when aperture doesn’t control the flash exposure
The two truisms regarding flash photography that get thrown around most often, are:
- ambient exposure is controlled by shutter speed,
- flash exposure is controlled by aperture.
I’ve railed against this before in a post on what I called the urban legends of flash. My take on it is in that in over-simplifying, and bandying around those two statements in a perfunctory manner, we actually lose understanding of how flash exposure and ambient exposure inter-relate.
My problem with the first statement is that it disregards that aperture and ISO both control ambient exposure as well.
Where this ‘short-cut’ came into being, is that with manual flash, our exposure is controlled by 4 things: aperture, ISO, distance (from light source), and power of our light source, and this leaves shutter speed as our only independent control for ambient light.
It is essential to understand that with TTL flash, things change a little. Actually, things change a lot, since exposure control for manual flash and TTL flash are entirely different.
This specifically is where I feel that the second truism there: “aperture controls flash exposure” is entirely misleading.
With TTL flash, your camera and flash work together to control /calculate flash exposure .. and then adjust the power the flash emits, to give you (what it deems to be) correct exposure … regardless of your choice of aperture, or your choice of ISO, or the distance of your flash to the subject. Of course, these things have to be within reason. You have to work within the capabilities of your flash.
Let’s see how this works. Here are two images that I used in my book on flash photography techniques .. and I’d like to use them with a slightly different take.

With our model, Jackie, positioned in front of a window, we have two things to expose for:
- we have the ambient exposure to consider for the outside background,
- and we have flash exposure to consider for our subject, Jackie.
Ambient exposure for the background – shutter speed, aperture and ISO. Simple enough.
Flash exposure settings to light our subject – well, this will depend on whether we are using manual flash or TTL flash.
As mentioned, if I had used manual flash here (for example with a softbox), then I would have to meter my manual flash for the specific aperture and ISO and distance and power setting of my flash. And then juggle those four things to give me correct exposure as metered with a flashmeter. (Or perhaps checked via histogram.)
But in this case, I used TTL flash that I bounced over my left shoulder into the room.
And I purposely set out to use TTL flash here in a way to illustrate a point:
With TTL flash, aperture effectively becomes transparent.
In other words, with TTL flash, our choice of aperture, (within reason), has no effect on flash exposure. (This is also true for our choice of ISO.)
Let me explain ..
Let’s look at my choice of exposure settings for those two images:

LH: 1/125th @ f2.8 @ 800 ISO
RH: 1/125th @ f5.6 @ 800 ISO
Traditionally, if we wanted our background darker while using flash to light our subject, we would change our shutter speed. Normally I too would’ve changed my shutter speed from 1/125th to 1/250th before I would’ve made any changes to aperture or ISO. That would gain me a stop already on my background exposure, without my flash having to work harder. It absolutely makes sense to change shutter speed first to change ambient exposure, before changing any other exposure control.
But in this example, I willfully went the other way. I kept my shutter speed constant .. and changed my aperture.
Now, if this had been manual flash, I would’ve had to change my ISO or bring up the power on my flash or bring the flash closer to my subject to compensate for the change in aperture.
But with TTL flash, the flash and camera calculated the exposure it thought I needed, and automatically compensated for the change in aperture. I did not have to change anything. My camera and flash did. I did have my flash exposure compensation set to +1.0 EV for every image in the extended sequence.
As I changed from f2.8 to f5.6 .. I could continue shooting and get the same (TTL) flash exposure. My camera and flash followed my change in settings seamlessly to give me exactly the same flash exposure at f5.6 as it had at f2.8
Sure, the flash had to work much harder. In fact, it had to dump 4x the amount of light at f5.6 as it had at f2.8 … but my exposure remains the same. And this is the reason why even with TTL flash, we’d rather change the shutter speed first to affect our ambient exposure .. even if we don’t “have to” like we would “have to”‘ with manual flash.
And as you can clearly see, in changing our aperture, our background exposure changed.
So back to those two truisms about flash, but this time in regard to using TTL flash as I had in this sequence.
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And my sincere belief with this is that if we can completely understand how flash and ambient exposures inter-relate, we will … well, we will have exactly that .. complete understanding of how flash and ambient exposures inter-relate. :^)
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Except the exposure on your model HAS changed as well… At f/2.8 there’s significantly more shadow detail exposure.
Comment by Jesse — November 10, 2009 @ 9:54 am
LH: 1/250th @ f2.8 @ 800 ISO
RH: 1/250th @ f5.6 @ 800 ISO
Comment by Neil — November 10, 2009 @ 10:34 am
The point is that TTL is great for giving the photographer the greatest versatility in a shoot. So who makes the best radio wizards that can extend that TTL function over distance and non line of sight. Especially for the 580ex which is noisy?
Comment by Allan — November 10, 2009 @ 10:52 am
Noisy? Please explain.
Comment by lafayette — November 10, 2009 @ 1:13 pm
Comment by Neil — November 10, 2009 @ 1:30 pm
Instead of beating a dead horse to … death, let’s add one more line to the popular theorium:
Shutter speed controls ambient light
Aperture controls flash exposure (in Manual)
Flash exposure compensation controls flash exposure (in TTL)
Comment by bigmouth2001 — November 10, 2009 @ 1:47 pm
I think the point Neil is trying to make here is that just blindly following certian notions about flash photography without actually understanding all of the concepts can limit one’s understanding and capablilities. It is like trying to memorize material without really understanding it. THe post makes perfect sense and shows simply that TTL technology allows for more flexibilty since it takes care of the exposure on your subject within flash range. It may not be as predictable as manual flash, but when you are on the fly it takes a lot of the guess work out of the equation and as long as you are wihtin the limits of the flash then you can ride your FEC. All Neil did was to stop the lens down and this changes the amount of ambient light but TTL took care of producing correct exposure on the model but rendered the background darker since there was less ambient light registering. Hence, the aperture was irrelavent in this situation using TTL.
Comment by Daniel — November 10, 2009 @ 1:55 pm
Comment by Neil — November 10, 2009 @ 2:04 pm
I think Bigmouth just doesnt understand completely how TTL makes a photographers job easier and quicker when in a hurry or on the move. I have the perfect scenario that happened to me on a job.
Job was shoot Basketball Individual team photos for High School.
Now. I was using 2 strobe heads w/umbrella’s. I placed them at center court so that the back wall was the backdrop….had school logo and panther that yearbook staff wanted in image. It was so large, placing my subject at midcourt was nesc. so that the relative size would work and get the whole Panther and name in image.
Now, I had set ISO400 and a must f5.6 in order for the backdrop to be sharp…..or sharp enough. Shutter speed was 1/100.
Problem:
Background too dark. Just drop shutter speed right….but I was already at 1/100.
Well….using manual flash….this is correct, shutter speed was my independent control for background(or ambient).
What to do? I could raise the ISO…so that the 1/100 recorded more light….ah, but now my strobes are pushing in more light too…..could close the aperture down, but it also drops the background light in this scenario, so I must stop what I am doing, and either drop both strobes down to lower power, or move both strobes back from subject. Keep in mind I have 3 teams standing around waiting…getting into things:-)
Heres where TTL would have been more helpful.
At my original settings 1/100 f5.6 ISO400, subject exposed perfect, background almost like cave.
In TTL, all I have to do is bump up the ISO, and whala, that same 1/100 @ ISO400 is now recording twice the background light at ISO800 and I didnt even have to take my eye away from the viewfinder.
Why? Because the camera and TTL looked at my new setting 1/100 f5.6 “ISO800″ and varied the flash to give proper exposure….without the need to move flash around, move power around etc.
I think people forget, while yes, aperture controls manual flash exposure, it still also affects the ambient in that very scene as well. In studio settings, where a background is lit, its really not much problem. But in my situation, it was.
When I walk up to a scene to shoot my subject, I set my aperture for the effect I want…or DOF I “need”, I then set my shutter speed at the proper setting at the lowest possible ISO I can, going up only if more shutter speed is needed. With that set and usually 1 stop underexposed, I just flip on my flash and add flash to my subject to reveal them. If my flash cant expose for whatever reason, then I start jockeying around with aperture and ISO to help.
With manual flash, I do the same thing, but I have to play with flash power/position to expose my subject properly…..where TTL does this for me.
Comment by David Amberson — November 10, 2009 @ 5:18 pm
This type of dialogue is fantastic for anyone that is truly trying to learn how to use today’s lighting systems. My objective this year was to learn lighting both on and off camera. This website has been one of my main go to information centers. Keep up the good work. Intelligent, concise and informative.
Comment by Bob — November 10, 2009 @ 10:06 pm
Neil, if you “had to” keep the same shutter speed and the same aperture for both pics, what would be your other options to bring the same results?
1. could the change of the ISO do it?
2. Dialing a minus EV (to register the background) and adding more flash could eventually (with some trial and error) bring you in the same ballpark?
By the way I just received your book and I ll start reading on the weekend. Thanks for helping.
Comment by Nikos — November 11, 2009 @ 5:05 am
Comment by Neil — November 11, 2009 @ 5:28 am
Sorry.. I meant to say that aperture was irrelavent here in regards to exposure on the model with TTL , not the background
Comment by Daniel — November 11, 2009 @ 11:14 am
Neil thanks for your detailed response. It is very clear. When I said to minus the exposure compensation and then dial up the flash power I was thinking aperture priority mode (in nikon and in TTL). At least this what I do for flash portraits in the sunset. Maybe it can work here too. Maybe not the scope of this article though. Thanks agAin.
Comment by Nikos — November 11, 2009 @ 12:26 pm
Comment by Neil — November 11, 2009 @ 3:13 pm
Just wondering why you did change the aperture instead of shutter speed. Is there any benefit in doing this other then DOF? Would it not be more beneficial in most situations to raise the shutter speed reducing camera shake (not that it’s much a problem at 1/125)?
Comment by mcjobby — November 11, 2009 @ 3:20 pm
Comment by Neil — November 11, 2009 @ 3:55 pm
The wonders of TTL. Truly amazing in its ability to pick up the slack in a quick shoot situation!
Comment by Leon — November 11, 2009 @ 4:09 pm
Ok I was just making sure you adjusted aperture purely for educational purposes and that there really is not any real reason to do so other then to change your DOF
Comment by mcjobby — November 11, 2009 @ 8:03 pm
But the aperture DOES influence the effect of the flash. You yourself said that when you closed the aperture the flash had to pump out more light. Just because the overall exposure on the subect is the same and that the flash automatically compensated, doesn’t mean that there was no effect. By the same logic, I could say that aperture has no effect on shutter speed because I can set my camera to Aperture prority and change the aperture and yet the exposure remains the same.
Comment by Tiberius — November 12, 2009 @ 12:18 am
Comment by Neil — November 12, 2009 @ 1:49 am
Tiberius,
I think we are splitting hairs here.. Neil was speaking of TTL in terms of exposure not flash power. Of course changing the aperture will cause the flash to work harder and effect flash range, recycle time etc.. that was not the point. THe point is that TTL took care of the exposure for the model without you having to jugle other values to compensate for the aperture change like you would have to using manual flash.
Comment by Daniel — November 12, 2009 @ 2:09 am
I believe that it is useful to know those two “truisms”, even with TTL.
As you said, it is important to understand what happens. I think understanding the manual flash first is needed to combine flash and ambient light successfully. After you get the concept of the very short flash duration, it is easier to understand how all these settings affect the light. For example, why your setting above do not work outside at bright light and what to do?
Like the most “rule of the thumbs”, also these two statements give help to some situation, and when you master it, you can start to “break the rules”.
Most often the roadmap for learning the use flash goes like:
- when not to use flash
- use flash at bright light with automatic exposure
- use bounce flash inside
- use flash separated from camera
- understand effect of flash duration
- sync time / high speed flash
- combine ambient light to flash manually
- use several flash
TTL can be used to help at all these steps, but can you progress only with it?
Comment by olli Rinne — November 12, 2009 @ 2:55 am
Comment by Neil — November 12, 2009 @ 4:21 am
Hi Neil,
This is fantastic post, making a good argument, which is very valid. I also liked all the healthy argument about it. Which make this more interesting.
I am learning a lot of techniques which would have taken a newbie like me ages to know let alone understand.
As you suggested on one of my earlier post I have invested on a speedlight rather than another lens for now. And thoroughly enjoying it. Thanks for it.
Comment by Arun — November 12, 2009 @ 5:02 am
Pocket Wizard is coming out with a fix for the noise issue:
http://www.pocketwizard.com/news_events/news/ac7/
Yay for Faraday cages =)
Comment by Lawrence — November 12, 2009 @ 11:57 am
Hi Neil,
Great article but I have to disagree with your statement “flash exposure was NOT controlled by aperture in this instance”.
You even said that the flash power emitted was four times as powerful in the f/5.6 shot to the f/2.8 shot – doubling with each stop the exposure was dropped. If the flash power had stayed the same your subject would have been underexposed by two stops.
The only reason the background has gone darker is because it is either unaffected or only affected a little by the flash light. And as you’ve dropped the ambient exposure by two stops the background has gone darker. If your subject had been standing against the wall its relative tonality would have remained unaffected.
What you’ve really demonstrated is that it is possible to change the ratio between flash and background ambient using aperture with TTL. But this is only because the flash light is not affecting the background. The flashlight has changed to compensate for exposure changes on your camera – that’s all.
This may just be over complicating the situation for many readers. I also think in most situations we want to be in control of the aperture and adjust the ambient through shutter speed anyway?
The only situation I would use shutter priority is for sports and nature if I did it. For motorsports for example I’d use 1/500 of a second to freeze the vehicle but allow some movement in the wheels/tyres.
Pat
PatB Wedding Photography
Comment by Pat Bloomfield — November 14, 2009 @ 11:00 am
Comment by Neil — November 15, 2009 @ 5:38 am
Hi
Thanks again for yet another useful bit of education.
One thing that I am curious about, living in a dark, cold and wet country, is how all of this pans out in low light situations?
I mean, you couldn’t expose for your background with shutter speeds of 1/125 or 1/250, you would need much lower shutter speeds for that.
So what would you do to get the right ambient-to-flash mix, whilst maintaining hand holdability in low light (say sun down or midnight) in surroundings similar to the situation that you present as the subject of your blog post/tutorial, or even say in an outdoor shoot in low light?
Thanks in advance.
Regards,
Comment by plevyadophy — November 16, 2009 @ 2:03 pm
Comment by Neil vN — November 17, 2009 @ 2:54 pm
Hi Neil,
Been reading you site for a long time. :)
This article reminds me of “Dragging the Shutter” revisited.
http://neilvn.com/tangents/2008/02/29/dragging-the-shutter-revisited/
Just to confirm. It the same concept correct ?
Comment by ahmike — November 18, 2009 @ 10:34 am
Hi,
I’ve been looking at these pics for some time now and I probably miss the point here, presuming that the pic on the left is the first shot.
The picture on the left looks great…it’s natural, nice dof, good balance between in- and exterior all it needs is some PS-work on the face. So why on earth, would you take that other picture (on the right)….? it’s flat, it’s got a distracting background because of the dof and the darker exterior.
Comment by hieronymus — November 24, 2009 @ 6:37 pm
Comment by Neil — November 24, 2009 @ 6:46 pm
Hi Neil as always, a fantastic read and very important lessons learned. One question….. you say that for this portrait you shoot behind your shoulder….how far are you from the wall or ceiling in question? I normally shoot wirelessly for manual but your TTL bounce portraits fascinate me! I can never seem to get even close to splashing enough light using this method with my 580exii.
Any tips? P.s. thanks for the tireless efforts to educate fellow photographers on the importance of light.
Comment by Richard — November 24, 2009 @ 9:54 pm
Comment by Neil — November 25, 2009 @ 4:12 am
Hi Neil,
You’ll be pleased to know that I reread one of your older posts and when I dialled in +1ev with a higher iso HEY PRESTO the lighting was spot on.
Legend.
Rick.
Comment by Richard — November 25, 2009 @ 12:18 pm
Please can someone help, why does changing aperture from 2.8 to 5.6 mean…
>> Sure, the flash had to work much harder. In fact, it had to dump 4x the amount of light at f5.6 as it had at f2.8 … but my exposure remains the same. And this is the reason why even with TTL flash, we’d rather change the shutter speed first to affect our ambient exposure .. even if we don’t “have to” like we would “have to”‘ with manual flash.
and why does changing shutter speed not effect the flash power output ??
Comment by Eve — May 5, 2010 @ 11:24 am
Comment by Neil vN — May 5, 2010 @ 9:13 pm
I’m glad for the lesson on the inter-relationships, so thank you Neil. One thing I can’t seem to see is the direction of the light. It doen’t look straight off a ceiling and it seems to my eye, to be coming from the right. Bouncing over your left shoulder?
Comment by Greg — June 28, 2010 @ 9:58 pm
Comment by Neil vN — July 7, 2010 @ 10:40 pm
Neil, I’ve read your book ” on camera flash” and found it a great reading and teaching me an awful lot about flash. One thing though that really frustrates me is how you come to each camera setting eg shutter, apertue and iso. Where do you start ? Without flash and the light available i would use the lowest iso possible, then aperture for my desired DOF then matching my shutter. And this can be said for fill flash, but what happens when its low light and the flash becomes the main light source. Where do you start with your settings ??? Your images all have so varying settings. Hope you understand what i’m asking and don’t sound too dim. Thanks in anticipation.
Comment by Dave — August 26, 2010 @ 3:03 pm
Comment by Neil vN — August 30, 2010 @ 2:27 pm
[...] Flash Power: Only impacts flash exposure You might read elsewhere that “Aperture controls flash exposure” but that only applies to those of you using manual flash. If that’s the case, you’d have to also factor in distance from subject. I’m assuming that we’re all using the automatic mode of our flashes (i.e. TTL or through-the-lens metering). You can read more about this on Neil Vn blog in a post titled, “When Aperture Does NOT Control Flash Exposure“ [...]
Pingback by Managing Two Exposures in the Same Photo With Flash | Learning DSLR — August 3, 2011 @ 8:40 am
Dear Neil,
I’d like to say thank you for being so generous in sharing your knowledge particularly in flash photography! Thank you, thank you and thank you!
Here I’ve a few questions for you and need your help to answer these:
1.) I shoot almost exclusively in Aperture priority mode, will this limit me in “balancing flash with ambient exposure”?
2.) if it doesn’t, then I understand that with Aperture priority mode it left 3 parameters for me to play around and that would be: ISO, overall exposure compensation and flash exposure compensation.
3.) Did you set your flash zoom to it max or auto zoom during bouncing (TTL)?
And last question, I’ve tried to read and understand those articles written by you regarding the topic of “balancing flash with ambient exposure”, “dragging the shutter”, “dragging the shutter-revisited” and this one “when aperture does NOT control flash exposure”. It’s not easy for me to understand it 100% now if I don’t start with practical test. So I’d like to let you know if I insist in shooting with Aperture priority mode where should I begin with if I’ve bellow scenario which is the most common scenario I encounter:
a.) subject is lit very little and background is in low light
b.) background is very bright and subject is underexpose/under shade
My objective is to register the background light source as well in my final output. So can you kindly please guide me which parameters to start adjust/configure with in sequence. Eg. ISO first, overall exposure compensation second and flash exposure compensation come in third.
Reminder: I’ll be shooting in Aperture priority and TTL.
With the guide, I hope I can start to experiment with it and hopefully through the practical I’ll get the idea of their relation. And for now I’ll just keep repeating these 4 articles, is there’s any that’s related to “balancing flash with ambient exposure” that I’ve missed out please do let me know. Please excuse my English as it’s not my native language, shall you need any clarification regarding above question, please do let me know, many thanks!
Comment by js-chong — September 26, 2011 @ 5:19 am
Comment by Neil vN — September 27, 2011 @ 6:03 am
Dear Neil,
Thanks for the respond. And yes, I couldn’t agree more that shooting in Aperture priority mode are solely depend on the system “suggested” exposure. I guess I’ll just have to switch that dial from “A” to “M” from now on… :S
However, could you kindly please advice on question no:
3.) Do you set your flash zoom to its max or auto zoom during bouncing (TTL)?
Thanks again for your time in replying me question.
Comment by js-chong — September 28, 2011 @ 11:27 am
js-chong,
I, Neil, and a lot of others generally just zoom right in manually on flash head, 105mm for Canon, 200mm for Nikon.
The reason being is that a lot of light is lost travelling to the source during bounce, and having a wider zoom setting defeats the purpose since the bounce can be concentrated more as it will diffuse off the bounce-source anyway.
Trev.
Comment by Trev — September 28, 2011 @ 9:50 pm
Hi Trev, thanks for the clarification. I’ll try that out soon! :)
Comment by js-chong — September 29, 2011 @ 4:11 am
Really helpful article, but for a noobie like me, I am a little confused: Why would having a smaller aperture let more ambient light in? Should that not cut down on the ‘available’ light? OR, was that f/5.6 the right exp for the ambient light and then the flash adjusted itself to expose for the model?
[Don't yell at me! I am just trying to learn]
Comment by Casper Dawson — April 4, 2012 @ 11:52 am
Comment by Neil vN — April 4, 2012 @ 12:43 pm
Hi Neil,
I am still having trouble understanding flash range. You stated that “with TTL flash, our choice of aperture, (within reason), has no effect on flash exposure. (This is also true for our choice of ISO.)” Could you expand further on what you mean by “within reason”?
Also, when you bounce a flash off the wall, how do you know what your flash is capable of without hitting its limits? How do you know the limits of your flash?
Charles
Comment by Charles Hsu — May 15, 2012 @ 11:39 am
WITHIN REASON……must be within the flashes power capabilities……..if you stop down to f22 and iso 100 in a dark environemnt, then most flashes simply dont have the power to give you a correct exposure. ttl calcualtes and puts out enough flash to give you the correct exposure(or what it thinks is the correct exposure) AS LONG AS it CAN supply the power(light) needed. I think you need to use your flash to learn its power limits
Comment by mike — May 16, 2012 @ 8:50 pm