Off-camera flash tutorial – Balancing flash with ambient light
Off-camera flash tutorial - Balancing flash with ambient light
In the previous off-camera flash tutorial, we started at the elemental level where we did not have to consider ambient light. This helped us in understanding a few of the basics. Ultimately though, where off-camera flash will be used most, is on location where you have to consider the ambient light as well. With this tutorial video, we look at how we would go about balancing flash with ambient light. With this segment, we cover the essentials such as: · Using maximum flash sync speed. · Flash exposure Read more inside...Off-camera flash tutorial – Flash with no ambient light
Off-camera flash tutorial - Flash with no ambient light
This tutorial about off-camera flash, is one of the segments in a series on how to use off-camera flash in a simple scenario - where there is no ambient light. This is a good introduction to the topic. In the next tutorial video, we will consider how we go about adding off-camera flash when we work with ambient light. With this introduction, we cover the essentials such as: · Basic gear you would need for off-camera flash. · How we decide on our settings - in this case, it is really easy. We decide what aperture and ISO Read more inside...recap: Studio photography workshop NJ / NYC
recap: Studio photography workshop NJ / NYC
A small group of people met up with Anelisa and myself in my studio for what turned out to be the first Studio Lighting Workshop of the year. On the drive home afterwards, I decided to add another 2nd date this year, for a workshop on Nov 18th. The format of the workshop depends on it being a small group of people - everyone gets time to photograph our model. But more importantly, everyone gets time to hands-on, adjust the studio lights. In the morning we go through the building blocks of lighting. Short Lighting & Broad Lighting. Read more inside...One Perfect Moment – wedding photography
One Perfect Moment - wedding photography
I have opinions. This time, wedding photography. Greg Riccardi, one of the top wedding and event videographers in north Jersey, asked me a few questions in this interview - my start in photography, as well as what a bride and groom should look for in wedding photographers. He also asked me about trends I may have noticed in wedding photography. My business name is One Perfect Moment for specific reasons. The name is derived from Henri-Cartier Bresson's ideal of the decisive moment. That slice of time when everything just comes together Read more inside...Best fill-flash settings
Best fill-flash settings
The best fill-flash settings can be summarized with this one idea - we want to better expose our shadow areas. While this will depend on the situation and also personal taste, we are going to walk through some scenarios and get to a wider understanding hopefully of what we want to achieve with our fill-flash. But essentially, that is it - we want to lift our shadow areas to approximately the rest of our subject ... or scene. There is some wriggle room in interpreting that idea of 'correct exposure', but in this article we will get to a better of understanding Read more inside...Using gelled flash in the studio
Using gelled flash in the studio
Shooting in the studio with Brian and Anette to do promotional portraits of their band, Cut Like This, this one sequence was really fun to shoot. The images directly out of camera had impact already with the swath of blue light against the wall. The lighting is fairly simple - I used a gelled flash to get that color effect. The flash, a Profoto B1 flash (B&H / Amazon), was bare, with just the turquoise gel taped over it. The main light (to camera right) was one I often use when I want that interesting combination of soft light Read more inside...How to bounce flash
How to bounce flash
An elegant portrait of a delightful young woman, Supriya, taken at her Sweet 16 party. With events there isn't always the opportunity to use involved lighting setups, and to keep the interest of your subject, you need to shoot fast. Yet the results need to look top-class. For this I most often revert to on-camera bounce flash. How to bounce flash - this is a topic we have covered thoroughly here with previous articles. This time I want to I want to highlight an aspect of that - the direction of bounce flash - and this is best served by showing correct and Read more inside...Lens review: Trioplan 100mm f/2.8
Lens review: Trioplan 100mm f/2.8
My favorite adventure in photography for the past year or so, has been to explore vintage lenses. Many of these lenses render the background in an interesting or unusual way which makes them appealing in helping to create a distinctive look to your photography. A recent purchase was the Trioplan 100mm f/2.8 lens (affiliate) for use with my Sony A7ii camera. The Trioplan 100mm f/2.8 is well known as the 'soap-bubble bokeh' lens. Created by the Meyer Optik Görlitz company, it gives perfectly spherical circles in the background when used in Read more inside...Focal length comparison: 645 format vs 35mm format
Focal length comparison: 645 format vs 35mm format
We all know know that when you use a full-frame lens on a crop-sensor camera, that we can consider there to be a new “effective focal length” of the lens on the crop sensor because the field of view changes. When we now change our composition with the crop-sensor camera to match that of the 35mm camera, we change our own position, we then effectively get thane 1.5x or 1.6x focal length increase. This has been explored in the article: Full-frame vs Crop-sensor comparison : Depth-of-field & perspective. But now what happens when Read more inside...- « Previous Page
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