How to overpower bright sunlight with on-camera flash
How to overpower bright sunlight with on-camera flash
The photograph on the left shows one of the toughest lighting conditions you get to deal with. Your subjects are half in the sun / half in the shade ... and there is no way you could interrupt and change things in your favor. There is no way to have the flower-girls move. No way to bring in additional, off-camera lighting. You can't scrim the sunlight either with large reflectors. There are these times when your options are limited, but you still have to get the best out of this challenging situation. There is one viable option Read more inside...Engagement photo sessions: Posing, lighting & context
Engagement photo sessions: Posing, lighting & context
I love this photo! I also like how it came together. This was within minutes of meeting DaWeon and Toban for their engagement photo session in Philadelphia. We had only chatted on Skype before. Embarrassingly enough, I arrived late to the meeting place for their engagement session through my misunderstanding about the address. No excuses there. But it did mean I had to work fast - the setting sun was lighting up the Philadelphia skyline, and I had to nail a series of photos very quickly. DaWeon and Toban had said they Read more inside...Flash photography tutorial: Balancing flash & ambient exposure
Flash photography tutorial: Balancing flash & ambient exposure
This topic - balancing flash and ambient exposure - seems to one that many newer photographers struggle with. The big hurdle seems to be the basic starting point - how do you decide on the exposure for each? I'd like to explore this topic a bit with this post. The trigger for this was a question that someone emailed me regarding an image in one of my books on flash photography. Instead of answering the question directly, I thought that a wider answer might be more illuminating. We're still on that perpetual quest Read more inside...Creative portrait photography on location
Creative portrait photography - Allowing opportunities to happen
There was an interesting challenge for me during a recent individual photography workshop in NYC - Don (who arranged the workshop), already knew the essentials of lighting techniques, and said what he really wanted was insight into the way that I see a photo before I take it. How do I know something will work or not. Don was particularly impressed with the series of photos of Anelisa that I shot for the review of the Profoto B2 Flash. The shallow depth-of-field images was a particular draw-card. Serendipity - I love Read more inside...review: Best light modifiers for on-camera flash
review: Best light modifiers for on-camera flash
Many of the tutorials and articles on the Tangents blog deals with getting the best from your on-camera flash. My approach has always been one of - what technique would give me the best light? Of course, there are so many different scenarios we could find ourselves in - so we have to adapt to where we are, and what we want to achieve. With on-camera flash, I've always pushed back against the idea of there being a single do-everything device that will make your flash photography look better. Specifically with light and lighting, We Read more inside...Flash photography: applying the Sunny 16 Rule & Flash Guide Number
Flash photography: applying the Sunny 16 Rule & Flash Guide Number
In essence, if you know the GN of your flash, then you could use (bare) off-camera flash to match the sunlight, without even metering! There is a super-useful shortcut built into those two simple values: Sunny 16, and the Guide Number. Now, I am pretty sure that when you hear mention of the Guide Number of a flash, you're most likely switching off already, thinking that it is just an arcane list of numbers - different apertures against different power settings. But hang in there - this is very useful stuff Read more inside...In-camera special effects with gobo projection
In-camera special effects with gobo projection
I still have this old-school preference for effects done in-camera and effects achieved with interesting lighting, over effects achieved nearly entirely through digital manipulation. Absolutely no disrespect to digital artists who create astonishing work. However, my jaw drops when I look at the sheer scale of the work of a photographer like Gregory Crewdson. Naturally then, my hero is Gregory Heisler, who has a true genius for creating diverse work through amazing lighting. So that would be my inclination - how much can I achieve Read more inside...Wedding photography: posing and lighting – a consistent style
Wedding photography: posing and lighting - aiming for a consistent style
The two images were taken about half an hour apart, with entire different lighting setups - yet there is a consistent look. The photo on the left was shot using video light with an Incandescent white balance. A video light is a small light source, so the lighting is usually quite contrasty - so you need to take care with the posing to have your main subject posing into the light. With a bridal couple, I will nearly always favor the bride for the more flattering light. Hence, I will invariably pose the bride Read more inside...review: Bolt VB-22 bare-bulb flash
review: Bolt VB-22 barebulb flash
These are good times for photographers who love using off-camera flash. There are more and more options coming out for us to choose from and use. B&H has rebranded their own version of a popular series of flashguns. The Bolt VB-22 bare-bulb flash (B&H) looks like the Cheetah Light CL-360, and the Godox Witstro AD360, and the Neewer AD-360. They all seem to have similar spec. So if you've been browsing for any of those options, B&H has the Bolt VB-22 flash at a competitive price. For the photo at the top, I had my camera set Read more inside...- « Previous Page
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