model – Ulorin Vex
model - Ulorin Vex
A favorite image from today's workshop in San Francisco - an on-location portrait of our one model, Ulorin Vex. The light from the off-camera speedlight in a softbox, delivering a mere touch of fill-flash. Most of the light is from the available light coming down between the buildings on this street. I framed her against the background of those shafts of light on the side of the building, to give a slightly enigmatic backdrop. Read more inside...portrait session – Steinway pianist
portrait session - Steinway pianist
I had the opportunity recently of photographing Robert Wyatt, a pianist affiliated with Steinway, at the Steinway offices in New York. This photo was taken as we were set to leave after the photo session was already done. I was immediately drawn to the symmetry of the architecture and the lavish foyer below. The pose and framing was deliberately centered. For this lighting setup, I quickly pulled out the Lastolite softbox again, and used it as a single light source. It was all that was needed for a simple portrait here. But earlier on, for the Read more inside...a maternity photo session – creating that connection
high-key lighting with maternity photo session
Part of what makes wedding photography so rewarding, is keeping contact with clients over the years as life continues past the wedding date. Maternity photo sessions .. babies .. kiddos .. it's all part of how couples' lives unfold. If we're fortunate as photographers, we remain part of it. So it was with great pleasure that I had a maternity photo session with Renee and David. As usual with a photo session, I like to mix things up in terms of the lighting ... all with the intent of getting more diversity in the selection of images: Read more inside...off-camera flash photography: distance between softbox and subject
off-camera flash photography: distance between softbox and subject
There are all kinds of formulas for how to figure out the optimal distance between the softbox and the subject. One of the most common suggestions is to use the diagonal of the softbox. While I believe this might something you can play around with in the studio, I do think it is an overly technical way to approach it when shooting on-location. Working on-location am usually concerned with: - getting my composition, - direction of the light from the softbox (in relation to my subject's positioning), - my shooting Read more inside...reverse engineering an image (3) – contest result & feedback
wedding portraits with multiple light sources
We have a winner for the contest we had last week, where we had to reverse-engineer the lighting in a photograph. I'll be contacting the winner who will shortly receive a $50 B&H gift voucher. Thank you everyone for vigorously participating! Here is Josh Lynn to explain what he did for the lighting in the contest image, of which the photo above is the wider shot. This photo reveals more of the one light source. ... Read more inside...off-camera flash photography: feathering the light
off-camera flash: feathering the light
Comparing those two images, you should notice two things immediately: - the sky is brighter in the top image. - the grass in front of the group is more lit in the bottom photo. In other words, the accent is more on the guys in the top photo, since grass in front of them are less well lit. Both images were lit by a single off-camera softbox, using a speedlight. My on-camera speedlight was set to Master, but with its output disabled. Therefore only the Slave flash (in the softbox) was lighting the group. I liked the exposure on them Read more inside...off-camera fill-flash in bright sunlight
shooting in bright sunlight with off-camera fill-flash
This adorable kid looked at the camera briefly because I was singing to him. Kids are devious little creatures. They know when you're calling them and will purposely ignore you. So you have to be crafty too in getting their attention. Of course, you have to be ready for the moment ... and shoot a lot. Sometimes that Decisive Moment is to be found in the edit. The photo session was from 12 noon to 1pm. So the sun was high overhead. We're often told that the sun directly overhead isn't the best time to take photographs. While Read more inside...Flash photography tutorial – Balancing flash and ambient
Flash photography tutorial - balancing flash and ambient light
An email I received recently from someone explained how she is struggling with flash. The basic building blocks of photography are all there and understood, but it somehow doesn't gel when she uses flash. She explains how she understands exposure metering, but "the minute I attach my flash, nothing makes sense." Having read my book and scoured this blog, she admits that at the point where she uses her flash and needs to set aperture and shutter speed, she is completely lost. I'm sure this is something many many Read more inside...photo session – Modern Gypsies – something about a violin
For the last in the series of photo sessions with the Modern Gypsies on this day, we ended up here ... launching two girls in costume, onto the East River inside a giant ball. It really did make sense. And you may ask yourself, how did we get here? Letting the days go by ... No, really, how did we get here? Read more inside...