Tangents

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Fashion photo shoot, using multiple lights

December 13, 2010 Neil vN 9 Comments

My friend Chuck Arlund is a Fashion Photographer whose elegant photography is something I always admire. Chuck’s previous guest spots here have been well received. His article on  simple on-location lighting techniques using a reflector & flash, was especially popular. Therefore I’m really glad that Chuck is graciously sharing with us how he came to shoot this stunning photograph for Parasuco.

Fashion photo shoot, using multiple lights

a guest post by Chuck Arlund Hey there everyone!  I have been working with a celebrity stylist and we have shot a  Read more inside...

reverse engineering an image (3) – contest result & feedback

December 8, 2010 Neil vN 12 Comments

wedding portraits with multiple light sources

We have a winner for the contest we had last week, where we had to reverse-engineer the lighting in a photograph. I'll be contacting the winner who will shortly receive a $50 B&H gift voucher. Thank you everyone for vigorously participating! Here is Josh Lynn to explain what he did for the lighting in the contest image, of which the photo above is the wider shot. This photo reveals more of the one light source. ...  Read more inside...

portrait: Janine vN

November 15, 2010 Neil vN 11 Comments

portrait using a gridded softbox

It's been about a year since I last took a more formal portrait of my daughter Janine. Last year it was her with the steam-punk goggles, when I used a beauty dish (with a sock) as lighting. During a restaurant dinner last night I noticed Janine had 'LOVE' scribbled on both her forearms with a felt marker. I asked her about it, and she explained the idea behind 'To Write Love On Her Arms'. So I decided to include this tonight in the portrait of her. Lighting her and the words on her arms was a slight challenge. I wanted a moody portrait, instead of  Read more inside...

Flash photography tutorial – Balancing flash and ambient

November 4, 2010 Neil vN 103 Comments

Flash photography tutorial - balancing flash and ambient light

An email I received recently from someone explained how she is struggling with flash. The basic building blocks of photography are all there and understood, but it somehow doesn't gel when she uses flash. She explains how she understands exposure metering, but "the minute I attach my flash, nothing makes sense." Having read my book and scoured this blog, she admits that at the point where she uses her flash and needs to set aperture and shutter speed, she is completely lost. I'm sure this is something many many  Read more inside...

Shutter speed, Aperture and ISO

October 18, 2010 Neil vN 25 Comments

Camera settings: Shutter speed, Aperture & ISO

A presentation that I've given on several occasions, is called 'Just Give Me The F-Stop'. The presentation is based on the perception that many photographers, in trying to get to grips with flash photography, try to break it down into what they think are the understandable elements – the numerical values of the settings used. They want numbers, believing that in knowing a certain image was taken at 1/125th @ f4.5 @ 400 ISO, that they might get closer to understanding lighting. They want the f-stop. However, the scenarios we  Read more inside...

pin-up style photo session – Jessica

September 3, 2010 Neil vN 24 Comments

The first time I became aware of the pin-up artwork of Alberto Vargas was with the release of the album, Candy-O, by the Cars in '79. It was often mentioned how Vargas was brought out of semi-retirement to create this image. With that, my interest in pin-up artwork by the legends, Vargas and by Gil Elvgren, was fired up. This will also explain why I've been a fan of the photography of Robert Alvarado ever since I first saw his work. He clearly pays homage to those two artists.  Read more inside...

tutorial: High-speed flash sync (HSS)

August 2, 2010 Neil vN 78 Comments

High-speed flash sync / auto FP .. vs .. normal flash

There have been a number of questions about high-speed flash sync (HSS), and how it affects the output from your flash. Also check this Video tutorial – High Speed Flash Sync (HSS). It covers the same material as this article, and will help explain why your camera and flash behaves the way it does when you change from normal flash sync to high-speed flash sync. I decided to do a series of comparison photos, so we can actually see what happens before, at and beyond maximum flash sync speed.  And we can also see what happens with  Read more inside...

flash & ambient light – reverse engineering an image (2)

July 27, 2010 Neil vN 28 Comments

off camera flash for portraits of the bridal couple

My friend, Josh Lynn, just posted this spectacular wedding photograph.  It does look like he used flash there, so I thought this would make a another good example to see if we can 'reverse engineer' a photograph in terms of his settings and setup. I first had a guess at how he set this up; and then had a look at the EXIF data, and this revealed the true story.  See if you can decipher this image yourself, without scrolling down at first ...  Read more inside...

using a neutral density (ND) filter with flash

July 16, 2010 Neil vN 30 Comments

using neutral density (ND) filters with flash to control depth of field

Working in bright light, the limitation of having a maximum flash sync speed forces a small aperture on us.  That small aperture means more depth of field than we might like. There are two ways to force a high shutter speed / wide aperture combination: - go to high speed sync (HSS) mode. - use a neutral density (ND) filter. Using HSS dramatically cuts down our power of our flash, so if we're working in very bright light, we might be past the edge of what our flash is capable of. Then we need to bring it  Read more inside...

overpowering hard sunlight with flash

July 14, 2010 Neil vN 35 Comments

overpowering hard sunlight with flash

With this part of a photo session with Johannie, we worked in an alley. The light was very uneven, with some swathes of sunlight falling directly on her.  (See the image below for the photo without flash.)  To get rid of this uneven sunlight falling on her, we have to add at least as much light on her as the brightest areas lit by sunlight. In the example above, our exposure is set to 1/250 @ f13 @ 200 ISO and we can see from the bright patch of light on her shoulder, that we’re at the edge of acceptable exposure. Any wider on our aperture, or  Read more inside...

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