For headshot photography in New York, where we might roam around, a static setup with light-stands isn't that feasible. It would slow us down from getting a variety of images when we are on the move. For that, I like to keep the lighting setup small and portable. My preference for lighting for on-location headshot photography, is the Profoto B10 flash (B&H / Amazon) coupled with the Profoto OCF Beauty Dish (24") (B&H / Amazon).
Here is a pull-back shot to show the lighting setup Read more inside...
With many of the tutorial articles on this website that deal with off-camera flash photography, I have attempted to make the explanation not only as straight-forward as possible, but also repeatable. When it comes to camera and flash settings, there is often a specific science at work here - a specific method , which should deliver similar results time and again. The artistic side to photography is open to interpretation, and that is what makes photography continually fascinating - there are always further things to explore. However, when it Read more inside...
Off-camera flash tutorial - Off-camera flash on location
Continuing on from the previous off-camera flash tutorial, we explore balancing ambient light with off-camera flash. With this video tutorial, we use a speedlight in a softbox, and we look at using TTL flash. There is a certain simplicity when we work with TTL flash in a non-static situation - we allow the technology to help us get to proper flash exposure quickly. More about this in the article on Manual flash vs TTL flash.
We start off just using the available light for a few headshots of our model, Anelisa. The next step Read more inside...
Themes & context in Boudoir Photography - on the streets of NYC
The model in this striking image is my friend, Jessica, a boudoir photographer. Her pose is intentionally this strong and assertive. The concept here is part of an on-going project she had planned for a long while now. She had asked me to collaborate with her in taking the photos. The main idea behind the project (and these are my words and interpretation of what we had discussed) - women are objectified in society, but there is a disconnect in how people respond (or don't) to provocative posters and images of Read more inside...
I love this photo! I also like how it came together. This was within minutes of meeting DaWeon and Toban for their engagement photo session in Philadelphia. We had only chatted on Skype before. Embarrassingly enough, I arrived late to the meeting place for their engagement session through my misunderstanding about the address. No excuses there. But it did mean I had to work fast - the setting sun was lighting up the Philadelphia skyline, and I had to nail a series of photos very quickly.
DaWeon and Toban had said they Read more inside...
High-speed flash sync (HSS) with the Profoto B1 flash
The already impressive Profoto B1 flash (B&H / Amazon) became even more awesome in Dec 2014 when high-speed flash sync (HSS) capability was added through a firmware update.
The photo above was taken at 1/2000 @ f/1.4 @ 100 ISO. I wanted that super-shallow depth-of-field, and I wanted the light to be more flattering than you'd get from a bare speedlight. In this case, I used a Profoto RFi 1'×3' softbox (affiliate), with the Profoto B1. (I kept both baffles on the softbox.)
The summary: it Read more inside...
Lighting and Design in photography: (de)-constructing an image
For me, Design in photography relates to the way an image is constructed at the time of shooting. Composition and content. Lighting. Every element which forms part of a successful and eye-catching photograph. Some of the elements in the photograph are pre-visualized, some of it a kind of serendipity that is then expanded on at the time. Some of it might only be understood afterwards in looking at the photograph. My latest book, Lighting and Design for Portrait Photography, looks at exactly that thought-process Read more inside...
Camera & flash settings: Photo session in bright sunlight
Analyzing other photographer's work to figure out how they got the result, and figure out how to re-create it if you want, is a solid exercise. I do it often. It's part of expanding your understanding of photography and lighting, and a way of expanding your technique and your repertoire.
The challenge to figure out the camera settings and additional lighting for a sequence of photos from an engagement photo session - reverse engineering an image - had some interesting guess-work, and some good sleuthing.
Let's have a Read more inside...
Reverse engineer a photo: Photo session with a couple in bright sunlight
When I posted this sequence of photos on Facebook of Jessica and Tony's engagement photo session in New York, there were a flurry of questions. Which lens? 50mm? 85mm? What type of lighting? What were my camera settings?
Well, this stuff has been covered before with numerous articles here. So by now, anyone who regularly follows the Tangents blog, and have done some reading, will be able to figure this out.
So here's your challenge - look at the photos, look at the location, and reverse engineer the camera Read more inside...
Overpowering the sun with Off-Camera Flash - What are my settings?
Teaching a class on using off-camera flash at a photography convention, I took a group of attendees outside on the street with two models. Then I stepped them through the thought-process in how to get to your basic, fail-safe, works-everytime settings for off-camera flash. We specifically looked here at camera and flash settings to match / over-power the sun.
Regular visitors to the Tangents blog and those who have read my books on flash photography, should know the algorithm off by heart. There's a specific Read more inside...
