Flash photography tip: Find your background, then your settings
Flash photography tip: Find your background, then your settings
With flash photography on location, we nearly always start off by figuring out what we want to do in relation to our available light. We might just need fill-flash, or or flash might need to do the "heavy lifting" and expose correctly for our subject in relation to the available light. When we have our subject in (relative) shade, and need to figure out our flash exposure, we also need to decide exactly what our background is. It usually works best to be specific about our background ... and how we position ourselves Read more inside...Photography composition – Finding the other angles
Photography composition - Finding the other angles
At the same photo shoot-out that the stunning Film Noir Fight Scene came out of, I again worked with a model, Jill. Her hairstyle and dress were strongly reminiscent of the flapper era. Therefore a more dramatic and sexy pose and styling was suited. And of course, dramatic lighting. For off-the-cuff / on-the-fly dramatic lighting, a video light is hard to beat. The photo at the top is the angle that my friend Peter Salo found, while I was standing on a short ledge, shooting from above. The irony here is that the first time Peter Read more inside...The flow of a photo session
The flow of a photo session
In the recent article, turning day into night, I described the thought-process of a photo sequence. Starting with an idea, we worked up to a photo that looked impressive. So that entails a few test shots, including one to show the couple what we're trying to achieve. Then we finesse it. That's the usual process when coming up with ideas - it's a succession of photos, changing things up a bit until we have a few images that look really good and show the couple at their best. But sometimes, the idea doesn't work. It takes time for a photographer to Read more inside...Making your images pop through lens choice – Compressed perspective
Making your images pop through lens choice - Compressed perspective
The immediate reaction when considering how you could make your photographs *pop* might be to juice it up in Photoshop. But the process should start much earlier - in camera. With a few easy techniques, we can consistently create images that jump off the page or screen. With some of the engagement photo sessions that I've shown, I get comments about the 3D look to some of the photographs. The look is achieved through a simple technique - compressed perspective with a longer focal length. Read more inside...Available light photography – Observing and using the available light
Photography - Observing and using the available light
With a few top-end point & shoot cameras to test, I met up with Anelisa on this crisp late-Fall afternoon in New York. Similar to how I often work, the idea was to walk around and explore and find interesting places and interesting light to take photographs in. So when at this particular spot in Bryant Park, and I saw the light was just incredible, I ditched the point & shoot cameras, and grabbed my Nikon D3 with the Nikon AF-S 35mm f/1.4G (affiliate) on it. Since the idea with today's photo shoot was to *find* Read more inside...photo session – vintage pinup style (on location)
photo session - vintage pinup style (on location)
When the hot-rod show which didn't offer as much in terms of photography as I had hoped, Jill and I moved over to the pier in Brooklyn. Having a model in a retro sailor-suit type outfit ... well, it just seemed to good an opportunity to waste. I thought of perhaps using the Ice Cream Factory there as a backdrop to a straight-forward pinup photo, but ultimately decided the Hudson River waterfront would work better as a setting for the photo. Then we just had to add some simple but dynamic lighting, and give the final image a vintage Read more inside...photo session (available light) – Ekaterina
photo session (available light) - Ekaterina
Ekaterina, (or Kate, if your tongue trips over her name), was the model at the top of my recent review of the Canon 8-15mm f/4L fisheye zoom lens. Since the fisheye makes everything bendy, and it must be the least flattering of lenses for portraits, I wanted to show a handful of images from the rest of the photo session with her. These should portray her graceful beauty much better. Read more inside...Directional light with off-camera bounce flash
Directional light with off-camera bounce flash
During the same afternoon that I had the opportunity to photograph Ulorin Vex, I took several other sequences of images of her in other costume. Here we worked in the foyer area of the Hotel Monaco in San Francisco. (If only all other hotels had such a diversity of immediately photogenic areas!) With this image, I wanted a near-symmetrical image, with just Ulorin Vex's posture slightly breaking the symmetry up. Just enough to make a stunning subject even more eye-catching. A little more about the train-of-thought to getting to this Read more inside...off-camera flash – adding dimension with back-lighting (model: Lea)
multiple off-camera flash - adding some pop with back-lighting
Lea is a model I've worked with on previous occasions. With her striking looks and easy demeanor, she is just a pleasure to photograph. We spent some time this afternoon in down-town Manhattan, looking for interesting spots as backdrops. Jessica spotted this dramatic gate and interesting glass front. It seemed like the perfect place to start the photo session, but it needed something extra to give the photos some drama. The final image is shown here at the top, but let's look at how we got there ... Read more inside...- « Previous Page
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