Posing tips: Pose the hands – asymmetry
Posing tips: Pose the hands - asymmetry
Similar to the recent post with Jessica J as the model, where I placed her feet in an asymmetrical position for a more dynamic pose, I did the same when posing Anita DeBauch's hands during a photo session. In the companion photograph, you will notice that her hands are symmetrical around her face. While the pose does look cute, an asymmetrical positioning of her hands and fingers improved the pose. Read more inside...Boudoir photography: Tips on posing & dealing with mixed lighting
Boudoir photography: Dealing with mixed light - daylight & incandescent
Boudoir photo sessions can be nerve-wracking - not just for your subject or client who undoutably feels vulnerable, but also for you as the photographer. You have to juggle speed in shooting, with meticulous posing and (hopefully) impeccable lighting .... and still keep the flow of the shoot going, and also keep your subject's confidence up. With this boudoir photo session in a NYC studio, I photographed my friend, Jessica Joy. I wanted to use this window of course, and incorporate the boxes. It all just Read more inside...Post-processing workflow: How to deal with color banding
Post-processing workflow: How to deal with color banding / posterization
If you've ever noticed banding or posterization in your photos, where you'd expect solid colors, then there's a relatively easy fix for it. This posterization effect appears as bands of colors, where the transitions between similar tones aren't smooth, but have jagged edges instead. It is caused by the 8-bit JPG not having enough data to give you a smooth gradient when large blocks of color slowly change. You'll often see it in the blue sky in landscapes, or as in this case, with large areas of color in the Read more inside...Behind-the-scenes video clip – Photo shoot w/ Ulorin Vex
Video clip: behind-the-scenes during photo session w/ Ulorin Vex
I've posted some of the images from the recent photo session in my studio, with Ulorin Vex - and here is the behind-the-scenes video clip. The instructional stuff will be in the related articles - this is more of a glimpse of the rhythm of the shoot in the studio. Read more inside...Studio photography – Using a big gridded strip-box / soft-box
Using a large gridded strip-box / soft-box for portraits
There seems to be a natural progression with photographers exploring off-camera flash and studio photography. After the initial umbrella and softbox, the next purchase is usually a beauty dish, and then other esoterica such as ring-flash. Personally, I'd suggest that one of the first light modifiers anyone should get, is a small or medium sized gridded strip-box. A strip-box is narrower than the usual soft boxes, and the grid really helps contain the light spread. So you now have the ability to get relatively soft light, but Read more inside...Harder light sources in the studio – Flash & Continuous light
Harder light sources in the studio - Flash & Continuous light
With the recent photo session with Ulorin Vex in the studio, I played with variations of using harder light and using shadow as part of the image's composition. The first setup was similar to a previous photo session in the studio with Anelisa: smaller light = dramatic light. Ulorin Vex easily fell into poses well suited to this idea of using the shadow as part of the image's design. For this final image, I used a textured overlay to enhance the sun-drenched look. I also wanted to hide the texture of the wall a bit Read more inside...photography – inspiration, learning, and then adjusting & adapting
photographic style - inspiration, adjusting & adapting (model: Ulorin Vex)
Photography has a never-ending learning curve. I think this is even more true as the technology expands and accelerates. Sometimes I feel that we're running at full speed just to remain at a stand-still. That's just the technology that we have to acquire what we need to know about to do our work and art the best. But even with the techniques and methods we have as photographers - we should always be investigating and analyzing the work of others, learn, and then rework and adapt it in our own style. Even Read more inside...Photography – Creating foreground bokeh effects
Creating foreground bokeh effects in-camera
The closer you move to a foreground object, the more it's shape and color and opacity will affect the image … in unpredictable ways. It's a well-established technique then to create unusual color splashes and shapes in the image by creating flare highlights. It is often called "foreground bokeh effect". Ulorin Vex is an unusually photogenic model that I have photographed on a few occasions. When Ulorin visited the East Coast again recently, I jumped at the opportunity to meet up with her again and play in the studio. Her striking looks Read more inside...Available light portraits – Composition, light and style
Available light portraits - Composition and light
Over time I noticed that my style in photographing portraits have gravitated to a specific look where everything is quite simplified - the lighting, the background and the framing of the shot. Whether I use the available light, or video light, or off-camera flash, or even on-camera bounce flash, there's a certain uncomplicated look. I'd like to think of it as elegant unfussy simplicity. Analyzing this, it is easy to see there's a specific method here. It's a method which helps especially when under pressure. Here, even allowing Read more inside...- « Previous Page
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