Improve your portrait photography: Lighting with bounce flash
Improve your portrait photography: Lighting with bounce flash
For a straight-forward but effective portrait like this, there are just a few things that have to come together ... all within your control as the photographer: Framing / Composition This is mostly as simple as looking at the edges of the frame in your camera's viewfinder, and then deciding how much head-room or breathing room you want to allow. Also look at the background, and exclude what doesn't add to your photograph. In this example, it was easy enough, working in my studio which has a grey wall. So often Read more inside...Softboxes with speedlights
Softboxes with speedlights for on-location lighting
Off-camera flash is the easiest way to create dynamic lighting - and using a speedlight with a softbox, is on-location lighting at its most elegantly simple. For most of my on-location portraits, I like to travel (fairly) light, and my lighting of choice is a speedlight, wireless transmitters and a softbox. The softbox is either held up by a light-stand (which I weight down with my camera bag), or held up by an assistant (with the softbox on a monopod.) I like TTL flash - it often gets us there faster than manual flash. But for Read more inside...Gelling flash for Incandescent light / Tungsten light
Gelling flash for Incandescent light / Tungsten light
The color temperature of the light from a flash / speedlite is around 5400K. While the actual numerical value might have little meaning to many photographers, it does mean that light from a flashgun will look a lot cooler than the light from an environment would with tungsten/incandescent light. That warm glow of tungsten light, which is around 2800K but varies a lot in actual value, makes the flash appear too cold, or too blue. However, if you simply adjust your white balance so that the flash appears neutral, your background Read more inside...Bounce flash off a dark ceiling
Bounce flash off a dark ceiling
A recurring topic on Tangents is how to bounce flash in pretty extreme situations. With a related article - bounce flash outdoors with a reflector - I showed some images from an event at a New York restaurant. I intensely dislike direct, hard on-camera flash. Yet, this venue had all kinds of corners, and no place to effectively place off-camera flashes on light-stands. The venue had an interesting ceiling. And with "interesting", I mean tough. The ceiling was dark, with black panels at different angles. Here are photos of the ceiling and walls, to Read more inside...Bounce flash outdoors with a reflector
Bounce flash outdoors with a reflector
There are occasions where you really need to work fast with flash - time might be tight, or it might just be too cold outside to linger. After photographing John's surprise 50th birthday party, John and Stacie and I went outside to Columbus Circle for portraits of the two of them. After the high of the party, I wanted to keep the momentum as well by working fast. And since it was mid-November in New York, it was nearly certain that the late night air would be nippy. I didn't want to use direct on-camera flash - I wanted that diffused Read more inside...Flash photography – Changing the background color with gels
Flash photography - Changing the background color with gels
One of the biggest challenges when working in a studio, is that you're essentially shooting in a plain rectangular box. When photographing portraits, the two obvious ways out of that is to create an interesting (or complementary) background, and then to create interesting (or flattering) lighting. The lighting itself need not be complex. For this series of portraits of Olive, I used the gridded 1' x 6' softbox. By swinging it horizontally or vertically (or diagonally), I can change the way the light falls on my subject Read more inside...When to use high speed flash sync (HSS)
When to use high speed flash sync (HSS)
Let's cut straight to it - there are only two reasons you would need to use high-speed flash sync: to have an appropriately shallow depth-of-field, to have a sufficiently high shutter speed to freeze action. That's it. Just those two things. When you need shallow DoF, or a faster shutter speed than max sync speed, then you go to high-speed flash sync. What HSS doesn't do - it doesn't allow you to overpower the sun. When you go to from normal flash mode (at or below max sync speed), into high-speed flash sync, then you lose Read more inside...Bounce flash photography – be bold!
Bounce flash photography - be bold!
With on-camera bounce flash photography, there is the initial idea that you need a white wall or ceiling to bounce off. With these examples from an engagement photo session of DaWeon and Toban, I want to show that it is entirely possible to really enhance the available light on location, with some unexpected bounce flash. For those who are just joining us now, here is a tutorial on bounce flash. We're just expanding here on that article. The essential idea from that tutorial - you bounce flash into the direction you want the light to come from. Read more inside...Dramatic lighting effects for portrait photography
Dramatic lighting effects for portrait photography (model: Jessica Joy)
For this dramatic Hollywoord Glamor inspired portrait sequence of Jessica, I used two Litepanels Sola 4 LED Fresnel Lights (B&H / Amazon). But there's more that happening here with the lighting than just the main light and the rim light. There is the splash of color in the background, augmenting the blue rim-light coming from behind. Jessica's reaction to the first test shot was amusing - a surprised,"where did that come from?", when she saw the image on the back of my camera. The blue tones and Read more inside...- « Previous Page
- 1
- 2
- 3
- 4
- …
- 30
- Next Page »