Studio photography – Capturing movement with continuous lighting
Studio photography - Capturing movement with continuous lighting
The effect here, which makes me think of black flames, was the result of a slow shutter speed (1/20th) in the studio, using continuous lighting. The short duration of a flash pulse would've frozen the movement, so I needed continuous light for this effect. I used two Litepanels Astra EP 1×1 LED Panels (B&H / Amazon) that I bounced into a V-flat to soften the light. I also used another V-flat to partially block the light towards her feet for more light fall-off to the bottom. The photo below is a pull-back Read more inside...Studio lighting with style and elegance
Studio lighting with style and elegance
The title here might be presumptuous - studio lighting with style and elegance - but it is a good summary for the intent I had in lighting a series of portraits for a client. Unfussy lighting that highlighted our subjects - women. Specifically, women over the age of 55. This is part of a collaboration with Brynn Hudson jewelry – portrait photography which focuses on the many faces and personalities of women. I posted a selection of my favorite photos on my One Perfect Moment blog: Accomplished – Portraits of strong women. But Read more inside...Gesture and posing – building up a photograph
Gesture and posing - building up a photograph
This striking photograph of Anastasiya, like some flying super-hero, didn't just happen on a first take in the studio. It started with an idea, and then through several iterations, finally took shape. I wanted to test the Profoto B1 flash's Freeze mode, where the duration of the flash is much shorter - perfect for freezing fast motion. However, with a jumping shot like this, the photo is timed pretty much at peak movement - and there isn't really as much blur as we'd need to show that the Freeze mode is effective. We're going to need Read more inside...Studio photography lighting tips – your first time in the studio
Studio photography lighting tips - your first time in the studio
Since I make my studio here in NJ available as a Photo studio rental space, I frequently meet newer photographers who would like to dabble in studio photography a bit, but don't have much experience of working in a studio. Sometimes they have experience with off-camera flash on location, or with a small home studio - and they would like to try out working in a larger studio area, using a range of studio lighting gear. (Btw, aside from some continuous lighting, the studio flashes are all Profoto. There are reasons for Read more inside...Studio portraits of children – Lighting and textures
Studio portraits of children - Lighting and textures
Going towards the brighter, less moody way of lighting children's portraits, as shown here - dramatic portraits of kids - I went with the parents' request with how they wanted this 3 year old's portraits to look like. I therefore lit it differently, but still with (mostly) just a single light source. For my own portfolio, I added a texture to the background. More about the lighting and post-processing in a moment ... The family stopped by the studio on their way to Chuck E Cheese's for this kid's 3rd birthday party. So there was Read more inside...Fitness photo session in the studio
Fitness photo session in the studio
There are always many other ways to light your subject, whether on location or in the studio. With Fitness photography though, you do want to show off the physique of your subject - and this does mean strongly directional light. The main light can be a harder / smaller light source, or even a larger light source such as a softbox, but generally you do need to go for directional light that skims across the physique of your subject. Flat lighting is going to be a difficult approach here. This previous article - Chiaroscuro lighting - shows another Read more inside...Headshot photography – Clam-shell lighting setup
Headshot photography - Clam-shell lighting setup
There isn't only one correct way of lighting portraits or headshots. There are numerous ways to attractively light your subject. My favorite go-to lighting setup involved the large Profoto 5' Octa Softbox, which allowed me fine control over the contrast, by having my subject move slightly forward or back, or rotating slightly. (The linked article explains more.) Using the 5' Octabox though, meant that I had to shoot around the massive light modifier. A simpler way of shooting, which allows me slightly more freedom in how I moved, Read more inside...Off-camera flash & projection effects
Off-camera flash & projection effects
The photo that I posted of my friend Christy, lit by the lights lights surrounding the mirrored dressing table, was a co-incidental part of the photo shoot in the studio. It was a spontaneous thing. But when we got together for this photo session, I had other ideas that I actually wanted to try - something more dramatic, and using a new image projection kit that uses a gobo and a fresnel lens to focus the effect. With a previous photo session with Jessica Joy, we had used the Light-Blaster to give an unexpected pattern to the background, Read more inside...Dramatic portraits of kids – Lighting and intent
Dramatic portraits of kids - Lighting and intent
When photographing portraits of someone, we can only leave so much up to serendipity. Deliberate action produces deliberate results. While things don't always work out to plan, having a plan helps propel things in a certain direction. With that, we need to be able to pre-visualize the photographs we want. We need to shoot (and use light) with purpose. Even if you are just experimenting and playing with your camera and lighting, you will fare better if you have some intended result in mind. Always that question in mind - what is it Read more inside...- « Previous Page
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