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Flash photography tutorial: Balancing flash & ambient exposure

May 22, 2015 Neil vN 47 Comments

flash photography tutorial: balancing flash and ambient exposure

Flash photography tutorial: Balancing flash & ambient exposure

This topic - balancing flash and ambient exposure - seems to one that many newer photographers struggle with. The big hurdle seems to be the basic starting point - how do you decide on the exposure for each? I'd like to explore this topic a bit with this post. The trigger for this was a question that someone emailed me regarding an image in one of my books on flash photography. Instead of answering the question directly, I thought that a wider answer might be more illuminating. We're still on that perpetual quest  Read more inside...

Off-camera flash with a small softbox

July 14, 2013 Neil vN 10 Comments

Off-camera flash with a small softbox

Most of the images shot as part of the Sigma 35mm f/1.4 DG lens review, were with available light only. But for one sequence, I used off-camera flash. I didn't intend carrying a lot of equipment, so I stripped it down to the minimum. That meant forgoing my usual softbox, the Lastolite EZYBOX 24×24" softbox (affiliate). Instead, I opted for the much smaller Lastolite 8.75" speedlight softbox (affiliate). And instead of a light-stand, Nicole's friend, Andrew helped out on the day by holding the softbox and slave speedlight. In  Read more inside...

Multiple speedlite portrait setup using Rogue Flashbenders

October 31, 2012 Neil vN 14 Comments

Multiple speedlite portrait setup using Rogue Flashbenders

The PDN Photo Plus Expo in New York took place last week. As always, it's it's always a bit of a head-rush walking around, overwhelmed by all the photography goodies and people. Of course, you'll inevitably bump into old friends and catch up a bit. One of them, is Michael Corsentino who I met during the After Dark photo conventions. Not only is Michael Corsentino a pre-eminent wedding photographer in San Francisco, but has also written a book - the Canon Speedlite System Digital Field Guide (Amazon). If you like  Read more inside...

Photo-shoot with a model: the progression of an idea

October 4, 2012 Neil vN 10 Comments

Photographing a model on-location: the progression of an idea

As often happens for me when working a model on location, the final photographs are the result of a progression of an idea, rather than a fully-formed idea from the start. That colorful background came to be because of how I gelled for the flash. It's a technique I've shown a few times, and here it helped me in bringing a blah scenario up to something more eye-catching. The idea is to create an interesting shift in the color balance between your subject and background. It works especially well if the background is not  Read more inside...

A wedding in Central Park, New York

August 8, 2012 Neil vN 31 Comments

A wedding in Central Park, New York

A groom holding up the softbox for me ... as you may well guess, there's a story here. Alvin and Lucia are from the UK, but decided to get married in Central Park. Of course, there's a story here too.  Read more inside...

Lighting for on-location photo sessions – pick your battles

May 20, 2012 Neil vN 26 Comments

Lighting for on-location photo sessions - pick your battles

When doing a photo session with a couple on location, I mix up the lighting as needed. Some sequences are shot with shoot available light only; for other sequences I may use off-camera flash with a softbox. Sometimes I use on-camera TTL fill-flash if that helps working faster. Even in varying the way I may use the available light and flash, I still aim to have a consistent look to it all. My specific style has to be apparent. Or perhaps, in the way that I work, my style becomes apparent. The one way that I help make  Read more inside...

Photographing in bright sunlight – find the shade!

April 11, 2012 Neil vN 23 Comments

Photographing in bright sunlight - find the shade!

Hard sunlight must be one of the most difficult lighting scenarios to work under. But with a bit of thought, we can work around it and still easily get photos that look great. It's a topic that we've touched on a number of times on the Tangents blog, (see related articles at the end here). Where I can though, the simplest approach for me though, is where I can, is to just not deal with the hard sunlight. I find shade. This maternity portrait session of Amy was taken on a bright day, and I wanted to avoid her squinting in  Read more inside...

shooting promotional photos for a band

October 17, 2011 Neil vN 17 Comments

camera settings: 1/50 @ f8 @ 800 ISO ... lens zoomed to 35mm;  available light

shooting promotional photos for a band

Anyone who knows me well is probably very aware that my first true love is music. I live my life to a music soundtrack. There's always music playing. Not the radio, but music of my own choice. I love music ... however, my sense of rhythm isn't all that it should've been for me to be a natural muso. But still, I love music. All of which meant that one few non-negotiable rules for my daughter was that she had to take music lessons. So she plays bari sax in the  Read more inside...

off-camera flash – creating separation with back-lighting

July 22, 2011 Neil vN 24 Comments

off-camera flash – creating separation with back-lighting (model: Bethany)

Another image from the photo session with Bethany, when I was in San Francisco earlier this year. This interesting background is part of the lobby area of a San Francisco night-club. I knew the wooden panelling and subdued incandescent lighting would make an interesting background because of the repetitive pattern and glow. A slow shutter speed brought the background light in ... and then I used flash to light her. I didn't gel my flash - specifically so that the background light would go that warm. The  Read more inside...

manual off-camera fill-flash, controlling contrast

April 24, 2011 Neil vN 17 Comments

manual off-camera fill-flash, controlling the contrast

In using a softbox outdoors on location, we easily get beautiful soft light. When we work indoors however, where the flash dominates, then the results can look very contrasty. The reason for this is that outdoors, the available light acts like a fill light.  This is especially true when we consider our available light in our overall result and balance our flash with the available light. With the softbox being the only light source, the light, while still soft, can be too contrasty for our liking. Still, that single softbox is a  Read more inside...

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