Posing and lighting technique - posing in relation to the lighting
When taking a portrait, the pose needs to suit the lighting. And vice versa, the lighting needs to be done in relation to the intended pose. Especially so when the lighting is dramatic. This is such a key idea - lighting and posing are tightly correlated. Started again: you pose the participants in relation to the light. You light the people you photograph, in relation to how you position the light.
When lighting a couple, I tend to favor the woman in terms of flattering light. So in setting up a pose, the lighting Read more inside...
Off-camera flash: Rim-lighting and the intentional use of flare
For these promotional photos for aspiring model twins, Carina and Carolina, we went to a park. There are certain things I look for when working on an location, that I know will immediately give me a better chance at successful portraits. My book, Lighting and Design for Portrait Photography, looks at exactly that thought-process throughout the 60 chapters in the book.
The technique here should be quite obvious by now:
A long lens (a 70-200 used closer to the longer end), compressing the perspective.
Shooting Read more inside...
Chiaroscuro is defined as the use of strong contrasts between light and dark - bold contrasts affecting a whole composition. Chiaroscuro in an Italian phrase meaning Light and Dark. Chiaro = Light; Scuro = Dark.
In Film Noir, there are many examples of the use of Chiaroscuro, enhancing the mood. Here though, we're going to look at a straight-forward way of using Chiaroscuro as a lighting technique. This then becomes an easy starting point to experiment further.
By adding planes that have a gradient between light and dark, you can enhance Read more inside...
Posing people: Tips for improving your portrait photos
Throughout the numerous articles on the Tangents blog, I'm often asked about how I go about posing people. I've described some of it in the article, adjusting a pose with incremental changes. Instead of a traditional way of posing, it's mostly a "feel" thing, looking at my subject and seeing if there are elements that could be better balanced. This studio portrait of a model, Adrienne, doesn't follow rigid guidelines of formal portraiture. Her shoulder is a little scrunched up, and her head is tilted to the side. Yet, to my eyes, Read more inside...
I love this photo! I also like how it came together. This was within minutes of meeting DaWeon and Toban for their engagement photo session in Philadelphia. We had only chatted on Skype before. Embarrassingly enough, I arrived late to the meeting place for their engagement session through my misunderstanding about the address. No excuses there. But it did mean I had to work fast - the setting sun was lighting up the Philadelphia skyline, and I had to nail a series of photos very quickly.
DaWeon and Toban had said they Read more inside...
Informal / candid portraits on the street - Applying what you know
New York City abounds with characters - interesting and colorful people. This is one of those constants if you're out on the streets in NYC, especially when taking photos or busy with a photo session ... or as in this case, during one of the individual photography workshops in NYC. This man approached us to sell his artwork ... and we ended up taking a few photos of him. With a few quick, automatic steps, the informal portrait is improved.
I'm one of those people, who, if tourists in Times Square give me their Read more inside...
Photography tip: available light portraits - that sweet spot of light
A regular theme on Tangents, is using interesting found light sources while shooting portraits on location. For example: using sunlight reflected off a traffic sign.
With this straight-forward portrait of Irene, a photographer friend in New York, I want to show a neat little trick here - helping your subject understand exactly where you want them to stand.
Here we had random reflections of glass structures in Manhattan, giving random spots of lights. I wanted to use one of these spots of lights here as Read more inside...
Wedding photography: posing and lighting - aiming for a consistent style
The two images were taken about half an hour apart, with entire different lighting setups - yet there is a consistent look.
The photo on the left was shot using video light with an Incandescent white balance. A video light is a small light source, so the lighting is usually quite contrasty - so you need to take care with the posing to have your main subject posing into the light. With a bridal couple, I will nearly always favor the bride for the more flattering light. Hence, I will invariably pose the bride Read more inside...
Flash photography: How far can you bounce your flash?
The question regularly comes up: how far can you bounce your flash? The answer is quite straight-forward: It depends on the power of your flash, the bounce distance (and surfaces), ISO and aperture.
Power, distance, aperture and ISO - the four things that control flash exposure. Yup, we can't really escape this.
So how far can you bounce your flash? It depends on how far (and reflective) the surfaces are that you are bouncing your flash off; as well as how high you're willing to take your ISO and how wide you can take your Read more inside...
book review: Roberto Valenzuela - Picture Perfect Posing
I've noticed that articles on Tangents which deal with the topic of how to pose people, gets a lot of attention. Posing is a challenging topic for most photographers except the very best who seem to have an innate gift for it.
Books on posing tend to approach the topic as a list of suggestions - the kind of "1,000 poses" type books. Another alternative offered is flow posing where you maneuver a couple through a number of poses mechanically. Both of these approaches means you have to memorize poses by rote, instead of Read more inside...
