shooting promotional photos for a band
camera settings: 1/50 @ f8 @ 800 ISO ... lens zoomed to 35mm; available light
shooting promotional photos for a band
Anyone who knows me well is probably very aware that my first true love is music. I live my life to a music soundtrack. There's always music playing. Not the radio, but music of my own choice. I love music ... however, my sense of rhythm isn't all that it should've been for me to be a natural muso. But still, I love music. All of which meant that one few non-negotiable rules for my daughter was that she had to take music lessons. So she plays bari sax in the Read more inside...example: direct off-camera flash vs softbox
example: direct off-camera flash vs softbox (model: Ulorin Vex)
Ulorin Vex posing for us during part of the on-location session of the flash photography workshops which I presented in San Francisco earlier this year. Ulorin Vex is of course absolutely stunning, as always. While I often direct models how they should pose, this one is all her doing . Not even I can improve on that. The image here at the top was shot with an off-camera softbox - my usual preferred Lastolite Ezybox softbox. The direction of the light here should immediately reveal the approximate position where the Read more inside...Canon wireless e-TTL flash triggers / radio transmitters
Canon wireless e-TTL flash triggers / radio transmitters
A bridal portrait (taken during one of the photo sessions arranged by the Hudson Valley Click), where it is easy to see the advantage of using off-camera lighting. The strong back-lighting is used as a way to highlight the background and have the rim-lighting etch our model against the background. Of course, having her turn her back to the sun also helps with not having our model squinting in the bright light. We immediately avoid unflattering hard light on her face. But we then do need to add off-camera lighting of some Read more inside...Jessica, a portrait in Dublin
Jessica, a portrait in Dublin
Hovering somewhere between a snapshot and a candid portrait, I really like this photograph. We were hanging out in the Temple Bar area in Dublin, late late in the evening after the recent workshops in Dublin. When it started to rain, we took shelter under the canopy in front of one of the many pubs there. As Jessica took the first drag of the cigarette, I playfully lifted my camera as if to take a shot, and she reacted with this suitable sneer. And I like the result. I even think it is the kind of image that would've worked on an album cover by The Read more inside...photo session: urban ballerina – Oktavia
photo session: urban ballerina - Oktavia
Oktavia is the stunning model on the cover of my book about off-camera flash. We've intended to do another photo shoot ever since then, but busy schedules kept us from that until recently. A theme that Oktavia wanted to explore, was that of the Urban Ballerina. The idea with the urban ballerina is the contextual dissonance of having a graceful dancer in the middle of some urban setting. There's no real meaning to it other than contrasting art & beauty against the harsher urban setting. Read more inside...lens review: Nikon 50mm f/1.4G vs Nikon 50mm f/1.8G
lens review: Nikon 50mm f/1.4G vs Nikon 50mm f/1.8G
The 50mm lens in general is an interesting optic. Not necessarily for what it does, but how it seems to have fallen out and back in favor over the years. For example, in the 1970's pretty much all 35mm film cameras shipped with a 50mm lens. Zooms weren't something that just came with the camera as a kit lens. It was the 50mm lens that was the "kit lens". So the first thing the serious amateur would do, is dump the 50mm lens and get a zoom lens to get some variety in their photographs. Then over the years, more compact and slower Read more inside...Exposure metering & observing the available light
Exposure metering & observing the available light
As a photographer you'll often hear instruction to just "look at the available light". Great. But this advice is also often given without clear examples of what we're actually supposed to be looking at. So let's explore that a little bit using a sequence of images of our model, Aleona, photographed during a recent individual photography workshop. This is also keeping with the loose theme over the past few weeks, that for a photographer "using the available light" is not a random thing or just a meaningless catch-phrase. Read more inside...photo session – vintage pinup style (on location)
photo session - vintage pinup style (on location)
When the hot-rod show which didn't offer as much in terms of photography as I had hoped, Jill and I moved over to the pier in Brooklyn. Having a model in a retro sailor-suit type outfit ... well, it just seemed to good an opportunity to waste. I thought of perhaps using the Ice Cream Factory there as a backdrop to a straight-forward pinup photo, but ultimately decided the Hudson River waterfront would work better as a setting for the photo. Then we just had to add some simple but dynamic lighting, and give the final image a vintage Read more inside...post-processing a photo – that summery feeling
post-processing an image - that summery feeling
A hot rod show & hot girls dressed in 50's retro outfits .. it all just has to look good! Well, not necessarily. Sometimes the way you feel something should look, just isn't quite there in the actual setting. At a hot rod show today in Brooklyn, though there were the usual awesome cars (and girls), but the show was held under an expressway. Just not quite the right setting to easily get images with sparkle. But parked around the area were some vintage cars, so along with Jill (one of the models), I used some of these cars for a few Read more inside...- « Previous Page
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