review: Best light modifiers for on-camera flash
review: Best light modifiers for on-camera flash
Many of the tutorials and articles on the Tangents blog deals with getting the best from your on-camera flash. My approach has always been one of - what technique would give me the best light? Of course, there are so many different scenarios we could find ourselves in - so we have to adapt to where we are, and what we want to achieve. With on-camera flash, I've always pushed back against the idea of there being a single do-everything device that will make your flash photography look better. Specifically with light and lighting, We Read more inside...Flash photography: applying the Sunny 16 Rule & Flash Guide Number
Flash photography: applying the Sunny 16 Rule & Flash Guide Number
In essence, if you know the GN of your flash, then you could use (bare) off-camera flash to match the sunlight, without even metering! There is a super-useful shortcut built into those two simple values: Sunny 16, and the Guide Number. Now, I am pretty sure that when you hear mention of the Guide Number of a flash, you're most likely switching off already, thinking that it is just an arcane list of numbers - different apertures against different power settings. But hang in there - this is very useful stuff Read more inside...In-camera special effects with gobo projection
In-camera special effects with gobo projection
I still have this old-school preference for effects done in-camera and effects achieved with interesting lighting, over effects achieved nearly entirely through digital manipulation. Absolutely no disrespect to digital artists who create astonishing work. However, my jaw drops when I look at the sheer scale of the work of a photographer like Gregory Crewdson. Naturally then, my hero is Gregory Heisler, who has a true genius for creating diverse work through amazing lighting. So that would be my inclination - how much can I achieve Read more inside...Wedding photography: posing and lighting – a consistent style
Wedding photography: posing and lighting - aiming for a consistent style
The two images were taken about half an hour apart, with entire different lighting setups - yet there is a consistent look. The photo on the left was shot using video light with an Incandescent white balance. A video light is a small light source, so the lighting is usually quite contrasty - so you need to take care with the posing to have your main subject posing into the light. With a bridal couple, I will nearly always favor the bride for the more flattering light. Hence, I will invariably pose the bride Read more inside...review: Bolt VB-22 bare-bulb flash
review: Bolt VB-22 barebulb flash
These are good times for photographers who love using off-camera flash. There are more and more options coming out for us to choose from and use. B&H has rebranded their own version of a popular series of flashguns. The Bolt VB-22 bare-bulb flash (B&H) looks like the Cheetah Light CL-360, and the Godox Witstro AD360, and the Neewer AD-360. They all seem to have similar spec. So if you've been browsing for any of those options, B&H has the Bolt VB-22 flash at a competitive price. For the photo at the top, I had my camera set Read more inside...High-speed flash sync (HSS) with the Profoto B1 flash
High-speed flash sync (HSS) with the Profoto B1 flash
The already impressive Profoto B1 flash (B&H / Amazon) became even more awesome in Dec 2014 when high-speed flash sync (HSS) capability was added through a firmware update. The photo above was taken at 1/2000 @ f/1.4 @ 100 ISO. I wanted that super-shallow depth-of-field, and I wanted the light to be more flattering than you'd get from a bare speedlight. In this case, I used a Profoto RFi 1'×3' softbox (affiliate), with the Profoto B1. (I kept both baffles on the softbox.) The summary: it Read more inside...Flash photography: How far can you bounce your flash?
Flash photography: How far can you bounce your flash?
The question regularly comes up: how far can you bounce your flash? The answer is quite straight-forward: It depends on the power of your flash, the bounce distance (and surfaces), ISO and aperture. Power, distance, aperture and ISO - the four things that control flash exposure. Yup, we can't really escape this. So how far can you bounce your flash? It depends on how far (and reflective) the surfaces are that you are bouncing your flash off; as well as how high you're willing to take your ISO and how wide you can take your Read more inside...High-ISO bounce flash photography
High-ISO bounce flash photography
One of the misconceptions about bounce flash photography that many photographers cling to, is that you absolutely need a white wall or ceiling near you. While it does help, this shouldn't stop you from trying to be a little adventurous with on-camera bounce flash to see if it gets you the results you want. There have been several articles on the topic of bouncing off various other surfaces, or, not any particular surface nearby: Bounce flash photography at wedding receptions (bride: Juana) Wedding reception lighting with one flash (groom: Read more inside...On-location headshots and promotional portraits
On-location headshots and promotional portraits
One of the things I like the most about photography, aside from the cool toys, is that you get to meet interesting people. Characters. People with spark. The challenge is then to capture that and show it in the photographs. A headshots photo session needs to be more than just a mere glimpse of your subject's personality. Jonathan Arons, also known as “the trombone dancer”, is a multi-talented actor, singer, dancer and musician, based in New York. Jonathan needed some professonial headshots and some portraits for promotional use. We Read more inside...- « Previous Page
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