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Dramatic portraits: Hollywood Portrait Lighting

November 30, 2017 Neil vN 4 Comments

Dramatic portraits: Hollywood Portrait Lighting

Shooting for my portfolio in the studio with a model, Kimberly Jay, I wanted to create sets of feminine portraits that looked dramatic, and straddled the boudoir photography genre and had a Film Noir look to them. The classic look of Hollywood portrait lighting has long drawn me, and with a set of  Litepanels Sola 4 LED Fresnel Lights  (B&H / Amazon), it is a look that I am still trying to finesse.

Other photo sessions where I have drawn on the Hollywood look:

  • Lighting a vintage styled boudoir photo session  (model: Olena)
  • Hollywood Glamor lighting with video lights  (model: Elle)
  • Boudoir photography with a Hollywood glamor feel  (model: Priscilla)

This sequence of images that I shot with Kimberly, was with more dramatic intent than the other more ‘light & airy’ style boudoir photographs we took. With a cigar as a prop, I aimed for that Noir look. These Litepanels Sola 4 LED Fresnel Lights (affiliate) are daylight balanced. However, the main light on her was gelled with an amber colored gel. This meant the light from behind her turned blue in relation. This rim-light was gentle, and was intended to give a subtle light on her, but specifically light up the smoke from behind.

For this session I used two different cameras & lens combinations:
– My current workhorse combo – the Nikon D5 (affiliate), with the versatile Nikon 24-70mm f/2.8E VR  (affiliate).
– The Sony a7ii (affiliate) with the incredibly fast aperture Mitakon Zhongyi 50mm f/0.95  (B&H / Amazon) lens.

The photo here at the top was shot with that Mitakon Zhongyi 50mm f/0.95  (B&H / Amazon). It is slow to use, because of the demands of the super-shallow DoF, but the lens does give a specific look, as shown in this previous article: re: Portraits with vintage lenses. However, without a specific background (or foreground) to play with, the lens’ qualities didn’t quite shine. Still, you can see the shallow DoF giving a rapid drop-off in sharpness here.

The rest of the images shown here are divided into two groups – those shot with the Nikon, and those shot with the Mitakon. The lighting remained consistent.

 


Books on Hollywood portrait lighting

 

 

 

  • 1/125  @  f/4  @  1000 ISO
  • Nikon D5  (B&H / Amazon)
  • Nikon 24-70mm f/2.8E VR  (B&H / Amazon)
  • (2x) Litepanels Sola 4 LED Fresnel Lights  (B&H / Amazon) i

 


 

These two pull-back shots will show the placement of the two Litepanels Sola 4 LED Fresnel Lights  (B&H / Amazon). Because the lights are relatively small light sources, it did restrict how Kimberly could move. This makes posing with smaller (more dramatic) light sources more critical.

As mentioned above, these LED fresnel lights are daylight balanced. Since the main light was gelled with an Amber colored gel, it meant the light in the background shifted to blue in relation. This is because the camera’s WB set to that of the main light, for a neutral WB where the skin tones look good. Hence, the background light shifted to blue.

The backdrop is by Oliphant Studios.

My studio is available as a rental studio, and these and other lighting kits (and the backdrop) are available for use.

 


 

  • 1/320  @  f/0.95  @  200 ISO
  • Sony a7ii (B&H / Amazon)
  • Mitakon Zhongyi Speedmaster 50mm f/0.95  (B&H / Amazon)
  • (2x) Litepanels Sola 4 LED Fresnel Lights  (B&H / Amazon)

 

This next image, showing the backdrop and setup, was shot with the Mitakon 50mm f/0.95 and you can clearly see the quick fall-off in sharpness.

  • 1/320  @  f/0.95  @  200 ISO
  • Sony a7ii (B&H / Amazon)
  • Mitakon Zhongyi Speedmaster 50mm f/0.95  (B&H / Amazon)
  • (2x) Litepanels Sola 4 LED Fresnel Lights  (B&H / Amazon)

 


 

Related articles

  • Lighting a vintage styled boudoir photo session  (model: Olena)
  • Hollywood Glamor lighting with video lights  (model: Elle)
  • Boudoir photography with a Hollywood glamor feel  (model: Priscilla)
  • Portrait photography: Dramatic lighting with LED Fresnel lights  (Jen R.)
  • review: Litepanels Sola 4 LED Fresnel Light  (model: Ulorin Vex)
  • More articles on Boudoir Photography
  • More articles on using continuous lighting

 


Books on Boudoir Photography


 

Filed Under: boudoir photography, continuous lighting, Kimberly Jay, models, portraits, studio photography Tagged With: boudoir photo session, boudoir photography, continuous lights for portraits


 

Help support this website

If you find these articles of value, please help support this website by using these B&H and Amazon affiliate links to order your photo gear.

I also offer photography workshops and tutoring sessions, whether in person, or via online video tutoring sessions.

Stay informed via the monthly newsletter.

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You can also join our thriving photo community in the Tangents group on Facebook, where we show our photos and discuss all things photography.

Thank you,

Neil vN

Books by Neil van Niekerk


 




4 Comments, Add Your Own

  1. 1Steve says

    December 6, 2017 at 4:59 am

    Hi Neil your website shows up pretty wide on my Samsung s7 edge, the menu tab on the right is off the page so any visitors that dont know its there probably wont know to try sliding the page to the right to see it. I noticed it last time I was here too. Just a heads up in case the page width for mobile devices is set too wide.

    Reply
  2. 2Valent Lau says

    December 10, 2017 at 11:08 pm

    Interesting setup. LEDs have come far!

    Reply
  3. 3Edmund Shum says

    December 24, 2017 at 10:36 am

    So creative with the gels! I would have just gelled the rim light blue, I wonder if it would make much difference to the result?

    Reply
  4. 4Neil vN says

    December 24, 2017 at 10:38 am

    “As mentioned above, these LED fresnel lights are daylight balanced. Since the main light was gelled with an Amber colored gel, it meant the light in the background shifted to blue in relation. This is because the camera’s WB set to that of the main light, for a neutral WB where the skin tones look good. Hence, the background light shifted to blue.”

    Reply

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