Studio portraits - different setups for different looks
As a kind of “inaugural” photo session in my new studio space, I asked my photographer friend, @ClaytonReynolds, if he’d be willing come in to be photographed. I liked the way Clayton's confidence and natural charm comes through in these photos. We used 3 different setups for 3 different looks. From the simplest of setups -- just window-light, to a more complex setup using a spotlight with a gobo. There are two pull-back shots if you're curious about the lighting configuration.
This photo above is a favorite way to quickly Read more inside...
A series of photos from the archives - a studio photo session with one of my favorite models, Claudia. I reposted these photos on my Instagram account, as a quiet celebration because Claudia has decided to re-enter as a model after a hiatus of a few years.
When I use models during workshops, it is with the intent of teaching lighting techniques. There is also the strong underlying message that posing and lighting are interconnected. With that, there is a to-and-fro interaction between the model and myself (and the people attending a Read more inside...
There are a number of variations on how to light a white seamless studio backdrop - but it all comes down to the same essentials. You want a spread of even light on the background, and a big swathe of light from the front. All of this with as little fall-off in the light as possible.
We've covered this topic in previous articles, showing how it is done with speedlights ...
Simple lighting setup with speedlights & white seamless backdrop (model: Anastasia)
Simple lighting setup for home studio photography (models: Anelisa Read more inside...
How the size and placement of studio lights affect the photos
Mateos, a model & fitness trainer, in the studio. More than just a fitness photograph (via dramatic light to show off his physique), I wanted these to be portraits as well of this athlete. With fitness photography, the approach is usually to have photos where you show detail and contouring. This is usually done with more contrasty light - small light sources at an angle to your subject.
To get the rim-lighting shown here, there was the typical setup of two gridded stripboxes to the side and behind Mateos. Pretty Read more inside...
Reflector for portrait & headshot photography: Eyelighter
I've mentioned before how much I like using the Westcott Eyelighter for headshot photography. The first time I encountered the Eye-lighter (B&H / Amazon), was at the After Dark Edu photography conventions, and I was fascinated by this lighting device and the results it produced.
There is a distinctive curved high-light that it gives to the bottom part of your subject's eyes. How much of a reflection, will depend on how you rotate and position the Eyelighter.
Read more inside...
Studio photography lighting tips - your first time in the studio
Since I make my studio here in NJ available as a Photo studio rental space, I frequently meet newer photographers who would like to dabble in studio photography a bit, but don't have much experience of working in a studio. Sometimes they have experience with off-camera flash on location, or with a small home studio - and they would like to try out working in a larger studio area, using a range of studio lighting gear. (Btw, aside from some continuous lighting, the studio flashes are all Profoto. There are reasons for Read more inside...
I managed to acquire a lovely (and massively big) lighted table for my studio. I picked it up for quite a low price at a photography studio auction in New York, and now it has a new home. It was a missing piece in my studio - especially since I also offer the place as a photography studio rental (NJ) . But I digress. In other studios that I've used, I've used the glow of the circularly arranged lightbulbs, as a light source. For example in this photo session with Jessica Joy - composition: working towards the final image.
A number Read more inside...
Lingerie photo session in the studio - lighting, light & textures
This photograph of Melanie, one of my favorite models, is one of a sequence where we played with different lights and lighting styles in the studio. I wanted lighting that was both soft and dramatic. Both feminine and bold. The lighting is the same idea - using a big gridded strip-box / soft-box - as I used in a previous photo session with another model, Anita DeBauch.
The final image above, is the result of adding texture layers in Photoshop. I wanted to retain her shadow and other detail in the wall, while Read more inside...
Continuing the photo session with Ulorin Vex in the studio, I decided to swap out the big Profoto 4x3 softbox, for an even larger (but very affordable) light modifier - the Westcott 7' Parabolic Umbrella - white (B&H / Amazon).
Two things that immediately struck me about the Westcot Parabolic Umbrella ... it's sheer size when folder open. It is 7 feet if measured across the span of the umbrella's arc. And when it is folded up, it is surprisingly compact and light-weight. It collapses to a 43.6" size, and fits snugly Read more inside...
Continuing the photo session with Ulorin Vex, doing high-key studio portraits in the studio, she changed into a different costume. I wanted a more interesting edge definition than just the light spilling back from the background, so I added two gridded softboxes to each side ... Read more inside...
