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Dramatic and dynamic lighting for group photos

July 5, 2024 Neil vN Leave a Comment

Dramatic and dynamic lighting for group photos

This group photo appeared as part of a sequence of images, for a story on the CEO for a financial magazine. The group photo was a composite of a number of photos of the individuals. For a first attempt though, I took a safe shot first of the group with two Profoto B1 flashes bounced into the hallways behind me (photo shown below) … but it kinda looked dull in comparison to the final collage image which the client much more preferred. For this collage / composite photo, I had my assistant light each person individually with a Profoto  Read more inside...

Easy lighting setup for headshot photography

April 15, 2017 Neil vN 7 Comments

Easy lighting setup for headshot photography

For headshot photography in the studio, I have a (flexible) default lighting setup - clam-shell lighting setup.  On location (but still working indoors), I have another setup -  studio  lighting setup for headshots. Nothing is really specific - as long as the final results look flattering and your client loves the images. Your lighting setup should match what your client expects. Then there is also the question of logistics. I'm often asked if all that equipment is a necessity. It's not. Here is my favorite, most simple setup .... bounce  Read more inside...

Softboxes with speedlights

February 21, 2016 Neil vN 43 Comments

Softboxes with speedlights for on-location lighting

Off-camera flash is the easiest way to create dynamic lighting - and using a speedlight with a softbox, is on-location lighting at its most elegantly simple. For most of my on-location portraits, I like to travel (fairly) light, and my lighting of choice is a speedlight, wireless transmitters and a softbox. The softbox is either held up by a light-stand (which I weight down with my camera bag), or held up by an assistant (with the softbox on a monopod.) I like TTL flash - it often gets us there faster than manual flash. But for  Read more inside...

On-location headshots and promotional portraits

October 27, 2014 Neil vN 5 Comments

On-location headshots and promotional portraits

One of the things I like the most about photography, aside from the cool toys, is that you get to meet interesting people. Characters. People with spark. The challenge is then to capture that and show it in the photographs. A headshots photo session needs to be more than just a mere glimpse of your subject's personality. Jonathan Arons, also known as “the trombone dancer”, is a multi-talented actor, singer, dancer and musician, based in New York. Jonathan needed some professonial headshots and some portraits for promotional use. We  Read more inside...

Progression of an idea in a photo session – cosplayer

October 11, 2014 Neil vN 17 Comments

Progression of an idea in a photo session - cosplayer, Ger Tysk

For me, there's always some anxiety before a photo session - especially when you have the opportunity to photograph someone quite unusual and photogenic like Ger Tysk, a cosplayer. (She also creates cosplay outfits for others, and has published a book on Cosplay.) Her latest outfit is Black Widow (from Marvel.) Now, the stressful part before a photo session like this, is that there is the pressure of having a great opportunity, and then having to create a photo series that is worthy of the moment. Even if you don't quite  Read more inside...

Camera & flash settings: What do you want to achieve?

June 4, 2013 Neil vN 10 Comments

Camera & flash settings: What do you want to achieve?

In one of the multitude of photography groups on Facebook, I saw a newcomer to off-camera flash say that she bought an Alien-Bee set, but she has no idea what to set it to. My reply was that she needed a light-meter. My thinking is that then she'd know what the specific output of the flash or strobe would be, and then be able to set her camera to it. But then, thinking about it some more, I realized if there is hesitation there or confusion, it is about what specific camera settings (mostly aperture) should be in the first  Read more inside...

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