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destination wedding photography ..

April 30, 2009 Neil vN 16 Comments

destination wedding photography

A few times a year I'm fortunate enough to photograph a destination wedding, where I fly out to a more glamorous location than New Jersey.  The Bahamas, Aruba, Jamaica, and even locations within the USA are choice destinations for couples who are looking to have their weddings in an exotic locale. The choice of equipment to fly out to photograph a destination wedding, as well as the way to transport them becomes a real concern.  You have to have a flexible selection of gear with you, with a certain amount of redundancy in case something goes wrong  Read more inside...

Lens hoods – the best protection for your lenses

April 17, 2009 Neil vN 23 Comments

Lens hoods - the best protection for your lenses

Discussions about equipment where the pros and cons are weighed in favor of something, have flexibility to it. For example, I can see the debate about  filters on your lens - yes or no? lasting forever. There are valid points to either view about whether filters are detrimental or useful. But one topic which shouldn't be up for discussion, is whether lens hoods are recommended. Not to be dogmatic about it, but I can't see how anyone could argue in favor of not using lens hoods. They are just so obviously useful. Mostly  Read more inside...

Photography clichés

March 1, 2009 Neil vN 50 Comments

Photography clichés

Some sayings in photography are thrown out there so often that they've achieved a life of their own, and become truisms that are summarily accepted and then perpetuated. Here they are - the 10 most annoying platitudes in photography ... The phrase clichés in photography, implies visual clichés. But tastes differ too widely, and I wouldn't want to be the Style Police and dictate to other photographers which subjects and approaches are deemed cool. Besides, I think the world could always use more photos of pretty girls sitting on train tracks. So  Read more inside...

NYC photo session with Nikon 200mm f2 AF-S VR

February 12, 2009 Neil vN 25 Comments

NYC photo session with Nikon 200mm f2 AF-S VR

I recently allowed myself a vanity purchase ... the Nikon 200mm f2 AF-S VR lens (B&H). Last year some time, after seeing another photographer's results with the Canon 200mm f2 IS, I was curious enough to rent one, check it out, and then lust after one. I posted a write-up and some images at the time. What got to me was how insanely sharp the lens was at f2 .. and of course the incredible dream-like bokeh at f2 imparting an impressionistic appearance to the background. With me reverting to Nikon recently, I picked up a used copy  Read more inside...

home studio – portrait lighting setup in limited space

December 22, 2008 Neil vN 24 Comments

home studio portrait lighting setup in limited space

The photos in this article were shot with a fairly simple lighting setup in my dining room area. The main light to my left (model’s right) is the Westcott Bruce Dorn Strip Bank (18"x42") (B&H). The flashgun was a Quantum T2, but a speedlight would've worked just as well. In this small a space, you don’t need huge amounts of light. I used another Quantum T2 to light up the grey seamless background. I had the Quantum 12×12 softbox on this one, and feathered it to give me uneven light on the backdrop. I also had a snooted Nikon  Read more inside...

Nikon SB-900 thermal cut-out

November 28, 2008 Neil vN 35 Comments

Nikon B-900 Overheat Protection / thermal cut-out

One of the features of the new Nikon SB-900 speedlight is the thermal cut-out.  This feature allows the speedlight to stop firing (ie, stop working), when there is danger of it over-heating from shooting too fast. The temperature gauge can clearly be seen on the right-hand side of the SB-900 LCD display.  Read more inside...

review: RadioPoppers P1

September 9, 2008 Neil vN 19 Comments

[ click on the photo to see a larger image] Apathy Angel against the backdrop of the Manhattan skyline. The settings for the image above was 1/2000 @ f1.6 @ 100 ISO, and the reason for the wide aperture was that I wanted to have the skyline appear as that dreamlike haze in the background.  The bright light though, forced a very fast shutter speed.  In this case 1/2000th would let the background over-expose a little and blow out somewhat, but give me some detail.   But to control the lighting on my model more specifically than just the available light, I used flash. For the lighting  Read more inside...

broken Canon 580EX II hotshoe foot

August 30, 2008 Neil vN 12 Comments

One of the most visited pages on this website is the instructional post on how to repair the foot of the Canon 580EX speedlite.  Since the foot of the original 580EX is made from plastic, it is easy to break ... but also easy to repair. I broke the foot off my 580EX II some time back, by lowering my camera too fast to the ground by the strap.  The camera and lens tilted over, and the flash smacked the ground a touch harder than the gentle soft landing I anticipated.  Because the foot of the 580EX II is now made of metal, there is nothing to give, except the body of the speedlight.  And this  Read more inside...

review: Nikon SB-900 speedlight

August 21, 2008 Neil vN 8 Comments

review: Nikon SB-900 speedlight

With the SB-900 Speedlight (B&H), Nikon's flagship flashgun, it is clear that they did their homework.  The SB-800 was a great flashgun, but there were certain things about it that were very frustrating, but the Nikon SB-900 gets all of this right. A huge improvement is that the SB-900 rotates 180' to either side!   Right there in this image is the main reason to get the SB-900 ... it now rotates 180' to the right, instead of stopping short at the 90' mark like the SB-800. This is a huge benefit in bouncing flash with specific effect  Read more inside...

dreamy goodness: Canon 200mm f2 L IS

July 29, 2008 Neil vN 41 Comments

Canon 1D Mark III - Canon 200mm f2 L IS USM (B&H) - 1/300th @ f2 @ 125 ISO [ click on the photo to see a larger image] Canon recently upgraded their legendary 200mm f1.8 with an 200mm f2 version which has Image Stabilization.  So out of curiosity I rented this lens from LensProToGo, to play with it and test it out. Here is the beast of a lens:  the Canon 200mm f2 L IS USM (B&H) This is the kind of lens which is best used (or in a way ONLY to be used) at its maximum aperture.  That wide aperture of f2 gives you an incredibly thin depth of field, and hence, that dreamy  Read more inside...

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