time-lapse photography

timelapse photography: project – commercial properties

Always busy, the most recent project that I was busy with, was for a client who had asked for a way to show their various commercial properties in a dynamic way. I had to help them show their warehouses and buildings in a non-static interesting way. I suggested time-lapse photography, and they accepted my proposal.

With time-lapse I could create a video clip that is dynamic in a way that isn’t possible with stills or even video. Above is a shortened version of the final project.

I have created other time-lapse clips with my Nikon D4, which was made easier with the built-in time-lapse mode of the camera. What I envisioned, was that as the day progressed, the shadows would move, and clouds would move. With the Dynamic Perception Stage Zero dolly, the camera would move as well, and it would be possible to get a final video clip that had an unusual cinematic quality to it that wouldn’t be possibly any other way.

All of this sounds easy stated like this, but there were a few challenges:

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timelapse photography – a complete introduction

When I got my Nikon D4 and found that it made the compilation of time-lapse clips so much easier, I was hooked. It’s a fascinating niche in photography. Here are some of the time-lapse clips I created.

However, as with everything in photography – or as with everything in life really – there is a learning curve. Then you have two options. You can reinvent the wheel, and figure it all out from scratch by yourself … or you can do some homework and study what people before you have done. There are several websites that are loaded with information – and then there is this book by Ryan Chilinski. Everything you want to know about Time-Lapse Photography, neatly encompassed.

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tips on time-lapse photography

After seeing the breath-taking Time-Lapse photography by MindRelic on Vimeo, I was inspired to buy a motorized Dynamic Perception Stage Zero dolly to also shoot time-lapse that has a cinematic quality to it. If you just keep the camera static, then time-lapse can look good … but it is when you bring lateral movement to the camera while it is shooting the sequence, that it can look truly impressive. That movement just elevates it above the mundane immediately.

The way that the new series of Nikon cameras like the Nikon D4;  Nikon D800; and now the Nikon D610 (vendor), compiles time-lapse sequences in-camera as movie files, makes it so much easier to shoot time-lapse. You can see on the spot whether a time-lapse sequence is working, or whether there might be a technical hiccup. The first time I tried the time-lapse feature of the Nikon D4, I was already impressed with the ease of use, and the final results.

During the past week, I’ve been in New York several times to shoot more sequences. The clip above is a short compilation of my favorite sequences. There isn’t a specific continuing theme to them yet. It’s still a work in progress, but I thought it would be cool to share some of it already … and also share some of the tips that I’ve picked up along the way.

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Nikon D4 / Nikon D800 time-lapse photography – review

The highly anticipated Nikon D4 (vendor) and Nikon D800 (vendor) are loaded with features, and both cameras offer exceptional image quality. Hidden in the list of camera specs, is an item which is of specialized interest – Time-Lapse Photography. So if a photographer doesn’t have a specific interest in this, they are most likely just going to gloss over this – but this is quite a powerful feature.

With Time-Lapse photography, as with video, it just looks much more interesting if the camera moves as well. With movies too, the cinematography and how the camera moves, make all the difference. Last year some time, I stumbled on the Time-Lapse photography by MindRelic. The movement of the camera as the city scenes unfolded, blew my mind. This was done via a motorized dolly – specifically, the Dynamic Perception Stage Zero dolly. So of course, with no prior interest in Time-Lapse photography, I immediately bought a Stage Zero dolly. It all just looked that cool.

But then the winter approached and it was just too cold to venture outside at night to try out Time-Lapse photography. So the dolly lay dormant, still boxed, in my office. Until my Nikon D4 cameras arrived a few days ago!

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