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Available light photography – Observing and using the available light

November 11, 2011 Neil vN 20 Comments

Photography - Observing and using the available light

With a few top-end point & shoot cameras to test, I met up with Anelisa on this crisp late-Fall afternoon in New York. Similar to how I often work, the idea was to walk around and explore and find interesting places and interesting light to take photographs in. So when at this particular spot in Bryant Park, and I saw the light was just incredible, I ditched the point & shoot cameras, and grabbed my Nikon D3 with the Nikon AF-S 35mm f/1.4G (affiliate) on it. Since the idea with today's photo shoot was to *find*  Read more inside...

shooting promotional photos for a band

October 17, 2011 Neil vN 17 Comments

camera settings: 1/50 @ f8 @ 800 ISO ... lens zoomed to 35mm;  available light

shooting promotional photos for a band

Anyone who knows me well is probably very aware that my first true love is music. I live my life to a music soundtrack. There's always music playing. Not the radio, but music of my own choice. I love music ... however, my sense of rhythm isn't all that it should've been for me to be a natural muso. But still, I love music. All of which meant that one few non-negotiable rules for my daughter was that she had to take music lessons. So she plays bari sax in the  Read more inside...

Exposure metering & observing the available light

August 28, 2011 Neil vN 23 Comments

Exposure metering & observing the available light

As a photographer you'll often hear instruction to just "look at the available light". Great. But this advice is also often given without clear examples of what we're actually supposed to be looking at. So let's explore that a little bit using a sequence of images of our model, Aleona, photographed during a recent individual photography workshop. This is also keeping with the loose theme over the past few weeks, that for a photographer "using the available light" is not a random thing or just a meaningless catch-phrase.  Read more inside...

photo session (available light) – Ekaterina

August 10, 2011 Neil vN 26 Comments

photo session (available light) - Ekaterina

Ekaterina, (or Kate, if your tongue trips over her name), was the model at the top of my recent review of the Canon 8-15mm f/4L fisheye zoom lens. Since the fisheye makes everything bendy, and it must be the least flattering of lenses for portraits, I wanted to show a handful of images from the rest of the photo session with her. These should portray her graceful beauty much better.  Read more inside...

Exposure metering – expose for your subject !

June 1, 2011 Neil vN 27 Comments

Exposure metering - expose for your subject !

In preparation for a review of the Fuji X-100 camera, I met up with Anelisa to see how this little camera performed during an actual photo shoot. The image above was one of the photographs we ended up with. Now, there is something specific about it that I wanted to explain in a separate article, instead of it being glossed over deeper inside a camera review. The composition is simple - I do like my compositions fairly central, it seems. Similarly, the lighting is simplicity itself - all available light. There were two main sources of  Read more inside...

Photography: Direction of the light – using available light

February 22, 2011 Neil vN 17 Comments

Photography: Direction of the light - using available light

This striking photo of Shawna illustrates something that I want to underline: at some level, our consideration of the light that we're using remains the same, whether we're using available light, or flash, or video light or some other continuous light source. We need to consider the direction and quality of the light we have or are creating. We then either need to adapt our lighting, or adapt our way of shooting our subject, to complement our subject.  So let's look closer at the light / lighting used for this photo ...  Read more inside...

Available light vs Fill-flash

February 4, 2011 Neil vN 9 Comments

Available light vs Fill-flash

A question that popped up in my web stats was interestingly phrased: Do natural light photographers always use fill flash? The question curiously implies that you might not find natural light which is perfect. However, as photographers, that is something we're constantly searching for: perfect light. It is out there, somewhere. So, resisting the temptation to just answer with a cheeky "no", let's consider an example of when you would not want or need fill-flash. The thing with natural light, is that you have to look at it. You have to look at  Read more inside...

fire performer at PDF

October 8, 2010 Neil vN 8 Comments

After I was so thrilled with watching and photographing the fire performers at their wedding, Katie and Nathan managed to get me a ticket to the PDF event this weekend. Due to work commitments this weekend, I was only able to visit tonight (Friday), and take in the activities and spirit of the event, and chat to random people. Magical. Of the fire performers (and other participants) I photographed, I really liked the few images I got of Nichole .. and thought I'd show them here as a small glimpse of the event. Shot with the Nikon D3, using the Nikon 85mm f1.4D lens 1/125 @ f1.4 @ 3200  Read more inside...

photography: finding interesting available light

October 7, 2010 Neil vN 10 Comments

photography: using interesting found light / available light

Photographing Kerri in an alley that I've used a few times before, I was looking for other interesting angles and backgrounds. This one stretch of white-washed wall was particularly bland ... but then I noticed small splashes of light ...  Read more inside...

Photographing wedding portraits in bright sunlight

October 5, 2010 Neil vN 60 Comments

Photographing wedding portraits in bright sunlight

Hard sunlight overhead is some of the most difficult light that you can find yourself shooting in. When you aren't able to position your subjects, then your options are limited - fill-flash or working with the RAW file in post-processing. However, when you're able to move your subjects, but don't have the opportunity for off-camera lighting, then your best two options are: - have your subjects turn their backs to the sun, - use the light from the sun so that there are no harsh cross-shadows. Here are typical examples of  Read more inside...

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