Using tele-converters: Extra lens compression for tighter portraits
Using tele-converters: Extra lens compression for tighter portraits
One of the techniques to have your subject really stand out from the background, is to use the longest focal length on your 70-200mm telephoto zoom. One of the first things I do, is to zoom to maximum focal length, and then step backwards to find the composition … and then only zoom wider if necessary. Doing it this way, forces you to use the longest focal length. This compression focuses attention on your subject by creating separation from the background. To extend the range of my 70-200mm f/2.8 lens, I always Read more inside...Studio photography – Image projection effects for creative backgrounds
Studio photography - Image projection effects for creative backgrounds
Working with an idea in mind in the studio - a moody B&W portrait with a stylized cityscape as background. Using the Light-Blaster again in the studio, this final image was a progression of that idea. I knew I wanted to use the cityscape background of one of the metal gobos that came with the Light-Blaster kit. Because I wanted the final photograph to be black and white, I set my camera to Monochrome so that I'd have a good idea during the shoot what the final image would look like. Since I shoot in RAW, Read more inside...Will flash freeze movement at slow shutter speeds?
Will flash freeze movement at slow shutter speeds?
Does flash freeze motion at slow shutter speeds (in low light)? The answer is ... maybe. Perhaps. It depends. There are several factors which will determine whether flash will freeze motion at slow shutter speeds. It is difficult giving a definitive answer because it depends on the scenario. In short - if your subject isn't lit by much available light (with ambient light 4 stops or less than your flash exposure), then flash will freeze the action ... if there is no bright background. Probably. But it depends on the type of Read more inside...Using lens bokeh as a design element
Using lens bokeh as a design element
In previous articles we could see how a fast 85mm can be used for shallow depth-of-field to shoot nearly anywhere by melting away the background. There's another aspect to this - the bokeh of the lens. The bokeh is a reference to how the quality of the background blur is rendered by a lens. It can be smooth, or have "jittery" patterns to the edges of objects, and the highlights. Do note though that bokeh and shallow depth-of-field are not quite the same thing. While the DoF / choice of aperture does affect the appearance of the bokeh of Read more inside...Photography – Creating foreground bokeh effects
Creating foreground bokeh effects in-camera
The closer you move to a foreground object, the more it's shape and color and opacity will affect the image … in unpredictable ways. It's a well-established technique then to create unusual color splashes and shapes in the image by creating flare highlights. It is often called "foreground bokeh effect". Ulorin Vex is an unusually photogenic model that I have photographed on a few occasions. When Ulorin visited the East Coast again recently, I jumped at the opportunity to meet up with her again and play in the studio. Her striking looks Read more inside...Boudoir photography with the 50mm lens
Boudoir photography with the 50mm lens
With shooting space often times so tight for boudoir photo sessions, there is the temptation to use a 50mm lens for tighter headshots on a full-frame D-SLR. Instead of stepping back a bit and using an 85mm lens or longer, a bit of visual laziness comes into play, and we rely on the 50mm lens too much. It really is too short a focal length for a tight portrait. I think many photographers are even too in love with their 50mm lenses, and use it without thought of how this would distort someone's face when used too close to their subjects. I Read more inside...85mm – The best lens to change your portrait photography
85mm - The best lens that could change your portrait photography
If that hat seems familiar, yes, Elle was the model in the series of photographs for the Nikon Df review article. For some of the sequences of photos that we shot, I used the 85mm lens, wide open. This had the effect of just melting the background. You can pretty much shoot anywhere, and make the background look good and non-intrusive. While a 70-200mm f/2.8 lens can be even more effective in controlling the background, the shorter focal length, an 85mm lens can make this somewhat easier in some respects. Read more inside...Off-camera flash for wedding portraits on the beach
Off-camera flash for wedding portraits on the beach
I had the great pleasure of photographing Sarah and Antonio's wedding in Santa Monica, California. For the romantic portrait, we went down to the beach in the late afternoon. With the pier in the background, and with the sun (even at 5pm) still beating down, the photos were going to look vibrant, with that sun-drenched look. Beautiful. When I posted the photos in an album on Facebook, a number of people asked me about this (and other photos), and how I photographed them. The technique is quite straight-forward, as described in Read more inside...Fuji cameras manual focus mode
Fuji cameras manual focus mode
The way that Fuji implemented manual focus mode on their cameras, turn them into possibly the best manual focus cameras around. Now some will say the most recent series camers' AF is so good that you don't need manual focus. However, I'm not convinced of that. The AF is pretty good, but there are times (such as with strong back-lighting), where even the top cameras of any brand would struggle. Then manual focus can be a huge help. And it makes sense to be familiar with the manual focus options on your camera. Anyway, here is why I think the way that Read more inside...- « Previous Page
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