Featured in Rangefinder magazine
Featured in Rangefinder magazine: Fully Lit
This is a big deal for me - I'm featured in the December issue of Rangefinder magazine, the official publication for WPPI, the premier Wedding and Portrait Photography association. So yes, it's something to brag about. The article is a four-part segment which focuses on studio lighting, with the accent on making the lighting and varied. The challenge with a studio is always that of making the 'square box with white walls' interesting. You have to work with the lighting that you have to create images with variety and different looks Read more inside...Checklist for portrait photography on location
Checklist for portrait photography on location
There's that algorithm that I most often use when shooting on-location portraits - find an interesting or complementary background, that also has good light on my subject. If there isn't good ambient light, then I add light. Then, my subject's positioning and pose is adjusted so that the photograph comes together. Find an interesting or complementary background, that also has good light on my subject. If there isn't good ambient light, then I add light. Then, my subject's positioning and pose is adjusted so that the photograph Read more inside...Studio lighting with style and elegance
Studio lighting with style and elegance
The title here might be presumptuous - studio lighting with style and elegance - but it is a good summary for the intent I had in lighting a series of portraits for a client. Unfussy lighting that highlighted our subjects - women. Specifically, women over the age of 55. This is part of a collaboration with Brynn Hudson jewelry – portrait photography which focuses on the many faces and personalities of women. I posted a selection of my favorite photos on my One Perfect Moment blog: Accomplished – Portraits of strong women. But Read more inside...Headshot photography lighting setup
Headshot photography lighting setup
"OMG, this was so much better than the experience we had last time!" That's the comment by the contact person who had arranged for the headshots photo session for 8 people at their office. That's the kind of thing I like to hear from a new client! What made this headshots photo session interesting for me is that I had to match an existing headshot by the CEO of the company. I had to make the headshots of the eight people I had to photograph, look very similar to the example they had given me. So I had to do mild reverse engineering to match the Read more inside...Using the Profoto B1 modeling lamp as a video light
Using the Profoto B1 modeling lamp as a video light
Looking through the past articles on this blog, you'll notice that I love using a video light for low-light photography. A video light adds that sense of drama to portraits, and very often blends better with the existing ambient light, than flash would. Lately though, I haven't bothered to bring a video light to weddings for the romantic portraits - I already have the Profoto B1 there with a substantial enough modeling light! Less gear to carry with me! Since I rely heavily on my Profoto B1 flashes (B&H / Amazon), I Read more inside...Gesture and posing – building up a photograph
Gesture and posing - building up a photograph
This striking photograph of Anastasiya, like some flying super-hero, didn't just happen on a first take in the studio. It started with an idea, and then through several iterations, finally took shape. I wanted to test the Profoto B1 flash's Freeze mode, where the duration of the flash is much shorter - perfect for freezing fast motion. However, with a jumping shot like this, the photo is timed pretty much at peak movement - and there isn't really as much blur as we'd need to show that the Freeze mode is effective. We're going to need Read more inside...Lighting an on-location photo session – Home Free
Lighting an on-location photo session - Home Free
I had another opportunity to do promotional photos for Home Free, the A Capella group. Some of the previous photo shoot was described in this article - On-location lighting problem solving. This time we met at another location - a farm which also doubled up as a reception venue. This offered us some outdoor areas, as well as a more barn-like area. From the art director and manager's description of what they wanted, as well as photos of the location, I knew that if I flat-lit this with large light sources, it would lose some of the Read more inside...Photographing wide-angle portraits
Photographing wide-angle portraits
In photographing wide-angle portraits, we have to make the decision whether we want to embrace the wide-angle distortion (such as Bill Brandt famously did), or have a more natural approach where the wide-angle is used to show more of the environment and to help with a dynamic composition. With this photo of Anastasiya, I wanted to include these massive billboards 5th Avenue. That meant I had to use a wide focal length. In this example, I had my 24-7mm zoom racked to 24mm. The idea here is that we need to be purposeful. Better to shoot in a Read more inside...People skills for portrait & wedding photographers
People skills for portrait & wedding photographers
The articles on the Tangents blog have focused heavily on the technical aspects of photography - lighting, posing, camera settings and such. But there is another essential ingredient for you as a photographer when you work with people - good social skills. This is invaluable - you can be a phenomenal photographer, but if you don't quite know how to make people immediately comfortable and trust you, then the photo shoot will not be as successful. With New York’s vibrant culture and the imposing architecture, it’s often a Read more inside...- « Previous Page
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