
high-key studio portraits (part 2) – with Ulorin Vex
Continuing the photo session with Ulorin Vex, doing high-key studio portraits in the studio, she changed into a different costume. I wanted a more interesting edge definition than just the light spilling back from the background, so I added two gridded softboxes to each side …
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The grids on the softboxes help contain the light spill, instead of the light flooding everywhere. The light from behind (via the two gridded softboxes), helped define the contours of the outfit.
I used the Profoto Air system to trigger the two Profoto D1 heads (one on the background, and one in the softbox). To trigger the Nikon Speedlights, I set them to SU4 mode, so that they would be optically triggered when the main lights go off.
Other photo sessions where I used the gridded soft-boxes:
- sequence: setting up the lighting at a photo shoot
- portrait session – Steinway pianist
With Ulorin Vex in this blue latex outfit, I started off with the beauty dish, as it was set up for the previous set. For some poses, the harder light from the beauty dish would give a shadow that is too distinct. (As can be seen in this photo.)

I either had to ask Ulorin Vex to restrict her movements (which would hamper the flow of the shoot), or I had to change to a larger, softer light source. I settled on changing the beauty dish out for a 3′ x 4′ softbox – the Profoto Heat-Resistant Softbox RF 3×4″ (90 x 120cm) (B&H). Much softer light.


For more info on the processing: Photoshop filters – retouching for portraits
camera settings for all images: 1/125 @ f/8 @ 100 ISO
other articles about this photo session
- high-key studio lighting / portraits
- review: Westcott 7′ Parabolic Umbrella
- studio photography: low key lighting variations
- behind-the-scenes video clip of the photo session
equipment used during this photo session
Nikon D800 (B&H); Nikon 70-200mm f/2.8 VR II (B&H)
Profoto D1 Air 500 W/s Monolight Studio Kit (B&H)
Profoto Heat-Resistant Softbox RF 3×4″ (90 x 120cm) (B&H)
Profoto beauty dish (B&H)
(2x) Nikon SB-910 Speedlight (B&H)
Here is the gridded softboxes that were used with the speedlights:
the Creative Light 1×3′ Recessed Softbox (B&H),
with the Creative Light 1×3′ Softgrid (B&H), attached to it.
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The softbox does need a speedring to attach it to the speedlight or other flashgun. The speedring I used here is the one made by Creative Light (B&H), which is specifically made for speedlights. It also rotates, which is helpful if you use it with other softboxes as well. Other accessories used can be seen on my equipment page. |
You get different types of grids – ‘eggcrate’ and ‘honeycomb’. The actual construction and look of the grid will tell you which name is applicable. The Softgrid shown above is of the eggcrate type. A search on B&H’s website will show you numerous options and possibilities.
photography books written by Neil vN
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newsletter / forum / workshops & seminars
Stay informed of new articles via the monthly newsletter.
Also join us on the Tangents forum for further discussions.
If you need more direct help or instruction on flash photography,
I do present workshops & seminars and also offer individual tutoring sessions.
If you find these articles interesting and of value, then you can help by
using these affiliate links to order equipment & other goodies. Thank you!
photography books by Neil vN
newsletter / forum / workshops & seminars
Stay informed of new articles via the monthly newsletter.
Also join us on the Tangents forum for further discussions.
If you need more direct help or instruction on flash photography,
I do present workshops & seminars and also offer individual tutoring sessions.
If you find these articles interesting and of value, then you can help by
using these affiliate links to order equipment & other goodies. Thank you!









Hey Neil,
Beautiful work as always. Just on curiosity, what did you use to trigger all of the lights?
Thanks in advance!
-Sean
Comment by Sean — August 6, 2012 @ 3:31 pm
Comment by Neil vN — August 6, 2012 @ 3:35 pm
Nice post Neil as always! Great Model! Lucky the Skater wasn’t around eh ;-)
Just through curiosity can the Canon 580ex mk2 speed lights be set in anyway so they fire as did the Nikons?
Comment by Mike — August 6, 2012 @ 5:38 pm
@Mike
If I recall correctly some Nikon flashes have a built-in optical slave mode that allow for this type of optical trigger without the need of any additional equipment.
This functionality is not included even on the top-of-the line Canon flashes. For you to do this with Canon flashes, you need to add an external optical trigger.
Comment by Carlos A — August 6, 2012 @ 6:29 pm
Whoa! crispy clean images. And those shoes are killer I’d pay to she how she walks in them :)
Comment by Kevin D — August 6, 2012 @ 11:37 pm
Comment by Neil vN — August 7, 2012 @ 12:02 am
Comment by Neil vN — August 7, 2012 @ 12:05 am
Hi!
Another interesting post, Neil! :-)
I have been looking for strip lights for my speedlights, and the ones you have look very interesting. However, I notice in the two shots where they are shown that they are very bright in the middle and rather dark further out. I would have prefered a much more even spread of light. Do you have the dome diffusers on? Is there an internal baffle? What is the zoom setting?
Thanks!
Comment by Fred — August 7, 2012 @ 12:20 am
Comment by Neil vN — August 8, 2012 @ 2:59 pm
N,
I would love to know more about the “sharing studio space” agreement that you have. I really don’t have the room in my house and don’t have the client base to justify a studio. What kind of arrangements did you make with your partner? This sounds like another tangent….
Comment by Kevin Deibert — August 10, 2012 @ 10:48 am
Comment by Neil vN — September 18, 2012 @ 3:41 am