~ my gear ~
cameras | lenses | flashes | lighting accessories | video light
sensor cleaning tools | camera bags | Quantum flash
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radio slaves / wireless triggers
Pocket-Wizard Plus II Tranceiver (B&H)
If you need to use off-camera lighting that you trigger remotely with radio transmitters and receivers, then you will gravitate towards the Pocket-Wizards. They have become an industry standard for a reason – simplicity of operation, reliability and range.
The PocketWizard MiniTT1 and FlexTT5 radio slave system for Nikon:
![]() MiniTT1 transmitter |
![]() FlexTT5 transceiver |
![]() AC3 ZoneController |
The PocketWizard MiniTT1 and FlexTT5 radio slave system for Canon:
![]() MiniTT1 transmitter |
![]() FlexTT5 transceiver |
![]() AC3 ZoneController |
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accessories, clamps and connectors:
Umbrella Bracket (B&H)
And if you want to connect your flash to a light-stand, and to an umbrella, then an umbrella bracket is a necessity. And they aren’t expensive either.
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Brass Adapter & Stud (B&H)
Since the umbrella brackets come with a stud with a hole in it for some explicable reason – it makes it akward sometimes to fasten the stud. So I’ve replaced the stud that comes with the umbrella bracket, with this adapter & stud that has no hole in it.
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Hot Shoe Adapter (Hama) (B&H)
If you have a flashgun that doesn’t have a PC terminal, (for example all Canon Speedlites before the 580EX II), then you’re going to need one of these little devices to enable a Pocket-Wizard to trigger your flashgun.
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Hot Shoe Adapter (Paramount) (B&H)
If you use Pocket-Wizards, then this slightly more expensive, but much sturdier alternative by Paramount, makes more sense, since it takes the hot-shoe mount directly to a mini-jack that the Pocket-Wizards use.
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Stud Adapter (B&H)
If you need to attach your Speedlight (via the plastic foot that came with it), to a lightstand, then you’re going to need a stud adapter such as this.
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umbrellas & softboxes & light modifiers
Umbrellas
To soften the light from your flash, you need to turn it into a larger more diffuse light source. Of all the items lighting accessories available that will soften your flash, the umbrella is probably the most accessible and easiest to use of them all. I normally use the larger 60″ umbrellas.
60″ white satin umbrella, with removable black backing (B&H)
45″ white satin umbrella, with removable black backing (B&H)
45″ white satin umbrella (B&H)
The white satin umbrella allows you to shoot flash through the umbrella, or bounce it. The black backing makes the other umbrella more efficient, and also prevents lens flare if you shoot from a position behind the umbrella.
Softboxes - Lastolite EZYBOX softbox kit
Lastolite EZYBOX softbox kit, 24×24″ (B&H)
This softbox is light-weight, compact and very easy to set up.
Read my review of the Lastolite EZYBOX
Softboxes – Photoflex Q39
To mount a softbox to your Speedlight, you have numerous options.
Here are the softboxes I use - the Photoflex Q39 series:

Photoflex Litedome Q39 – 16×22 (small) (B&H)
This softbox is compact, but offers a much wider spread (and hence softer light), than direct off-camera flash would.
Photoflex Litedome Q39 – 24×32 (medium) (B&H)
These are the softboxes I now use during the workshops I present. The larger area gives softer more diffuse light than the smaller softbox. This softbox has an additional baffle inside, unlike the small Q39. I use this particular softbox with either a Speedlight, or with a Quantum Q-flash.
With either of these softboxes, you’re also going to need a speed-ring, to mount the softbox, and some kind of connector to mount the speedlight to the speedring and softbox.
A sturdy (but spendy) option is the Westcott Magic Slipper. (B&H) (It comes with the speedring and also with an umbrella clamp.) With the Magic Slipper you use the speedlight’s foot attachment to keep the Pocket-Wizard to the plate.
If you want the smaller softbox (16″x22″) and not bother with individual items, the simplest would be to get the Westcott Small Softbox With Magic Slipper Kit. (B&H)
A more affordable, but more flimsy option is the Photoflex hoe-mount connector (B&H), for the Q39. For this you would also need a speed-ring (B&H) to mount the softbox. With this I also used the Quantum L-bracket (B&H) to mount it all together.
Softboxes - Westcott Apollo

Westcott Apollo Softbox (B&H)
An alternative to the Q39 softoboxes, and one that is perhaps easier to set up, would be the Westcott Apollo. All you’d need here as an additional item, is an Umbrella Bracket to hold the Speedlight to the center rod. Very simple to set up and break down.
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Light-stands
I use the Manfrotto 1051BAC (B&H), and (B&H) (B&H) light-stands.
Also check out my review and images of these light-stands.
If you’d like to see more about the specifications of these Manfrotto light-stands, or order them from B&H, please use the following affiliate links:
Manfrotto 1051BAC (B&H), which can also be ordered as a set of three light-stands (B&H)
Manfrotto 1004BAC (B&H), which too can be ordered as a set of three light-stands (B&H)
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truly portable light-weight light-stands:
The update to the classic collapsible light-stand by Manfrotto, is theManfrotto Nano 5001B (B&H). This is ideal for photographers who travel and need their gear compact.
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lower-cost alternatives for light-stands:
If you’d like a lower cost set of light-stands, the 6′ tall Impact light-stands (B&H) (B&H) are around $20 each. There is also the 8′ tall Impact light-stands (B&H) for $35 each. Impact also makes a 45′ convertible umbrella (B&H) for $15. Then you just need an umbrella bracket (B&H) to hold it all together.
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Light meter:
Sekonic L-358 (B&H)
Even though I favour using the histogram in determining exposure these days, a good lightmeter (and knowledge of how to use one), remains a fundamental part of understanding of exposure metering and photographic lighting.
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next: the Quantum flash system that I use for off-camera lighting
















Neil,
I just bought the Magic Slipper and the Manfrotto 679B hand holding pole but I seem to need a connector piece for the Manfrotto pole to attach to the slipper. The screw in the top of the Manfrotto pole is too wide to fit in any of the available magic slipper screw holes. I took a picture of your set up when we were in class and you have some sort of connection piece in between the slipper and pole. What is it?
Thanks,
Cicely
Comment by Cicely — November 20, 2009 @ 4:18 pm
Comment by Neil — November 20, 2009 @ 8:42 pm
Neil,
Thanks! That helps out a lot.
Cicely
Comment by Cicely — November 21, 2009 @ 1:11 pm
Hi Neil, between umbrella and softboxes which one that you prefer? If I go with softboxes, what size should I get. I mostly do a baby portrait or family portrait. thanks
Comment by Adi — February 25, 2010 @ 4:01 pm
Hi Neil, on b&h photo site it said that Photoflex Litedome Q39 – 24×32 (medium) is good for a half length adult. So do I need the large version for group portrait or a full length adult? thanks
Comment by Adi — February 26, 2010 @ 8:54 am
Comment by Neil vN — February 27, 2010 @ 10:37 pm
Hello Neil, my question is about Camera bags. Do you often carry any bag on shoulder during ceremony? And are they really practical bags above?
I need to choice bag too and my think is that one is necessary to transport equipment and must be large but to carry a second flash or body it is neecessary to have second one. Maybe this Velocity is more often on your arm?
It is hard to buy 7 Million Dollar in my country cause for Europe are different models, “Muffin”, “Messenger” and “Master Delhi”. Could you choose similar to yours from these new types today? What reason you selected 7 Million Dollar instead typical photo bag. What is your opinion?
Tad.
Comment by TadGawin — March 1, 2010 @ 6:13 am
Comment by Neil vN — March 15, 2010 @ 3:26 am
I don’t know if this is the right place for this question, but I was curious why you use a Better Bounce Card instead of a white piece of craft foam (e.g. a white version of the black foamie thing).
Also, without a dual card reader in camera, do you have any recommendations for protecting images during a wedding (besides the obvious like having an assistant)? Have you ever had a memory card failure?
Thanks!
Comment by Debra Wallace — April 5, 2010 @ 11:25 pm
Comment by Neil vN — April 8, 2010 @ 6:26 am
Hi Neil,
Just wondering do you recommend a diffuser or the Stofen? Sorry what kind of situation would you use them? Thanks.
Comment by Brandon — April 20, 2010 @ 11:52 am
Comment by Neil vN — April 20, 2010 @ 1:34 pm
Hi Neil,
I’m really enjoying reading your book and your website, and find it a great reference to flick back to when I am pondering a scenario…
I would like to ask a bit about the Pocket Wizard PlusII set up you use – in your book there is an image of it fixed to your 580EXII flash that your assistant is using on camera. Is this being used as a Master to a wireless slave, or as a slave, or both, alternating? If used as a master, is the TTL metering also transmitted from the PC connection on the 580EXII and then wirelessly through the PW? Then if used as a slave, the same in reverse? Do you set the 580EXII to master/slave or leave it as standard?
It just seems too easy and too clever :) It seems the pocket wizard system is well and truely superior to the ST-E2 I am using, and far more versatile than just the 580EXII as a master.
I do love the ST-E2, and use it within it’s limitations, but having the ability to have a long range transmitter and receiver on camera as well as having the flash on camera, is an awesome concept.
Cheers, and thanks for your help,
Mick (from Hong Kong)
Comment by Mick — April 22, 2010 @ 6:10 am
Comment by Neil vN — April 27, 2010 @ 12:15 pm
Just bought a set of two softboxes and all accessories (including stands) from ebay for $100.
Check out more from this seller for great prices:
http://shop.ebay.ca/ephotodiscounter/m.html?_nkw=&_armrs=1&_from=&_ipg=&_trksid=p4340
Hope you find it helpful.
Motti
Comment by Motti — May 28, 2010 @ 7:37 am
Hi Neil
I just arrived on your website. It was wonderful. I found your webpage very compelling and influential on me and I believe for others. I have a question for you. I have 1 Nikon D700 CAMERA with NIKON lenses of 24-70 f/2.8 and 70-200 f/2.8 VR II lenses and NIKON SB 900 flash. i am about to order the following camera accessories for wedding photography. Would you please be open and advise me with the following. Would these materials have an effect on my camera body and flash. From you experience what is the long term effect?
Thank you
ALZO Flip Flash ® Bracket Umbrella Kit w/ Tilting H-Bar
(1) Shutter Release for ALZO Flip Flash® Bracket – NIKON PRO
(1) Porta-Flash Ultralight Photo Umbrella Kit – 2 Lights w/ Case
(2) Light Stand – ALZO 8′ max – Air Cushioned
(2) Rapid Battery Charger w/4AA bats -2900 mah
(2) AA Rechargable Battery 2900mah – Set of 4
(1) Tripod / Light Stand Soft Case – 38″
(2) Photo Umbrella – ALZO 33″ Silver Black Backed
(2) Sync Cord 11″ – AUTO Flash
(2) ALZO Flash Photo Umbrella Mount with 1/4 x 20 screw
(2) Manual Speedlight with Optical Slave
(2) ALZO Wireless Flash Trigger Receiver – 4 Channel
(1) ALZO TTL + Wireless Double Hot Shoe Cord – Nikon
(1) ALZO 42″ 5-in-1 Reflector/Diffuser Kit
(1) Light Stand – ALZO 10′ max – Air Cushioned
(1) ALZO Reflector Holder Arm
(1) SALZO 42″ 5-in1 Reflector/Diffuser
(1) SWireless Flash Trigger kit – 4 Channel
Comment by Melak — June 6, 2010 @ 9:51 pm
Comment by Neil vN — June 6, 2010 @ 10:05 pm
Hi Neil;
I work at ‘street’ & ‘essay’ photography w/ and w/o flash, but mostly available light. As I’ve been finding that my shots with 70-200 L IS & 100-400 IS are not as sharp as I would like, I’ve been considering a Monopod. At a recent trip to Miami Beach I tried using my tripod on one leg and RRS ball head to approximate a monopod. It’s a bit clunky, but seemed to work better than hand held and also forced me to concentrate and be more selective.
I don’t see that you mention a tripod or monopod in your gear.
What advice can you offer on such an acquisition: monopod? ball or swivel head? any experience with make or model, twist or lever action etc?
As always your input is trusted and appreciated.
Fred
Comment by Fred Silver — June 10, 2010 @ 10:15 am
Comment by Neil vN — June 10, 2010 @ 12:24 pm
Hi Neil,
Been a longtime reader of your blog and also have your book. Really tried out some of your techniques including the black foamie thing and just got great results. I am just a serious amateur and i have been asked to help to shoot an Indian wedding by the bride (they are know to me and they happen to like my pictures). The groom has a pro covering the wedding. I was wondering if i can use NIKON CLS instead of Pocket wizards(I dont have them). was planning to set up two speedlights off camera. And other diffuser than your suggestion of umbrellas what option do i have for something more portable. Can i use your black foam on the two speedlights. I shoot with D700, nikon 24-70mm,F/2.8, 70-200 f2.8VR, 50mmf1.4, 105mm micro nikkor. Any advice from you will be appreciated a lot
Comment by Gregory — July 15, 2010 @ 11:50 am
Comment by Neil vN — July 15, 2010 @ 1:43 pm
Neil, Thanks for answering my question. Much obliged. I have to shoot some close ups in a wedding ceremony of intricate designs that are drawn on the hands of the bride and female members of the family in an Indian wedding. I have D700 and also the 105 nikkor micro and 50mm f/1.4. Location is indoors. Should i use SB400 with diffuser or with a Sb800 TTL off camera held at the edge of lens with a sto ofen diffuser. Or what is your expert opinion. How about if i want to take close up of elaborate jewellery on the bride.
Thank you
Comment by Greg — July 15, 2010 @ 10:13 pm
Comment by Neil vN — July 16, 2010 @ 2:05 am
Does the pocket wizard II work with Nikon? I’m confused on their site regarding what’s compatible with Nikon and what isn’t. Do you need one for the camera and each flash? Thanks!
Debra
Comment by Debra Wallace — July 17, 2010 @ 3:20 pm
Comment by Neil vN — July 18, 2010 @ 2:09 am
Hello Neil,
Sorry i wasnt specific. I meant shooting some closeups indoors with existing light. I have read thru your book and most of your blog but couldnt find anything about close up photo techniques. So i was wondering what your advice would be for shooting maybe folded hands or bangles/rings on the hand or patterns drawn on the hand, maybe an elaborate ornament the bride is wearing etc or any other interesting stuff that begs to be shot in macro or close up. How do you augment the existing light with flash and how would you do it in on location in a wedding.
Do you have any plans to hold any workshop in atlanta. I would die to participate in one.
Comment by Greg — July 18, 2010 @ 8:09 am
Thanks! They have a bunch of different products on their site, including the Mini T1 and Flex TT5 which are for Canon and I think do have intelligence between the camera and the flash. Then on the site, they don’t call anything a Pocketwizard except the company, and the unit you have listed on your site is called the Plus II. Hence my confusion. Thanks for your response.
Debra
Comment by Debra Wallace — July 21, 2010 @ 3:32 pm
I just noticed you call it the Plus II. I didn’t notice that before. Oops.
Comment by Debra Wallace — July 21, 2010 @ 3:33 pm
Hi Neil
I’m taking your advice on the Photoflex Litedome Q39. I need a speedring to attach my SB800 and Quantum Flash to it, but the BH Photo link to the appropriate speed ring page is bust. Do you remember which one you use?
Comment by Jaco Wolmarans — September 21, 2010 @ 1:11 am
To amend the above, what FITTING other than the speedring do I need to attach the flashes?
Comment by Jaco Wolmarans — September 21, 2010 @ 1:15 am
Comment by Neil vN — September 21, 2010 @ 9:39 pm
Were you thinking of this: shoe mount?
http://www.bhphotovideo.com/c/product/197439-REG/Photoflex_AC_B222SM_Adjustable_Shoe_Mount_Connector.html
Debra
Comment by Debra Wallace — September 21, 2010 @ 10:44 pm
Comment by Neil vN — September 21, 2010 @ 11:34 pm
Thanks Debra, that was the mount I had in mind, yes. I also found this kit, which seems to have the mount included. It’s a 12×16, which is rather small though:
http://www.bhphotovideo.com/c/product/622537-REG/Photoflex_FV_XTXS222KIT_LiteDome_Kit_1_For.html
Comment by Jaco Wolmarans — September 21, 2010 @ 11:49 pm
Neil,
It was the “to attach the flashes” comment that made me think he might me using the wrong term. I had a hard time figuring out everything I needed when I bought my softbox. It seems obvious now, but if you’ve never put one together it’s hard to conceptualize.
Debra
Comment by Debra Wallace — September 22, 2010 @ 3:23 pm
Neil
Got the book and love the website. I’m new to flash photography having avoided it for a long time but you’ve given me lots of enthusiasm to give it a go.
I’ve hit my first snag though. Purchased a cheap (eBay) 5″ by 4″ softbox attachment to experiment on my new Canon 580-EX11 flash with Canon 5D mk11. I’ve noticed in certain situations that the photo is underexposing by about 1.25 stops with the modifier attached. My understanding is that the ETTL technology (yes it is switched to ETTL) should automatically compensate for this. With a bit more testing it seems that the flash exposure is much more easily fooled by large dark or light areas with the softbox attached. i.e if I shoot a scene with a mix of tones the exposure is ok.
Is this just a feature of E-TTL or is it because I should have bought a better quality softbox?
Tim
Comment by Tim Hodges — September 23, 2010 @ 3:27 pm
Comment by Neil vN — September 23, 2010 @ 6:01 pm
[...] 04 – accessories [...]
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Pingback by lighting ideas for romantic wedding portraits « Neil vN – tangents — November 29, 2010 @ 2:58 pm
I discovered an interesting thing when I went to B&H to buy a second Smith-Victor “Brass Adapter and Stud” featured on this page. Apparently, the vendor has changed the adapter. It is now 1/4″ longer in length, looks gray (instead of brass-colored), and when you reconfigure the two pieces so the 1/4″ male thread is on top, the two pieces do not tighten fully (this was the deal breaker). I returned the item back to B&H, and they brought up a replacement, and it was the same thing. I brought the adapter I was looking for, and the clerk went to the lighting department and brought back two Manfrotto adapter pieces (B&H product number MA118 and MA119). When these two are put together, they are the same length and thickness as the old Smith-Victor adapter. However, one piece has a hole in it. I decided to put the Manfrotto adapter into the umbrella bracket and use the adapter without the hole as the mounting piece for the Lastolite Ezybox.
In the similar turnabout, the brass adapter that comes with the umbrella bracket on this page no longer has a hole in one of its pieces at B&H recently.
Comment by Stephen — December 31, 2010 @ 12:25 am
Comment by Neil vN — December 31, 2010 @ 3:53 am
Do you recommend using a softbox like the, Lastolite EZYBOX softbox kit 24×24?, or is it better to use umbrellas? Going to be used on location…
Also, does the SD-9 battery pack reduce the overheating problems on the SB-900?
Comment by Ruben — February 19, 2011 @ 11:23 pm
Ruben,
Neil has an unscientific comparison of the light spread and falloff between an umbrella and softbox.
http://neilvn.com/tangents/2010/12/20/softbox-vs-umbrella/
The softbox is slightly more stable, because it does not catch wind like an umbrella does. If there are strong winds, expect the umbrella to fall over.
The SD-9 does not reduce the “overheating” problem. It recycles the flash charge faster for your next shot. However, this will cause you to hit the thermal protection limit sooner as you shoot one after another in rapid succession. You can always remove the limit in the SB-900 menu.
Comment by Stephen — February 20, 2011 @ 1:03 pm
Comment by Neil vN — March 6, 2011 @ 8:49 pm
Neil,
Love your work and your articles, I have both of your books and have read them cover to cover several times now. Thank you for introducing me to flash photography. I truly have a good understanding of the basics now… A question for you. I am trying to limit additional investment of equipment for a few months as I alreayd have two cameras (D90 & D700), flash (SB-600), stand, 45 inch shoot through umbrella, black foamie thing!, 50 1.4, 24-70 & an 80-200… I ahve been doing professional family and children’s portraits since 2010 but I have my first formal setting event coming up and I have instructed the event committee to make sure to set up any scenery on a white background in a well lit area although the lighting will definitely be flourescent. The formal photography will take place probably over a 2 hour period and I am wondering if I should rent some continous lighting instead of a strobe kit. This is mainly for couples, maybe small groups or individuals but nothing large. Your thoughts?
I was just about to ask a stupid question but answered it myself…as I look through my equipment the only back up I don’t have is another flash so I am think at a minimum I need to invest in that in the short term with an extra lightstand and umbrella (I am thinking silver reflective)…so I guess it’s an SB-900 on the list for me! Can I mix shoot through and silver reflective or should I have two of the same? Agani, sounds silly once I read it back so I am thinking 2 of the same…
I may reach out to you about your upcoming workshop in NY in May.
Thanks!
Thanks!
Comment by Patti — March 24, 2011 @ 12:13 pm
Comment by Neil vN — April 24, 2011 @ 6:16 am
Neil, great book first of all. Such an excellent resource for off-camera lighting.
Much of the time in the book, you have an assistant hold up the softbox that is attached to a monopod. The aim is for a 30 deg angle above the subject’s head. Now, you have recommended the 1051BAC, but would it be prudent to get a stand with a taller max height?
Comment by Clifford — May 12, 2011 @ 9:24 pm
Comment by Neil vN — May 12, 2011 @ 11:25 pm
Hi Neil,
I bought the new book “Off Camera Flash” and love the website. I have the Nikon D90 and I use the on camera flash to trigger my SB800 off camera with a shoot through umbrella. My question is should I invest in the Pocket-Widzard Plus II tranceivers or purchase two Pocket-Wizards Flex TT5′s to trigger my SB800 off camera? I am trying to trigger my flash with out worring about being in the line of sight.
My other question is which softbox is the best out of the lastolite Ezybox 24×24 and the westcott apollo 28×28 which is cheaper and larger?
Comment by Trina Cheney — June 16, 2011 @ 1:38 pm
Comment by Neil vN — June 16, 2011 @ 8:17 pm
Hi Neil
First of all I am one out of many readers who benefited from ur website. I thank immigration for making u wait 2 years to get ur paper which gave u time to creat a website. I have been following for many years from disorganized ,slow upload and now to this magnificent website. I do my part to help ur site by ordering product through ur link.
1*The link u have for umbrella bracket ( impact mfr# 9101880), does it come with shoe adapter ontop or i have to order it separate.
2*I am planing to buy mini TT1 and Flex TT5 canon. I am reading mixed reviews where some photographer stating that 580ex speedlight stopped working after using this products. Pls comment what is ur findings. I dont want to kill my 580ex II. If I had known u will go nikon i wouldn’t purchase canon equipments.
God bless you and ur family
Comment by kirubel — July 25, 2011 @ 5:26 pm
Comment by Neil vN — October 18, 2011 @ 2:35 am
Neil,
I am doing a lot of family outdoor portraits where I am forced to use direct flash. I have been using a diffuser but like you said if you arent making the light source larger its not going to be any softer. What do you think about an on camera softbox?? ty
Comment by mike — November 17, 2011 @ 5:14 pm
Comment by Neil vN — November 18, 2011 @ 11:01 am
order placed, its got to be better than direct flash!
Comment by mike — November 18, 2011 @ 7:43 pm
Neil,
ezybox speed lite soft box arrived and i LOVE it, about 1-1.5 stop light loss. thanks for the recommendation. mike
Comment by mike — November 21, 2011 @ 5:36 pm
G’Day Neil
A quick question about the PW Plus II and possible use with the AC3 Zone controller.
From what I understand, the AC3 is used to adjust Nikon or Canon flashes via the camera when used with the Flex or Mini.
There are several modes, Manual and Auto. The Auto I understand as its uses the TTL technology.
The Manual mode confuses me as it states – “control ITL compatible flashes will use the manual power output value set in the AC3 dial”.
The Plus II are strictly manual mode, no TTL.
My question is – Can the AC3 adjust the power of my 580EXII when triggered by the PLUIS II.
Cheers
Angelo
Comment by Angelo — December 4, 2011 @ 4:20 am
Comment by Neil vN — December 4, 2011 @ 6:46 pm
Neil , are you using ezybox for studio (24′) or 21′ that is supposed to work with flash ?
Thanks,
Alex
Comment by Alex kess — February 21, 2012 @ 7:20 am
Comment by Neil vN — March 15, 2012 @ 3:19 am
Neil,
do you use any kind of harness so you can carry two cameras at once?? ty
Comment by MIKE — April 13, 2012 @ 8:17 pm
Comment by Neil vN — April 15, 2012 @ 3:22 am
TY
Comment by MIKE — April 16, 2012 @ 7:10 am
This may sound like a dumb question, but is the Pocket Wizard Plus II Transceiver a totally separate radio transmitter in itself or do does it have to be used hand-in-hand with the Mini TT1 Transmitter and the Flex TT5 Transceiver? I am interested in doing some off camera flash at an upcoming wedding and before I put the order in for rent, I just wanted some clarification. Thanks so much and I received the books, just haven’t had time to read them!
Sincerely,
Jessica
Comment by Jessica Eastburn — April 20, 2012 @ 2:20 pm
Jessica,
The Plus IIs are totally self-contained, as is they work with themselves [you do need 2, 1 to transmit, 1 to receive; they are identical since the name Trans-Ceiver: Transmit and or Receive].
But there is a newer and much improved version of them, the Plus IIIs. The Mini and Flex are another item, however they can work together also the Plus II versions are totally manual and the Mini/Flex ones can work in TTL also.
New Plus IIIs: http://plusiii.pocketwizard.com/
http://plusiii.pocketwizard.com/#Overview
Trev
Comment by Trev — April 20, 2012 @ 6:45 pm
Do you do your own priting? Or do you outsource it?
Comment by Runar — August 10, 2012 @ 9:45 pm
Hi Neil,
Do you know which is better or more reliable, the radio poppers or the pocket wizards plus III?
I have the TT5, TT1, and AC3 but I have had problems with them at weddings getting a good connection when time is of the essense. I need something really fast and reliable for lighting groups using a 60″ umbrella. As you know, sometime I have only 30 minutes for group portraits.
Thanks, Trina
Comment by Trina Cheney — February 1, 2013 @ 5:07 pm
Comment by Neil vN — February 1, 2013 @ 8:58 pm
Thanks Neil. I guess, if I get the pocketwizards plus III units I can use them with the TT5 and TT1 VS. radio poppers.
Thanks again!
Comment by Trina Cheney — February 5, 2013 @ 1:08 pm
wonderful web site…thanks for sharing your knowledge. One question.
Are you concerned about effecting the camera lens mount by having a lens such as the 24-70 or even more so the 70-200 “dangling” on a camera strap or other non-supporting device? I have researched this and so far have found varying opinions. can the weight of these lens impact the mount on the camera? Would a Holster system be a better choice? thank you
Comment by patricia lawlor — March 28, 2013 @ 11:54 am