Video tutorial: On-camera bounce flash photography
I finally put together the really, REALLY big tutorial about on-camera bounce flash photography. It's an entire workshop. This is a long one. An hour's worth of material. It's going to require a bit of stamina.
If you prefer Youtube : Bounce Flash - That one thing you need to know.
Related to this video, is this video where we discuss how Bounce flash photography & The Inverse Square Law interrelate. There's something interesting and unexpected happening there.
And if you are new to the "Black Foamie Read more inside...
If you find the title of this article a touch intimidating, please stick around and watch the video. It is important to understand how The Inverse Square Law affects bounce flash photography, and creates a specific result where the background appears brighter when the flash is bounced properly without on-camera flash modifiers. I know that is counter-intuitive, but that is what happens when you bounce your bare flash behind you instead of using a light modifier on your flash. The accompanying video, linked to below, explains this Read more inside...
When photographing wedding receptions, I would ideally like to get away with just one on-camera flash that I bounce off surfaces behind me. A venue with (close to) white ceilings and walls are just perfect. Super easy. Even with really high ceilings, I try to make it work. Here for example, I used a single bare on-camera flash to light up the entire place -- Wedding reception lighting with one flash. No diffuser cup or white bounce card. Bare flash with the Black Foamie Thing. But occasionally I reach the dead-end of a venue with black Read more inside...
Bounce flash photography - when to use maximum flash power
This photo is straightforward enough - the event coordinator here asked that I take a few photos of the models in body paint. No time to fumble or look unsure. Again, there are simple recipes to get us to ideal settings.
The reception area around the indoor pool is really large with a super-high ceiling at this casino. There's enough light to see, but it is all tainted with this strong purple and blue uplighting. Therefore flash becomes a necessity.
I need cleaner light - more neutral light - on my subjects. Skin tones Read more inside...
Faustina, a model, arrived early for the video shoot in the studio today. We chatted while she waited for her team to arrive. She had questions about photography ... so she earned herself a lecture about photography. That's what you get for hanging out with me. Careful what you ask for!
On-camera bounce flash, the usual, proper way for awesome light. This really is an impromptu photo - not overly posed, to show her how I use flash. And I think that is the point of this - flash photography can look *this* good with minimal effort. Minimal Read more inside...
With the tutorials here on how to bounce flash, the questions inevitably come up - what if there is nothing to bounce your flash off? What if there are dark ceilings? Well, these limitations do affect how I use flash at events - but I still work according to a few set guidelines that give me the best results with bounce flash.
I bounce my flash into the direction that I want to come from, regardless of whether there is a white wall or ceiling. It really is all about the Direction of Light.
I also shy away from using any of the Read more inside...
For the past few weddings I have photographed, I've been testing out a new flash modifier - the Spinlight 360. I've been putting it through its paces, checking whether I like it and whether it would hold up during actual shooting of an event. And I do. So *this* post is the public premiere of this device. The auspicious announcement of the Spinlight 360
Instead of just diffusing flash, or having a bounce card, the Spinlight 360 also encompasses the idea behind the black foamie thing - that it is all about the direction of light, not just Read more inside...
Going by the emails that I receive, one of the areas that many photographers struggle with is that of combining ambient exposure and flash exposure. This question is also expressed in other ways. It can be a frustrated, "where do we even start?" I also often see it expressed as an involved step-by-step deconstruction of technique, making the entire process more complex than it is.
In reply to that, and many other emails I've received in the past few months, I'd like to offer an analysis of a few images from a recent shoot.
One of my Read more inside...
Why use an on-camera flash modifier that is black, instead of white?
This question repeatedly comes up as response to the various articles here on my favorite light modifier - the black foamie thing. For anyone new to this, here are the two main articles on how I use a piece of black foam to flag my on-camera speedlight.
The question invariably comes up:
why a piece of black foam and not a white card or a piece of white foam?
The short answer: The idea behind the BFT is that it acts as a flag, not a bounce card. Read more inside...
While the bounce flash techniques described on these pages are heavily dependent on shooting indoors which provide those places to bounce flash off ... it wouldn't seem possible to use these techniques outdoors. After all, you can't bounce flash off the clouds. (Although we've all seen photographers attempt this outside.)
So while there are obvious limitations in applying these bounce flash techniques outdoors, there are times when these techniques can still be quite effective.
This example, also shown in the tutorial pages is of this image taken Read more inside...
