Flash brackets vs Bounce Flash
Flash brackets vs Bounce Flash
A flash bracket, such as the the Custom Brackets Pro-M rotating flash bracket (affiliate), is useful in keeping the flash's orientation above the camera & lens axis, regardless of how the camera is rotated. You can see in the photo that the camera, whether horizontal or vertical, has the flash above the camera. The two photos below show the difference in results. On the left - if you just hold the camera vertically, with the flash in the hot-shoe, you get that sideways shadow. It is distracting. With a flash bracket, the flash shadow Read more inside...How I dodged a bullet, and got a second chance at everything
How I dodged a bullet, and got a second chance at everything
At the onset, I have to tell you exactly what this blog article is about, since it is long and self-indulgent. In short, I had an acute myocardial infarction on the first day of my trip to Italy, July 21st. I spent 8 days in the hospital in Como, Italy - 3 days in ICU, and then 5 days in the general ward of the cardio wing. We flew back home on July 31st. The cardiologist said I will bounce back from this, relatively unscathed. I dodged a bullet! Hopefully the story is told with some humor and with enough narrative Read more inside...Camera settings for Time-lapse photography
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Camera settings for Time-lapse photography
With even smart phones now offering a Time-lapse Photography mode, this interesting area of photography is accessible to anyone. For the smooth, professional-looking time-Lapse sequences you see in movies and TV series, you would have to put some thought into how you control your camera - and specifically, your camera settings for time-lapse photography. The smoothness of a time-lapse sequence is mostly dependent on the choice of camera settings ... and there is a specific thought-process involved. This does involve a bit of Read more inside...Posing tips: Avoid foreshortening by seeing two-dimensionally
Posing tips: Avoid foreshortening by seeing two-dimensionally
There is this translation we have to do as photographers, from seeing in 3 dimensions, to realizing our images will be shown in 2 dimension. We might see the depth, but that information is mostly missing when the scene is flattened as a photograph. This is a stumbling block when we pose people - we might see their limbs and hands in 3 dimensions, but when your subjects hands extend towards you, there is foreshortening. The perspective changes, and makes the limbs look shorter than they are. This can be visually Read more inside...Best photo umbrella for a home-studio & indoor headshots
Best photo umbrella for a home-studio & indoor headshots
When I discovered the rectangular photo umbrellas, my first reaction was, "so what's the point", but then someone explained to me that it allows you to get the center of axis closer to the ceiling (or a wall). Brilliant! It instantly made sense why a rectangular photo umbrella might be more useful indoors than the traditional, round umbrella. I would even go so far as to say that a rectangular photo umbrella is the best umbrella for a home-studio & indoor headshots. Along with my usual array of light modifiers, I now Read more inside...Photographing semi-candid portraits out on the street
Photographing semi-candid portraits out on the street
Not quite "street photography", but rather a semi-candid portrait out on the streets, I love the resulting photograph. It encapsulates a few of the typical New York elements for me - colorful vibrancy and attitude. Late this afternoon, as usual when I had finished with a corporate headshot photo session in the Wall St area of New York, I waited out the peak time traffic by roaming around the streets with my camera. This young woman graciously waited a few seconds for me while she took selfies with the Fearless Girl - there were Read more inside...recap: New York photo walks – Meatpacking District, NYC
recap: New York photo walks – Meatpacking District, NYC
Our model during today's photo walk in NYC - the divine Diana Chesk. Typically for this kind of dramatic light, I under-exposed the available light somewhat, and let the Profoto B1 flash (affiliate) pick up the slack in the exposure. The softbox used here was the Profoto OCF Beauty Dish (24?) (B&H / Amazon). It's small enough to make it easy to handle when we have to negotiate our way around, yet large enough to give soft-edged light. The rain was coming down as a continual drizzle Read more inside...Accidental Off-Camera Flash
Accidental Off-Camera Flash
This photograph of Anelisa, was taken during a Flash Photography workshop at my studio. Lighting is via accidental off-camera flash! I was shooting a few available-light behind-the-scenes photos with my Fuji X-T20 (affiliate), and caught someone's flash. It was 2 stops over-exposed because of the additional light, but the RAW file from the Fuji had nearly enough detail to pull the image back to a usable point! The HDR look to this photo is in part due to the massive correction to the Exposure and Contrast and Highlights, in adjusting the Read more inside...A home-studio setup with speedlites
A home-studio setup with speedlites
With the article on lighting a white seamless studio backdrop in the studio, the question came up how you would do that in a home-based studio where there is less space. The answer? In pretty much the same way. This tutorial video on how to set up a small home studio using speedlites, will show you that the techniques remain the same, whether it is a speedlite, or a powerful studio light. A few notes about this video: For this video, I ended up going with B&W images only of our subject, Matt. I liked the result. It worked very well with Read more inside...- « Previous Page
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