Flash photography tutorial: Balancing flash & ambient exposure
Flash photography tutorial: Balancing flash & ambient exposure
This topic - balancing flash and ambient exposure - seems to one that many newer photographers struggle with. The big hurdle seems to be the basic starting point - how do you decide on the exposure for each? I'd like to explore this topic a bit with this post. The trigger for this was a question that someone emailed me regarding an image in one of my books on flash photography. Instead of answering the question directly, I thought that a wider answer might be more illuminating. We're still on that perpetual quest Read more inside...Creative portrait photography on location
Creative portrait photography - Allowing opportunities to happen
There was an interesting challenge for me during a recent individual photography workshop in NYC - Don (who arranged the workshop), already knew the essentials of lighting techniques, and said what he really wanted was insight into the way that I see a photo before I take it. How do I know something will work or not. Don was particularly impressed with the series of photos of Anelisa that I shot for the review of the Profoto B2 Flash. The shallow depth-of-field images was a particular draw-card. Serendipity - I love Read more inside...recap: Flash photography workshops – New Jersey / NJ
recap: Flash photography workshops – New Jersey / NJ (2015)
The format of the flash photography workshops that I present, are constantly evolving. Gradual changes as I adapt the program to be fluent. Always with the ideal that anyone who attends will see a marked improvement in their understanding and use of flash, and on-location lighting. I wanted to give a glimpse again of one of these workshops - in this case a Personal Workshop attended by two photographers, with Adrienne as our model. The tempo of the workshop is nice and relaxed, giving everyone time to shoot and practice, Read more inside...review: Profoto B2 Off-Camera Flash – photo shoot
review: Profoto B2 Off-Camera Flash - photo shoot
Over the years I have used a variety of off-camera lights on location shoots and at weddings, and have worked my way up from Dynalite and Quantum flashes (and speedlights), to the Profoto B1. The Profoto B1 (affiliate) has made such a difference for me in the ease of use, the speed of setting up, and the sheer power of 500Ws of light. I love my B1 flash. For example, here is how I used the Profoto B1 flash at a wedding. Profoto has now released the Profoto B2 250Ws Air TTL Flash, and it comes as two options: - Profoto B2 Read more inside...Portrait photography & Studio lighting – Influences & inspiration
Portrait photography & Studio lighting - Inspire your own style
I keep a folder of Inspiration images to which I often add interesting photos shot by other photographers. This serves as an ideas folder. There are hundreds upon hundreds of images. I add to this Inspiration folder, and I also discard images over time as my own style and what I want to work towards, form better shape. I might browse through this and see what sticks in my mind. Sometimes it is the amalgamation of ideas that lead to something new. Even when I try to emulate the style and lighting of an image, there Read more inside...In-camera special effects with gobo projection
In-camera special effects with gobo projection
I still have this old-school preference for effects done in-camera and effects achieved with interesting lighting, over effects achieved nearly entirely through digital manipulation. Absolutely no disrespect to digital artists who create astonishing work. However, my jaw drops when I look at the sheer scale of the work of a photographer like Gregory Crewdson. Naturally then, my hero is Gregory Heisler, who has a true genius for creating diverse work through amazing lighting. So that would be my inclination - how much can I achieve Read more inside...Focusing your camera – Focus modes / AF modes
Focusing your camera - Focus modes / AF modes
The focusing modes and options can be confusing for new camera owners. The instruction manual's dry distillation of facts might also be overwhelming. Where to start? Let's break it down to the basics and make this all much easier. The photo at the top illustrates the most essential consideration when deciding on a focusing mode - deliberate choice. I deliberately focused on her eye closest to me. Not her hand in the front or the back. Definitely not the background. I chose what I wanted most sharp in the photo. It wasn't the camera's Read more inside...Lingerie photo session in the studio – Lighting, light & textures
Lingerie photo session in the studio - lighting, light & textures
This photograph of Melanie, one of my favorite models, is one of a sequence where we played with different lights and lighting styles in the studio. I wanted lighting that was both soft and dramatic. Both feminine and bold. The lighting is the same idea - using a big gridded strip-box / soft-box - as I used in a previous photo session with another model, Anita DeBauch. The final image above, is the result of adding texture layers in Photoshop. I wanted to retain her shadow and other detail in the wall, while Read more inside...An informal portrait with the 85mm lens
An informal portrait with the 85mm lens - Sarah S.
Like pretty much every photo geek that I know of, I carry a camera with me wherever I go, for my personal photography. Now when the photography isn't for an actual planned shoot or professional shoot, but just for fun walk-about - then the choice of gear somehow becomes more involved. What lens should I take - wide, normal or tele. Fixed or zoom. The bulk and weight become considerations - you don't want to schlep around too much gear. Creativity and motivation quickly dissipate when your back and feet start to hurt from a camera Read more inside...- « Previous Page
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