On-camera bounce flash for natural looking light
On-camera bounce flash for natural looking light
This photo of Precious, a model at a photography workshop, was taken during part of the practical session where emphasis was placed on getting soft directional light from an on-camera speedlight. The trick here is to absolutely have no hint of light coming from the camera's view-point. To do this, I once again used the Black Foamie Thing to control the light from my on-camera speedlight, shielding the light from the flash. I pointed my speedlight 90' to my left, so that the light reflected back towards our model from that Read more inside...Bouncing on-camera flash off a brick wall
Bouncing flash off other surfaces
When I am stuck in an area where there aren't any white or near-white surfaces to bounce my flash off, I will look around for alternate areas. In the image above, I bounced off the wood paneling and brick walls in this large enclosed entrance area of a restaurant. As most of you already know, the problem with the bounce flash technique, is that you will pick up the color cast of the area that you are bouncing your flash off. When this color cast is slightly warm, it is often simple enough just to switch to a Daylight White Balance. This Read more inside...Bounce flash – balancing foreground and background exposure
Bounce flash - balancing foreground and background exposure
Lighting for the impromptu portrait of this little cutie was simple - just an on-camera speedlight, bounced up and over my left shoulder. This gives soft directional light. A simple technique that works every time when using on-camera flash indoors where there are light ceiling and walls around. Settings: 1/250th @ f4 @ 1000 iso; TTL flash My exposure settings was determined by the out-of-focus garden area outside, seen through a large window. It was over-cast, and therefore not super-bright. This meant that the bounce Read more inside...Ambient exposure with TTL flash
Ambient exposure with TTL flash
A question I was asked about exposure metering in relation to flash: Let's say I use Manual mode on my camera, and have adjust my aperture and shutter speed so that my meter indicator have returned to zero. At this point I know at least i have "correct exposure". I would either choose to over expose and under expose depend on circumstances. My question is, will my picture get over exposed if fire my strobe even thought my indicator already point to zero ? I have no idea how should I integrate flash setting into my routine I always use when in M Read more inside...bouncing flash inside large venues
bouncing flash inside large venues - adding TTL flash to ambient light
One of the ideas that has been mentioned here previously, is when using on-camera flash indoors, to approach it with a studio mind-set where possible. Instead of bouncing flash upwards towards the ceiling, or even simply behind you, the idea is to think "where would I have placed my softbox if this were a studio?" Then it is simply a matter of pointing the on-camera flash in that direction, and flagging any spill light from the flashgun. I most often use a piece of black foam to flag my on-camera speedlight. Read more inside...Directional light from your on-camera flash
Directional light from your on-camera bounce flash
Most often when photographers start using their flashguns out of the directly-forward position, they move the flash head to point 45’ or 90’ upward. The idea here is to bounce flash off the ceiling. Even though this is an improvement in most cases over using the flashgun pointing directly forward, this is also most often not ideal. We can improve on this. If we consider how studio lights are set up, we’ll rarely see a light source directly overhead of our subject. Top lighting just isn’t as flattering as light coming in from an Read more inside...Bounce flash photography: Problem-solving by improvising
Bounce flash photography: Problem solving with improvised lighting
I received an email from Dr. Joel Studin in April '06, where he asked for help in setting up photographic lighting in his examination room at his offices. Dr. Studin is a renowned cosmetic surgeon based in Long Island, NY and he needs to do specific 'before' and 'after' photographs of his patients for his records. But there was a problem - despite guidelines from the plastic surgery society on standardizing photography, the results weren't consistent, and just didn't look good. Fortunately, I was able to help Read more inside...- « Previous Page
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