Photographing the Hot Air Balloon Festival
Photographing the Hot Air Balloon Festival
It is an adventure to be experienced - going up in a hot-air balloon. The most recent time was at the NJ Festival of Ballooning this year, as part of a photo group, arranged by Unique Photo here in NJ. If you haven’t been, check Unique Photo’s schedule for the next one (next year), as well as all the other photo activities and outings they arrange. The first time I went for a hot-air balloon ride, was as a surprise arranged by my friends when I visited South Africa in 2014. For that trip, I only brought along a Fuji Read more inside...Creative studio portraits with continuous lighting – two perspectives
Creative studio portraits with continuous lighting - two perspectives
When my friend, Marco Leibetseder, a commercial photographer in Germany, came to visit, it was time to play in the studio again. Continuing within the theme of 'Two Perspectives' we decided on using only continuous lighting in the studio, and see how we could create portraits that had a bit of depth to them, rather than just being straight-forward renditions of the person in front of the camera. We decided the theme should be: Creative studio portraits with Continuous Lighting. The concept behind the Two Read more inside...Photography scam / how photographers are scammed
Photography scam / how photographers are scammed
The over-payment scam is such a pervasive scam, that you might think everyone has heard about it, and is immune to it. Yet, I often enough see this come up as a question in a Facebook group - where a photographer is unsure if an enquiry is a scam. Most often they are. This is how these advance-fee scams work, and how photographers are scammed: The scammer will overpay you, and you have to pay the difference to another vendor, whether the florist or model, or whatever. There is no florist / model / whatever - the other vendor is in Read more inside...Direction of light – Using available light in the studio
Direction of light - Using available light in the studio
This striking portrait of Rozalinda was lit by big window light in the studio. In using light - whether studio lighting or available light - you need to consider the direction of the light. You need to figure out how you want to place yourself and your subject in relation to where the light is coming from. Your own position in relation to the light and your subject, will significantly change the way the light appears on your subject. Check this article for an example: Change your position, change the direction of light. With Read more inside...Lens review: sharpness – Sony 85mm f/1.4 GM vs Sony 85mm f/1.8
Lens review: sharpness - Sony 85mm f/1.4 GM vs Sony 85mm f/1.8
Which is the better choice -- the Sony FE 85mm f/1.4 GM (affiliate) or the Sony FE 85mm f/1.8 (affiliate) -- it's a question that comes up regularly in the Sony discussion groups and FB groups. The short answer - you would be very happy with either option. In this review though, we are going to consider the sharpness of both lenses. Email me if you want to There is also a link where you can download the RAW files for yourself to have a closer look. I took photos of the lens test chart in my studio, Read more inside...review: Ronin S gimbal
review: Ronin-S gimbal
When shooting video, there quickly follows a desire to make it look as cinematic as possible - smooth video that doesn't shake. I truly despise shaky-cam. Gimbals that allow fluid motion were once outside the realm of what we could easily afford ... but it is now very much an accessible option for all of us. And right now, I regard the Ronin-S gimbal (B&H / Amazon) as the most attractive option out there. But first, a story how I got to the Ronin S: A number of years back I rented the Freefly Movi M5, and loved it, but it was complex to Read more inside...Bounce flash photography – when to use maximum flash power
Bounce flash photography - when to use maximum flash power
This photo is straightforward enough - the event coordinator here asked that I take a few photos of the models in body paint. No time to fumble or look unsure. Again, there are simple recipes to get us to ideal settings. The reception area around the indoor pool is really large with a super-high ceiling at this casino. There's enough light to see, but it is all tainted with this strong purple and blue uplighting. Therefore flash becomes a necessity. I need cleaner light - more neutral light - on my subjects. Skin tones Read more inside...Flash photography tip – Start with the ambient exposure
Flash photography tip - Start with the ambient exposure
Continuing on from the article - best camera settings for off-camera flash - I wanted to show an example of just one set of choices we had in how we balance flash with the ambient light. And again, to reiterate that there aren't necessarily wrong choices, but that we get to decide on the final look. In that linked article we worked through several algorithms to what would help guide our choice of camera and flash settings. In that article I accentuated the idea that our starting point is invariably with the ambient light. Read more inside...Best camera settings for off-camera flash
Best camera settings for off-camera flash
With many of the tutorial articles on this website that deal with off-camera flash photography, I have attempted to make the explanation not only as straight-forward as possible, but also repeatable. When it comes to camera and flash settings, there is often a specific science at work here - a specific method , which should deliver similar results time and again. The artistic side to photography is open to interpretation, and that is what makes photography continually fascinating - there are always further things to explore. However, when it Read more inside...- « Previous Page
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