Photographing corporate events – flash or no flash?
Photographing corporate events - flash or no flash?
Mirrorless cameras offering an electronic shutter which is truly silent, is one of the best advantages to using mirrorless cameras over DSLRs. With these types of events, I really do prefer using a silent shutter, so I can take enough photos where the speaker doesn't have odd expressions and weird mouth shapes. You really have to over-shoot to be sure you have enough usable images which you can give to your client. With flash and the shutter sound, at quieter events, I am sure it can be distracting to the speaker to have every Read more inside...Bounce flash photography with wooden ceilings
Bounce flash photography with wooden ceilings
When photographing wedding receptions, I would ideally like to get away with just one on-camera flash that I bounce off surfaces behind me. A venue with (close to) white ceilings and walls are just perfect. Super easy. Even with really high ceilings, I try to make it work. Here for example, I used a single bare on-camera flash to light up the entire place -- Wedding reception lighting with one flash. No diffuser cup or white bounce card. Bare flash with the Black Foamie Thing. But occasionally I reach the dead-end of a venue with black Read more inside...How to make your on-camera flash NOT look like on-camera flash
How to make your on-camera flash NOT look like on-camera flash
I was quite honored to be invited by the team at Zeiss Camera Lenses Americas, to take part in their series of Youtube Live events, appropriately called 'Conversations'. My friend, Tracy, who you might remember from a previous "Two Perspectives" video, where we photographed headshots on location in New York. The topic that Tracy asked me about, is one that regular followers of the Tangents blog will be familiar with - How to make your on-camera flash NOT look like on-camera flash. This Youtube Live event was held via a Read more inside...Event photography in low light
Event photography in low light
Event photography where you are photographing speakers at the event, can be challenging in its own way. The problem with taking photos of presenters, especially if they are animated, is that you have to take a LOT of photos to get a few where they look good. You don't want to give your client any photos with awkward expressions. This means you have to take so many photos just to get a few keepers. But shooting a ton of photos with flash becomes intrusive after a very short while. I therefore prefer to do the majority of photos of speakers at events, Read more inside...Bounce flash photography – when to use maximum flash power
Bounce flash photography - when to use maximum flash power
This photo is straightforward enough - the event coordinator here asked that I take a few photos of the models in body paint. No time to fumble or look unsure. Again, there are simple recipes to get us to ideal settings. The reception area around the indoor pool is really large with a super-high ceiling at this casino. There's enough light to see, but it is all tainted with this strong purple and blue uplighting. Therefore flash becomes a necessity. I need cleaner light - more neutral light - on my subjects. Skin tones Read more inside...Impromptu portrait with bounce flash
Impromptu portrait with bounce flash
Faustina, a model, arrived early for the video shoot in the studio today. We chatted while she waited for her team to arrive. She had questions about photography ... so she earned herself a lecture about photography. That's what you get for hanging out with me. Careful what you ask for! On-camera bounce flash, the usual, proper way for awesome light. This really is an impromptu photo - not overly posed, to show her how I use flash. And I think that is the point of this - flash photography can look *this* good with minimal effort. Minimal Read more inside...Review: Canon Speedlite 470EX-AI flash
Review: Canon Speedlite 470EX-AI flash
Before we get into this review of the Canon 470EX-AI speedlite (B&H / Amazon), I need to mention that I wanted this review video to be more than just a listing of the features of this flash. We therefore also delve into bounce flash technique. So there is something here even for those photographers who don't shoot Canon, or have no real interest in getting this flash. So please do check the video out. I was really curious to get to play with the Canon 470EX-AI speedlite (B&H / Amazon) for a review, Read more inside...Bounce flash photography and dark ceilings
Bounce flash photography and dark ceilings
With the tutorials here on how to bounce flash, the questions inevitably come up - what if there is nothing to bounce your flash off? What if there are dark ceilings? Well, these limitations do affect how I use flash at events - but I still work according to a few set guidelines that give me the best results with bounce flash. I bounce my flash into the direction that I want to come from, regardless of whether there is a white wall or ceiling. It really is all about the Direction of Light. I also shy away from using any of the Read more inside...Video tutorial: TTL fill-flash
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Video tutorial: TTL fill-flash
This video tutorial on TTL fill-flash settings, is the visual counterpart to this article - Flash Exposure Compensation (FEC). Whether you use on-camera bounce flash, or off-camera TTL flash as in this off-camera flash tutorial, you will need to adjust your FEC to control the amount of TTL flash you get. Adjusting the FEC allows you varying degrees of fill-flash. This video and the article on flash exposure compensation explains a sequence where you get to compare how different levels of fill-flash affect your final photograph. Also check out Read more inside...- 1
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