The need for fast prime lenses in your camera bag
The need for fast prime lenses in your camera bag
Photographing events like weddings, and in this case, Bar / bat mitzvahs, I bring a big roller case - the Think Tank Logistics Manager 30 (B&H / Amazon) - with several cameras and lenses. At the moment I straddle Nikon and Sony. As much as I love the Sony A9's eye focus capabilities there are some situations where the Nikon D5 is the beast that I can rely on. It so rarely doesn't deliver with precision. I bring a range of lenses - a mix of f/2.8 zooms, and several fast primes. (I have a self-imposed rule that I Read more inside...Late night available light portraits in Las Vegas
Late night available light portraits in Las Vegas
During a chance connection at WPPI photography convention in Vegas, Lupita and I struck up a conversation ... and later that evening we ventured out on the Las Vegas strip for a few late night portraits. With a fast prime lens - the Sony FE 135mm f/1.8 GM lens (B&H / Amazon) - we were able to use just the light on the part of the Strip we explored. Here are a few of my favorite images. It's always an adventure using random available light like this -- there is such a wide range of nuanced shades of colors Read more inside...Available light photography – looking for good light
Available light photography - looking for good light
When shooting for fun on location with a model, and have the time, I have this personal challenge - to find interesting sources of light. Those spots of found light where a little bit of magic happens. This photo of Anastasiya was taken in Grand Central, New York. While the station's architecture is impressive, the light levels there are very low, and quite flat. It's a place you want to take photos at, because it is so beautiful inside - but it is a challenge. The light there just don't lend itself to good portraits in an obvious Read more inside...Posing into the light for better portraits
Posing into the light for better portraits
This is a simple illustration again of the idea that posing and light(ing) go hand-in-hand. You can't really separate these two aspects when photographing people. When there is a video team at a wedding, I have to accommodate them in not using flash when they are shooting their sequences during the romantic portrait session with the bride and groom. Then I have to rely entirely on just the available light. In this example, they had the bride, Amanda, walk down the jetty twice - a good opportunity for me to shoot some extra images to pad Read more inside...Review: Sony 135mm f/1.8 GM lens
Review: Sony 135mm f/1.8 GM lens
The 135mm focal length is super for getting more reach than 85mm or 100mm would, but still keeping the lens to a smaller size. While the smaller size is nice, it was the fast aperture was what I really wanted. That the lens is super-sharp is an extra bonus. The Lens Rentals review has this as "This is the sharpest lens we’ve tested. Period." That says something! The first thing to notice about this lens is the fast f1/.8 aperture. Even though I mostly use a 70-200mm f/2.8 lens for events and headshot photography, there are times where I need that Read more inside...Event photography in low light
Event photography in low light
Event photography where you are photographing speakers at the event, can be challenging in its own way. The problem with taking photos of presenters, especially if they are animated, is that you have to take a LOT of photos to get a few where they look good. You don't want to give your client any photos with awkward expressions. This means you have to take so many photos just to get a few keepers. But shooting a ton of photos with flash becomes intrusive after a very short while. I therefore prefer to do the majority of photos of speakers at events, Read more inside...Direction of light – Using available light in the studio
Direction of light - Using available light in the studio
This striking portrait of Rozalinda was lit by big window light in the studio. In using light - whether studio lighting or available light - you need to consider the direction of the light. You need to figure out how you want to place yourself and your subject in relation to where the light is coming from. Your own position in relation to the light and your subject, will significantly change the way the light appears on your subject. Check this article for an example: Change your position, change the direction of light. With Read more inside...Photographing with available light only
Photographing with available light only
While photographing dancer, Anna Russell, in this side-street in New York, I noticed those splashes of light against the wall. These little pools of light were from sunlight reflecting off nearby windows. I wanted to see if we could have Anna hit one of those in mid-air. What also helped was the general direction of light in this area - it mostly came from the main road to the left of the frame, since we were shooting in a narrow street with tall buildings. This meant that Anna was facing towards the main source of available light -- and it Read more inside...video: On-location headshots – two perspectives
video: On-location headshots - two perspectives
I like the concept behind the initial Two Perspectives video so much that I wanted to continue with that idea - myself and another photographer discussing and mostly, photographing something. Hopefully in that there will be a video that is informative and of wider interest. The 1st video was the Intimate male portraiture shoot-out with my friend Cate Scaglione. For the next Two Perspectives project, I contacted my friend Tracy Bosworth Page - an outstanding Georgia-based photographer who specializes in headshot photography. She is Read more inside...- 1
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