Wedding photography posing tips - For variety, make slight changes
Wedding photography often feels like a sustained burst of stressful periods - the processional (where you have a really limited range to nail everything in low light), the family photos (where you have to gain control over a potentially chaotic situation), and the romantic portrait session with the bride and groom. Even with a couple as cool as Jackie and Todd, there is still the pressure to get photos as awesome as the images you show in your portfolio. The time is usually limited, and you have to nail the lighting, Read more inside...
This portrait of my friend Christy, was shot in my studio - the lighting entirely from the globes circling the make-up table. In fact, if you look closely, you can see the ring of lights circling the iris of her eyes.
Now, as drop-dead gorgeous as Christy is, it is also a running joke between us that she is tough to pose. She isn't a model, so hasn't built up the experience or repertoire of poses yet to naturally glide into a pose in front of the camera. So it needs me to pose her or adjust her pose along the way.
In the case of her hands, it needed Read more inside...
One thing you can do to improve your portrait photography
Possibly the most clichéd photographer's phrase next to "say cheese", is something about being more comfortable behind the camera than in front of the camera.
We've all been there - that moment of discomfort when you have to be photographed. But I say it is time to confront this. You need to own it and become used to being photographed. Seriously. I would even go as far as saying that you have an obligation to your subjects and clients to be comfortable about being photographed. You need to know how to handle yourself in Read more inside...
Posing and lighting technique - posing in relation to the lighting
When taking a portrait, the pose needs to suit the lighting. And vice versa, the lighting needs to be done in relation to the intended pose. Especially so when the lighting is dramatic. This is such a key idea - lighting and posing are tightly correlated. Started again: you pose the participants in relation to the light. You light the people you photograph, in relation to how you position the light.
When lighting a couple, I tend to favor the woman in terms of flattering light. So in setting up a pose, the lighting Read more inside...
Off-camera flash: Rim-lighting and the intentional use of flare
For these promotional photos for aspiring model twins, Carina and Carolina, we went to a park. There are certain things I look for when working on an location, that I know will immediately give me a better chance at successful portraits. My book, Lighting and Design for Portrait Photography, looks at exactly that thought-process throughout the 60 chapters in the book.
The technique here should be quite obvious by now:
A long lens (a 70-200 used closer to the longer end), compressing the perspective.
Shooting Read more inside...
Chiaroscuro is defined as the use of strong contrasts between light and dark - bold contrasts affecting a whole composition. Chiaroscuro in an Italian phrase meaning Light and Dark. Chiaro = Light; Scuro = Dark.
In Film Noir, there are many examples of the use of Chiaroscuro, enhancing the mood. Here though, we're going to look at a straight-forward way of using Chiaroscuro as a lighting technique. This then becomes an easy starting point to experiment further.
By adding planes that have a gradient between light and dark, you can enhance Read more inside...
Posing people: Tips for improving your portrait photos
Throughout the numerous articles on the Tangents blog, I'm often asked about how I go about posing people. I've described some of it in the article, adjusting a pose with incremental changes. Instead of a traditional way of posing, it's mostly a "feel" thing, looking at my subject and seeing if there are elements that could be better balanced. This studio portrait of a model, Adrienne, doesn't follow rigid guidelines of formal portraiture. Her shoulder is a little scrunched up, and her head is tilted to the side. Yet, to my eyes, Read more inside...
I love this photo! I also like how it came together. This was within minutes of meeting DaWeon and Toban for their engagement photo session in Philadelphia. We had only chatted on Skype before. Embarrassingly enough, I arrived late to the meeting place for their engagement session through my misunderstanding about the address. No excuses there. But it did mean I had to work fast - the setting sun was lighting up the Philadelphia skyline, and I had to nail a series of photos very quickly.
DaWeon and Toban had said they Read more inside...
Informal / candid portraits on the street - Applying what you know
New York City abounds with characters - interesting and colorful people. This is one of those constants if you're out on the streets in NYC, especially when taking photos or busy with a photo session ... or as in this case, during one of the individual photography workshops in NYC. This man approached us to sell his artwork ... and we ended up taking a few photos of him. With a few quick, automatic steps, the informal portrait is improved.
I'm one of those people, who, if tourists in Times Square give me their Read more inside...
Photography tip: available light portraits - that sweet spot of light
A regular theme on Tangents, is using interesting found light sources while shooting portraits on location. For example: using sunlight reflected off a traffic sign.
With this straight-forward portrait of Irene, a photographer friend in New York, I want to show a neat little trick here - helping your subject understand exactly where you want them to stand.
Here we had random reflections of glass structures in Manhattan, giving random spots of lights. I wanted to use one of these spots of lights here as Read more inside...
