Controlling bright daylight with direct off-camera flash
Controlling bright daylight with direct off-camera flash
Working with Molly K as our model during an personal photography workshop in New York, we put into action the thought-process when using flash in very bright light. There's a specific algorithm that gets us to optimal settings. But, as usual, there's more to a final image than just the numerical settings on the camera ... Read more inside...Vintage photo session and Off-camera flash
Vintage photo session and Off-camera flash
Anyone who regularly follows the Tangents blog or has my 2nd book, off-camera flash photography, might recognize Sarah. When she told me she was visiting New York, I made sure that I squeezed in a photo session with her in my schedule. The weather on the day was grey and drizzly ... enough reason to juice it up with some off-camera flash. And then play with the images in post-processing a bit. On this rainy day there were random pools of water in the street, and it took just a few minutes to find a viewpoint where we could get Sarah's Read more inside...Photo-shoot with a model: the progression of an idea
Photographing a model on-location: the progression of an idea
As often happens for me when working a model on location, the final photographs are the result of a progression of an idea, rather than a fully-formed idea from the start. That colorful background came to be because of how I gelled for the flash. It's a technique I've shown a few times, and here it helped me in bringing a blah scenario up to something more eye-catching. The idea is to create an interesting shift in the color balance between your subject and background. It works especially well if the background is not Read more inside...Direct off-camera flash as fill-light
Direct off-camera flash as fill-light
I really like using a medium-sized softbox when photographing portraits. A softbox allows me to get soft, directional light pretty much anywhere. The most recent example I showed here, was Lucia and Alvin's wedding in Central Park, New York. I do make it easier for myself when using off-camera flash for photo sessions on location - I pick my battles. I don't try to make everything work. With a photo session where I can control the light and background and setting for my subjects, I can make it easier for myself by not choosing tough lighting Read more inside...A wedding in Central Park, New York
A wedding in Central Park, New York
A groom holding up the softbox for me ... as you may well guess, there's a story here. Alvin and Lucia are from the UK, but decided to get married in Central Park. Of course, there's a story here too. Read more inside...wedding photography: portraits of the bride & bridesmaids
wedding photography: portraits of the bride & bridesmaids
Continuing with the theme of photographing great portraits on a wedding day when there aren't beautiful surroundings: when I have the time at the bride's house, I will always try to get individual portraits of the bride with each bridesmaid. I like doing this early in the day already at the bride's house, because everyone's energy levels are still up. Everyone is still excited, and emotions are still high. No one is hungry; with shoes that hurt them. So, with that idea in mind, I like getting as many of these portraits Read more inside...Off-camera flash: Short lighting vs. Broad lighting
Off-camera flash photography: Short lighting vs. Broad lighting
"Short Lighting" is when the side of the face turned away from the camera, is better lit than the side of the face closest to the camera. (top image) "Broad Lighting" is when the side of the face closest to the camera, is better lit. (second image) This has as much to do with the position of the light, as with how your subject is posed into the light. This is true for studio photography and off-camera flash on location, and for when you photograph a subject with just the available light. As shown in a previous Read more inside...Shooting wedding photos in the mid-day sun with off-camera flash
Shooting wedding photos in the mid-day sun with off-camera flash
Shooting under the mid-day sun is always a tough scenario we face as photographers. Recent topics here have included photographing wedding portraits in bright sunlight, as well as generally taking photos in hard sunlight. These techniques mostly revolve around adapting to the harsh light. We can often sidestep having to work in the hard sunlight by positioning our subject so the light is more flattering. Sometimes though, these alternatives are out of our hands, and decisions are made for us. Then we have to deal Read more inside...Adding rim-lighting to available light, with off-camera flash
Adding rim-lighting to available light, with off-camera flash
Off-camera flash need not be all that complex as it might appear to you if you are new to this. During a lunch-time conversation, a friend told me that she felt intimidated by the on-location flash photography by other photographers. The way to use multiple-flash setups seemed impenetrable to grasp. How would one go about and where do you even start. This made me wonder - just how complicated should photography lighting be? I don't think it has to be complicated. It just has to be enough to be effective or solve a Read more inside...- « Previous Page
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