Clamshell lighting is one of the simplest lighting setups for headshots and portraits. Two lights are set up to light your subject from above and from below. Both are at approximately a 45 degree angle. This gives an even light on your subject, that somehow has a glowing effect. Easy to set up, and gives consistently good results. Here I used studio lighting, but obviously it is just as easy with speedlights.
You must have seen similar clamshell style lighting setups, but with a reflector below instead. This 2nd light source from Read more inside...
Dramatic portrait & headshot lighting in the studio
Working with the Profoto Spot Small (affiliate), I wanted to create portraits for my portfolio that showed a more dramatic light for portraits. I think these could even be used as secondary headshots in a portfolio. For this photo session, I had actor / model Andy Peeke (Instagram) in the studio. He has the cheekbones for this!
For other results from the Profoto Spot Small light modifier, also check out this article: Dramatic studio lighting with the Profoto Spot Small
In adapting the lighting setup Read more inside...
For headshot photography in New York, where we might roam around, a static setup with light-stands isn't that feasible. It would slow us down from getting a variety of images when we are on the move. For that, I like to keep the lighting setup small and portable. My preference for lighting for on-location headshot photography, is the Profoto B10 flash (B&H / Amazon) coupled with the Profoto OCF Beauty Dish (24") (B&H / Amazon).
Here is a pull-back shot to show the lighting setup Read more inside...
This headshots photo session for a large corporate client, started off as a bit of a challenge -- they wanted half-length seated portraits against a white background. Because the room they put me in was a bit too tight, I set everything up at an angle, so that I could shoot from outside the door to get a proper working distance. I would have had enough room here if I only had to do tight headshots, but the client wanted half-length seated shots, and the space was too small for that if I wanted an even background.
I wanted to avoid the need Read more inside...
I like the concept behind the initial Two Perspectives video so much that I wanted to continue with that idea - myself and another photographer discussing and mostly, photographing something. Hopefully in that there will be a video that is informative and of wider interest. The 1st video was the Intimate male portraiture shoot-out with my friend Cate Scaglione.
For the next Two Perspectives project, I contacted my friend Tracy Bosworth Page - an outstanding Georgia-based photographer who specializes in headshot photography. She is Read more inside...
Headshot photography lighting setups in the studio
As with most photography, lighting setups and diagrams are more suggestions than absolutes. There are 'best practices' that will help you get constantly good results - such as getting enough light on the eyes so there is a twinkle. Okay, call it a catchlight then. Other than a few guidelines, there is a lot of flexibility in the style of lighting, and also the gear used. In the accompanying article, headshot photography lighting on location, I showed a few examples of how I varied the lighting while out on location. This depended on Read more inside...
Shooting headshots on location needs a different tack than working in the studio. Here I want to show some examples of lighting setups that I have used while shooting headshots indoors, on location. Since these examples are all from indoor sessions, the gear used might be different than when the session is outdoors. The logistics will also likely be different. So this discussion is contained within that framework - the lighting used when shooting headshots on location, indoors. There is a companion article that discusses some lighting setups Read more inside...
With these on-location headshots of actor and TV presenter, Andy Peeke, there is a lot going on despite the apparent simplicity. The photos were done in a very short space of time - we rained out! So I had to work fast and still nail the images as intended. Also,
- I wanted that out-of-focus city scene behind Andy, and I wanted it to appear bright.
- The lighting, off-camera flash added to the ambient light, shouldn't intrude and make itself obvious. I wanted the light on him perfectly balanced with the way I intended the background to appear.
- Unusual for Read more inside...
For headshot photography in the studio, I have a (flexible) default lighting setup - clam-shell lighting setup. On location (but still working indoors), I have another setup - studio lighting setup for headshots. Nothing is really specific - as long as the final results look flattering and your client loves the images. Your lighting setup should match what your client expects. Then there is also the question of logistics. I'm often asked if all that equipment is a necessity. It's not. Here is my favorite, most simple setup .... bounce Read more inside...
Headshot Photography - securing the tethering cable
When shooting in the studio or a fixed location, it makes a lot of sense to shoot tethered if you want your client to give input on the photos. With headshots in the studio, I run a tethering cable between the camera and the computer. This makes it easier for the client to see the photos, and adjust what they need to. Of course, it is slightly redundant if you use WiFi to transfer the images from your camera to the computer. But for faster transfer of RAW files, shooting with a tethered cable still makes sense.
Keeping the cable Read more inside...
