting for portraits

One of the models that replied to my casting call for a model at my workshops in San Francisco in 2011, happened to be Ulorin Vex. I immediately recognized her, since I've seen photos of her in various portfolios. I was both surprised and very happy, since I regarded her as a bit of a superstar. I scheduled a photo session with her for the day after the two workshops in SF, and the images from those sessions appeared a few times on Tangents, and I'd consider them among the best work I had ever done. It helps to have an inspiring model! Ulorin  Read more inside...

First impressions: Nikon D800

July 29, 2012 Neil vN 16 Comments

First impressions of the Nikon D800

I've been using the Nikon D4 for a while now, and love it. For me, the Nikon D4 offers more than enough resolution for wedding photography. Of course, wedding photography is a niche. There are other genres and types of photography where large files are a benefit. Landscape photographers and commercial photographers have a need for large digital files for maximum detail. And with that Nikon must have seen a gap, and made the surprising jump from the 12 megapixel D700, to the incredibly high (for now at least) 36 megapixels of the Nikon  Read more inside...

Amsterdam – A travelogue shot and edited on the iPad 3

July 24, 2012 Neil vN 11 Comments

 

Amsterdam - A travelogue shot and edited on the iPad 3

While isiting Amsterdam for a few days with my daughter, I decided to see how well it would work to shoot and edit a video clip on the iPad 3. In fact, do it all on just the iPad 3. Even though I had my Nikon D4 with me - a camera which is far more suited to shooting video - I decided that it might be fun to shoot and edit on the same device. While I could've shot the video footage more easily on my iPhone 4s than the clumsily large iPad, I wanted to edit on the same device, and the iPad offers a lot more real estate  Read more inside...

Wedding photography: Controlling those found moments

July 23, 2012 Neil vN 10 Comments

Wedding photography: Controlling those found moments

This photograph of Catherine, during the preparation on her wedding day, triggered a question in album of photos I posted on Facebook. The question was about the focal length I used, and also about how did I get this photo? The answer is that this is a found moment - a candid moment - that I controlled. As I discussed in the article - wedding photography – a photo-journalistic style, or more posed? - I often guide things along on the wedding day. If I see something that I could nudge towards being a better photograph, I have no  Read more inside...

recap: Photography workshop – Amsterdam, Netherlands (2012)

July 22, 2012 Neil vN 6 Comments

recap: Photography workshop - Amsterdam, Netherlands (2012)

With my daughter, Janine, done with high school and ready to enter university, I thought it might be a great time for a kind of road trip for the two of us. One last time to hang out together before she leaves the house. There was just this small window now in July where both our schedules were open. When I was in Amsterdam in 1986, I really liked the culture and the laid-back nature of the people here. Of course, it also helped that in being an Afrikaans-speaking South African, I could understand Dutch fairly well. And  Read more inside...

Photography with video light and daylight

July 20, 2012 Neil vN 8 Comments

Photography with video light and daylight

With the recent lighting workshop in New York, we again played with the use of video light ... and then took it out to the street. The blue-ish tones of the shady side of the building here, contrasted beautifully with the warm glow of the video light. As with the article, gelling your flash to get a blue background, this is something that can work very well when we use light sources with different color balance, thereby attaining those complementary colors. The rapid fall-off in light also helped give the photograph a dramatic  Read more inside...

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