Advantages of mirrorless cameras – Eye-focus & Composition
Advantages of mirrorless cameras - Eye-focus & Composition
The more I work with mirrorless cameras, and get familiar with the difference between using a DLSR and using a mirrorless camera, the more I appreciate the advantages of a mirrorless camera. And I feel like I'm struggling less with the quirks of the system. In a previous article I listed the main advantages of Mirrrorless cameras over DSLRs, but there is another advantage that I have found really valuable - how intuitive eye-focus can be in fluidly changing your image Composition. Before the magic of eye-focus, when Read more inside...Review: Tamron 70-180mm f/2.8 lens for Sony
Review: Tamron 70-180mm f/2.8 lens for Sony
The Tamron 70-180mm f/2.8 lens (B&H) is an interesting new option open to Sony photographers. What makes it particularly enticing -- it is half the price of the Sony 70-200mm f/2.8 GM (B&H) and it is nearly half the weight of the Sony lens. It is a much more compact lens, yet still retains that sweet f/2.8 aperture. This all sounds wonderful, but we'll have to balance this against lens sharpness and overall performance first. For those then who need a quick summary for a review -- this lens is really sharp! The Read more inside...Over-payment scam / Family reunion scam
Over-payment scam / Family reunion scam
"Son of a Bitch." Scammers are so touchy. Geeze. I am trying to do him a favor, and then he curses me out. Now, if you are unsure what just happened in that conversation, hang in there ... Read more inside...How to make your on-camera flash NOT look like on-camera flash
How to make your on-camera flash NOT look like on-camera flash
I was quite honored to be invited by the team at Zeiss Camera Lenses Americas, to take part in their series of Youtube Live events, appropriately called 'Conversations'. My friend, Tracy, who you might remember from a previous "Two Perspectives" video, where we photographed headshots on location in New York. The topic that Tracy asked me about, is one that regular followers of the Tangents blog will be familiar with - How to make your on-camera flash NOT look like on-camera flash. This Youtube Live event was held via a Read more inside...The need for fast prime lenses in your camera bag
The need for fast prime lenses in your camera bag
Photographing events like weddings, and in this case, Bar / bat mitzvahs, I bring a big roller case - the Think Tank Logistics Manager 30 (B&H / Amazon) - with several cameras and lenses. At the moment I straddle Nikon and Sony. As much as I love the Sony A9's eye focus capabilities there are some situations where the Nikon D5 is the beast that I can rely on. It so rarely doesn't deliver with precision. I bring a range of lenses - a mix of f/2.8 zooms, and several fast primes. (I have a self-imposed rule that I Read more inside...video: Product photography – two perspectives
video: Product photography - two perspectives
Another in the series of Two Perspectives videos -- this time with my friend, David Patino, a commercial photographer also here in New Jersey. The challenge this time was product photography. We both photograph two items (in our respective studios), with different approaches. The product photography that I do, is generally catalog work done on a white product table and only requires this simpler way of shooting. David has a more creative approach, and it is fascinating to see him work with an idea. I mostly use the Manfrotto large Read more inside...An occasional muse
An occasional muse
It is exactly 10 years today, March 21, since the first time I photographed Anelisa. She responded to a casting call for someone to model at one of my photography workshops. She had a magical quality and was supremely photogenic ... and since then Anelisa has been my occasional muse. She is usually the first one that I contact when I need a model at a workshop. I posted photographs from that first session in this article - Effective on-location portraits. Over time I have worked with Anelisa numerous times, and she has also appeared on the cover of two of my books: Read more inside...Feminine portraits with dramatic flair
Feminine portraits with dramatic flair
Still exploring what the Profoto Spot Small light modifier can do in creating dramatic studio portraits, I had Lauren sit in for some test shots. I was curious to see if I could use this hard light source in a way that still work for a feminine portrait and be flattering. The best option so far for me is to add supplemental light that softens the overall harder lighting or the spot light. By adjusting the power on the big octabox behind me - see the pull-back shot below - I was able to control the contrast. This way I could still retain the Read more inside...Late night available light portraits in Las Vegas
Late night available light portraits in Las Vegas
During a chance connection at WPPI photography convention in Vegas, Lupita and I struck up a conversation ... and later that evening we ventured out on the Las Vegas strip for a few late night portraits. With a fast prime lens - the Sony FE 135mm f/1.8 GM lens (B&H / Amazon) - we were able to use just the light on the part of the Strip we explored. Here are a few of my favorite images. It's always an adventure using random available light like this -- there is such a wide range of nuanced shades of colors Read more inside...- « Previous Page
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