Bounce flash photography and dark ceilings
Bounce flash photography and dark ceilings
With the tutorials here on how to bounce flash, the questions inevitably come up - what if there is nothing to bounce your flash off? What if there are dark ceilings? Well, these limitations do affect how I use flash at events - but I still work according to a few set guidelines that give me the best results with bounce flash. I bounce my flash into the direction that I want to come from, regardless of whether there is a white wall or ceiling. It really is all about the Direction of Light. I also shy away from using any of the Read more inside...Video tutorial: TTL fill-flash
Video tutorial: TTL fill-flash
This video tutorial on TTL fill-flash settings, is the visual counterpart to this article - Flash Exposure Compensation (FEC). Whether you use on-camera bounce flash, or off-camera TTL flash as in this off-camera flash tutorial, you will need to adjust your FEC to control the amount of TTL flash you get. Adjusting the FEC allows you varying degrees of fill-flash. This video and the article on flash exposure compensation explains a sequence where you get to compare how different levels of fill-flash affect your final photograph. Also check Read more inside...How to bounce flash
How to bounce flash
An elegant portrait of a delightful young woman, Supriya, taken at her Sweet 16 party. With events there isn't always the opportunity to use involved lighting setups, and to keep the interest of your subject, you need to shoot fast. Yet the results need to look top-class. For this I most often revert to on-camera bounce flash. How to bounce flash - this is a topic we have covered thoroughly here with previous articles. This time I want to I want to highlight an aspect of that - the direction of bounce flash - and this is best served by showing correct and Read more inside...review: Profoto A1 flash
review: Profoto A1 flash
Profoto has a very strong reputation in the industry for making gear that are reliable, easy to use, powerful, and, well ... looks really good. When Profoto entered the market a few years ago with the portable Profoto B1 flash (affiliate), and then the Profoto B2 flash (affiliate), it was inevitable then that at some point they would make a grand entrance with a speedlight style flash. With this review of the Profoto A1 flash (affiliate), I wanted to show more how I would use it, than just cover the specs of the flash. I met up with Read more inside...Bounce flash and choice of background + backlighting
Bounce flash and choice of background + backlighting
This is where style and technique intersect - the choice of how to use flash (or any other kind of additional lighting) at wedding receptions. Many photographers prefer the crisp look of multiple off-camera flash setups at wedding receptions. While I do think some of the photos look incredible, I am not convinced that the success rate is all that high. Hot spots in the background, and weird cross-shadows will mar many of the photos. My preference has always been for the predictability and flexibility of using on-camera bounce Read more inside...Flash brackets vs Bounce Flash
Flash brackets vs Bounce Flash
A flash bracket, such as the the Custom Brackets Pro-M rotating flash bracket (affiliate), is useful in keeping the flash's orientation above the camera & lens axis, regardless of how the camera is rotated. You can see in the photo that the camera, whether horizontal or vertical, has the flash above the camera. The two photos below show the difference in results. On the left - if you just hold the camera vertically, with the flash in the hot-shoe, you get that sideways shadow. It is distracting. With a flash bracket, the flash shadow Read more inside...Easy lighting setup for headshot photography
Easy lighting setup for headshot photography
For headshot photography in the studio, I have a (flexible) default lighting setup - clam-shell lighting setup. On location (but still working indoors), I have another setup - studio lighting setup for headshots. Nothing is really specific - as long as the final results look flattering and your client loves the images. Your lighting setup should match what your client expects. Then there is also the question of logistics. I'm often asked if all that equipment is a necessity. It's not. Here is my favorite, most simple setup .... bounce Read more inside...Which direction to bounce on-camera flash?
Which direction to bounce on-camera flash?
When photographing any kind of portrait with on-camera bounce flash, my main consideration is that I want flattering light. For example, this photo of the bride dancing with her dad, I want flattering light to illuminate her face. It should be obvious that I decided to bounce the flash towards camera-right, so that the light comes in from that direction. I don't want to light up the side of her head. I want to light up her face. This means that as the couple rotate, I will continually adjust the direction that I bounce my flash into. This Read more inside...Improve your portrait photography: Lighting with bounce flash
Improve your portrait photography: Lighting with bounce flash
For a straight-forward but effective portrait like this, there are just a few things that have to come together ... all within your control as the photographer: Framing / Composition This is mostly as simple as looking at the edges of the frame in your camera's viewfinder, and then deciding how much head-room or breathing room you want to allow. Also look at the background, and exclude what doesn't add to your photograph. In this example, it was easy enough, working in my studio which has a grey wall. So often Read more inside...- 1
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