NYC photo session with Nikon 200mm f2 AF-S VR
NYC photo session with Nikon 200mm f2 AF-S VR
I recently allowed myself a vanity purchase ... the Nikon 200mm f2 AF-S VR lens (B&H). Last year some time, after seeing another photographer's results with the Canon 200mm f2 IS, I was curious enough to rent one, check it out, and then lust after one. I posted a write-up and some images at the time. What got to me was how insanely sharp the lens was at f2 .. and of course the incredible dream-like bokeh at f2 imparting an impressionistic appearance to the background. With me reverting to Nikon recently, I picked up a used copy Read more inside...embracing tungsten light
wedding photography - working with incandescent light sources
As a wedding photographer I obviously shoot all the time in ares lit by tungsten / incandescent light sources. With modern D-SLRs and fast lenses it is no problem to actually use tungsten light as my main light source. The photo above from a recent wedding, is a typical image where I used an existing incandescent / tungsten light source for a beautiful but simple portrait. Here I photographed the bride by the light of a lamp in the living room. No flash was used - just the lamp and whatever other ambient light existed Read more inside...home studio – portrait lighting setup in limited space
home studio portrait lighting setup in limited space
The photos in this article were shot with a fairly simple lighting setup in my dining room area. The main light to my left (model’s right) is the Westcott Bruce Dorn Strip Bank (18"x42") (B&H). The flashgun was a Quantum T2, but a speedlight would've worked just as well. In this small a space, you don’t need huge amounts of light. I used another Quantum T2 to light up the grey seamless background. I had the Quantum 12×12 softbox on this one, and feathered it to give me uneven light on the backdrop. I also had a snooted Nikon Read more inside...tutorial: Maximum flash sync speed
tutorial: Maximum flash sync speed
In previous postings I have mentioned that the specific settings for a photo aren't often of direct value to us in figuring out the method of exposure. But the one setting that is of huge importance when using flash, is your camera's maximum flash sync speed. When the ambient light levels are low, then your shutter speed can vary appropriately, depending on what you want to achieve. But once you work in bright conditions, or have your subject against a bright background, then most often it just makes the best sense to work at maximum flash sync Read more inside...flash photography: dealing with reflective surfaces
dealing with reflective surfaces when using flash
Rooms with wooden paneling are notoriously difficult to shoot in when using flash. This is because of the tendency for the light source (flash) to create large hot spots on the wooden surfaces. I've had someone ask me specifically about these images from a recent wedding, and how I avoided those specular reflections in the wooden paneling. The best way to avoid them is to make sure you don't "see" your light-source / flash-tube in the wood paneling. Imagine the flat surface to be a mirror - and then from your angle of view Read more inside...review: RadioPoppers P1
[ click on the photo to see a larger image] Apathy Angel against the backdrop of the Manhattan skyline. The settings for the image above was 1/2000 @ f1.6 @ 100 ISO, and the reason for the wide aperture was that I wanted to have the skyline appear as that dreamlike haze in the background. The bright light though, forced a very fast shutter speed. In this case 1/2000th would let the background over-expose a little and blow out somewhat, but give me some detail. But to control the lighting on my model more specifically than just the available light, I used flash. For the lighting Read more inside...
traveling light in Vegas
Even though most of the tutorial pages here deal with on-camera flash, I don't limit myself to just using on-camera flash. When I need off-camera lighting or when I need more juice from my flashguns than a speedlight can deliver, I use the Q-flashes made by Quantum. For this wedding in Las Vegas, I decided to travel light and as an additional flashgun, bring along a single Quantum Q-flash in addition to the two speedlights I normally take along with me when I photograph a destination wedding. I also wanted the flexibility of wireless TTL control over the flash, and therefore I chose a Read more inside...
