Studio portraits - different setups for different looks
As a kind of “inaugural” photo session in my new studio space, I asked my photographer friend, @ClaytonReynolds, if he’d be willing come in to be photographed. I liked the way Clayton's confidence and natural charm comes through in these photos. We used 3 different setups for 3 different looks. From the simplest of setups -- just window-light, to a more complex setup using a spotlight with a gobo. There are two pull-back shots if you're curious about the lighting configuration.
This photo above is a favorite way to quickly Read more inside...
When I first started moving beyond just using a speedlight, towards off-camera flash and studio level lighting gear, I had a few detours via other brands like Quantum flashes and Lumadyne, but decided at some point to buy into the renowned Profoto brand. My first serious flash unit was the Profoto AcuteB 600R which I eventually upgraded to the Profoto B1 when that was released. From there on I stayed with Profoto via the Profoto B10 and Profoto A1 flash.
If I had to make the decision all over again, having the money to spend again, I Read more inside...
Still exploring what the Profoto Spot Small light modifier can do in creating dramatic studio portraits, I had Lauren sit in for some test shots. I was curious to see if I could use this hard light source in a way that still work for a feminine portrait and be flattering. The best option so far for me is to add supplemental light that softens the overall harder lighting or the spot light. By adjusting the power on the big octabox behind me - see the pull-back shot below - I was able to control the contrast.
This way I could still retain the Read more inside...
Dramatic portrait & headshot lighting in the studio
Working with the Profoto Spot Small (affiliate), I wanted to create portraits for my portfolio that showed a more dramatic light for portraits. I think these could even be used as secondary headshots in a portfolio. For this photo session, I had actor / model Andy Peeke (Instagram) in the studio. He has the cheekbones for this!
For other results from the Profoto Spot Small light modifier, also check out this article: Dramatic studio lighting with the Profoto Spot Small
In adapting the lighting setup Read more inside...
Dramatic studio lighting with the Profoto Spot Small
For portrait photography, soft, flattering light is easy to work with. You can more easily pose your subject compared to when the light source is small. Also, it is more immediately flattering to you subject. You have to be really specific in how you pose and position your subject when you use a harder / smaller light source. This is true whether you use available light or studio lighting or off-camera lighting. For example, much of what I do with on-camera bounce flash, is to create directional soft light from what starts out as Read more inside...
Shooting in the studio with Brian and Anette to do promotional portraits of their band, Cut Like This, this one sequence was really fun to shoot. The images directly out of camera had impact already with the swath of blue light against the wall. The lighting is fairly simple - I used a gelled flash to get that color effect. The flash, a Profoto B1 flash (B&H / Amazon), was bare, with just the turquoise gel taped over it. The main light (to camera right) was one I often use when I want that interesting combination of soft light Read more inside...
Profoto: How to use gridded strip boxes as the main light
My favorite light modifiers when working with studio-type flashes like the Profoto B1 and D1, are gridded stripboxes. In the studio where I have space, I tend to prefer the larger Profoto 1’x6’ strip-box (affiliate). When I have to travel with gear, or work with kids, then the Profoto 1’x4’ strip-box (affiliate), is my preference. Both of them with a grid on them. That egg-crate grid on the front helps control how the light spills.
This video explains how I use them as the main light, and what makes gridded stripboxes such Read more inside...
This striking photograph of Anastasiya, like some flying super-hero, didn't just happen on a first take in the studio. It started with an idea, and then through several iterations, finally took shape.
I wanted to test the Profoto B1 flash's Freeze mode, where the duration of the flash is much shorter - perfect for freezing fast motion. However, with a jumping shot like this, the photo is timed pretty much at peak movement - and there isn't really as much blur as we'd need to show that the Freeze mode is effective. We're going to need Read more inside...
As I show in the video clip how to use gridded strip boxes as the main light, I love how I can flexibly shape the light falling on and around my subject. Specifically in the studio, I mostly use the large gridded Profoto 1’x6 strip-box (B&H / Amazon). It is simultaneously capable of dramatic light and soft light. Or an interesting combination of that. More than that, I can vary the interplay between light and shade, by how I swing the softbox around, or rotate it. I often do this while shooting so that I continuously Read more inside...
This striking image is from a commercial gig, shot in my studio for a company launching a range of hair extension products. For this sequence, one of several different setups we did, the client wanted this view and this look - so I had to decide on the best way to light their suggestion. We really make the hair the focus of the image, so I had to shoot from above on a short step-ladder.
The decision on how to light this, was based on the commonly accepted principle of starting with a single light first, and only then building it up Read more inside...
