In the recent article — The simplicity of on-camera bounce flash — the flash was used as fill light to "clean up" the light and give a sparkle to the eyes. In that scenario, as fill-flash the flash didn't really add directional light or shape the light on our subject. Where on-camera bounce flash is our only / main light source, then we can get creative with the direction of light and shape an interesting, dynamic light pattern on our subject. We can even create short lighting for our portraits created with only on-camera bounce flash. To Read more inside...
Bounce flash and huge venues - how to double your flash power
A spontaneous moment with two of the lovely people at an event I photographed. Perhaps technically unremarkable until you consider the size of the venue, and that I used bounce flash. If you look at the photo below, you'll see that it was a huge indoor basketball / sport court. Now, if you're familiar with the tutorials on this site on bounce flash photography, you'll know that I try to avoid direct flash as much as possible. Even flash attachments that throw light forward -- I avoid using those. Instead, I much more Read more inside...
If you find the title of this article a touch intimidating, please stick around and watch the video. It is important to understand how The Inverse Square Law affects bounce flash photography, and creates a specific result where the background appears brighter when the flash is bounced properly without on-camera flash modifiers. I know that is counter-intuitive, but that is what happens when you bounce your bare flash behind you instead of using a light modifier on your flash. The accompanying video, linked to below, explains this Read more inside...
When photographing wedding receptions, I would ideally like to get away with just one on-camera flash that I bounce off surfaces behind me. A venue with (close to) white ceilings and walls are just perfect. Super easy. Even with really high ceilings, I try to make it work. Here for example, I used a single bare on-camera flash to light up the entire place -- Wedding reception lighting with one flash. No diffuser cup or white bounce card. Bare flash with the Black Foamie Thing. But occasionally I reach the dead-end of a venue with black Read more inside...
One of the misconceptions about bounce flash photography that many photographers cling to, is that you absolutely need a white wall or ceiling near you. While it does help, this shouldn't stop you from trying to be a little adventurous with on-camera bounce flash to see if it gets you the results you want. There have been several articles on the topic of bouncing off various other surfaces, or, not any particular surface nearby:
Bounce flash photography at wedding receptions (bride: Juana)
Wedding reception lighting with one flash (groom: Read more inside...
A comment posted to the article, directional light from your on-camera flash, asked a lot of questions about bounce flash photography. While most of these have been answered over time in various articles, it might be a good thing to pull it all together in directly answering those questions here.
This uncomplicated portrait of Anelisa that shows specific elements in how I bounce flash:
catchlights in the eyes
directional light which can be observed here as that gradient of light across her cheek
no hard shadows from direct Read more inside...
wedding portraits: finding something to bounce your flash off
One of the frequent questions that come up, is what to do when there is nothing to bounce your flash off. When working indoors and there are bounce-able surfaces around me, my first instinct is to use on-camera bounce flash. It is easy to use, and the results can look surprisingly good, especially if you consider the minimal effort that went into it. No extra gear to carry around and set up. But when there is nothing to bounce flash off, you have to adapt your technique ... Read more inside...
