Your camera doesn’t matter – except when it does
Your camera doesn't matter - except when it does
There's this specific narrative that gets pushed that your camera and photo gear don't matter all that much. That it is your imagination and your eye that counts for the most. Perhaps, perhaps ... but without the necessary gear to enable what you're trying to capture, you're lost. It seems so self-evident. I would even insist that you need photo gear that are better than your abilities - this way you're not constrained by your equipment. With this performance by Team Circus which they asked me to photograph for them, I had to Read more inside...Engagement photo sessions: Posing, lighting & context
Engagement photo sessions: Posing, lighting & context
I love this photo! I also like how it came together. This was within minutes of meeting DaWeon and Toban for their engagement photo session in Philadelphia. We had only chatted on Skype before. Embarrassingly enough, I arrived late to the meeting place for their engagement session through my misunderstanding about the address. No excuses there. But it did mean I had to work fast - the setting sun was lighting up the Philadelphia skyline, and I had to nail a series of photos very quickly. DaWeon and Toban had said they Read more inside...Focusing your camera – Focus-lock & recompose
Focusing your camera - Focus-lock & recompose
Following up from the article on focusing modes of your camera - when your subject is off-center, you have two options to acquire and hold focus: use the appropriate off-center AF sensor (but you can run into the problem of it not being a cross-type AF sensor), or lock focus, and then recompose the shot A scenario where you might want to use focus-lock & recompose, is when there is strong back-lighting, and your camera has difficulty auto-focusing. The photo above would be a typical example. Here I was shooting Read more inside...Focusing your camera – Focus modes / AF modes
Focusing your camera - Focus modes / AF modes
The focusing modes and options can be confusing for new camera owners. The instruction manual's dry distillation of facts might also be overwhelming. Where to start? Let's break it down to the basics and make this all much easier. The photo at the top illustrates the most essential consideration when deciding on a focusing mode - deliberate choice. I deliberately focused on her eye closest to me. Not her hand in the front or the back. Definitely not the background. I chose what I wanted most sharp in the photo. It wasn't the camera's Read more inside...An informal portrait with the 85mm lens
An informal portrait with the 85mm lens - Sarah S.
Like pretty much every photo geek that I know of, I carry a camera with me wherever I go, for my personal photography. Now when the photography isn't for an actual planned shoot or professional shoot, but just for fun walk-about - then the choice of gear somehow becomes more involved. What lens should I take - wide, normal or tele. Fixed or zoom. The bulk and weight become considerations - you don't want to schlep around too much gear. Creativity and motivation quickly dissipate when your back and feet start to hurt from a camera Read more inside...Flash photography: How far can you bounce your flash?
Flash photography: How far can you bounce your flash?
The question regularly comes up: how far can you bounce your flash? The answer is quite straight-forward: It depends on the power of your flash, the bounce distance (and surfaces), ISO and aperture. Power, distance, aperture and ISO - the four things that control flash exposure. Yup, we can't really escape this. So how far can you bounce your flash? It depends on how far (and reflective) the surfaces are that you are bouncing your flash off; as well as how high you're willing to take your ISO and how wide you can take your Read more inside...Full-frame vs Crop-sensor comparison : Depth-of-field & perspective
Full-frame vs Crop-sensor comparison : Depth-of-field & Perspective
When the differences between full-frame and crop-sensor cameras are discussed, there is an inevitable question about whether the crop sensor multiplies the focal length. Whether a 50mm lens on a crop-sensor acts like a 75mm lens (on a 1.5x crop sensor) or 80mm lens (on a 1.6x crop sensor). The answers given on the photography forums are confusing - yes, the focal length effectively increases. No, it doesn't. Two answers that are polar opposites. The discussion (which tend to devolve into arguments) are Read more inside...Using the Profoto B1 portable flash at a wedding
Using the Profoto B1 portable flash at a wedding
With wedding photography, there are nearly inevitably time-constraints. It is therefore imperative that you, as the wedding photographer, are able to keep everything running as smoothly as possible on your side. Which implies that it is important that you (and your equipment) are adaptable. And it is also hugely important that your gear is easy to set up, and very reliable. Karissa and Rory's wedding was the first where I pulled out the Profoto B1 battery powered flash (B&H / Amazon). I'm even more impressed with it Read more inside...Various scenarios: Balancing flash with ambient light
Various scenarios: Balancing flash with ambient light
Adding flash to ambient light - its's a topic that can appear to be confusing. With advice that ranges from under-exposing the ambient light by a stop or two ... or dialing FEC down for fill-flash, or advice that you should be metering for the background ... it all appears confusing and contradictory. What we do, and the thought-process we step through, depends on the (lighting) situation we find ourselves in. There isn't one blanket do-all method. No single piece of instruction that will fit every occasion. So let's try to Read more inside...- « Previous Page
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