wedding photography – using bounce flash outside

wedding photography – using bounce flash outside

When working with a couple during the romantic portrait session, there’s the need to bring variety to the images – not just in posing and composition, but also in terms of light & lighting. For this reason I use a variety – available light; video light; off-camera flash and on-camera bounce flash. I really like using on-camera bounce flash since it is such an easy light source to use, always at hand. There was a recent article on using bounce flash outdoors, but I’d like to add another example where I used bounce flash outside a wedding venue. Let’s look at the sequence of images …

Photographing the bride, Justine, against a Tungsten-lit background, I positioned her and myself so that I could get that warm halo around her. Bounce flash. Dead easy. Of course I used the black foamie thing to make sure the light from the flash was indirect, yet directional. It’s a simple but effective way to work with on-camera flash indoors.

I chose my camera settings such that the ambient light in the background registered, and then added TTL flash. The flash picked up the exposure to where it needed to be. I had to dial a positive FEC to compensate for the brighter tonal values dominating the center of the image.


Then we moved outdoors …

.. the soft evening light was just perfect. Nothing extra needed. The light was fairly low, so I used 1600 ISO. Not a problem with the Nikon D3s.

The light was getting low, but working with the direction of the light, there was enough light to comfortably get by.

Then I had the idea of shooting from an elevated point of view and using the lines there as a compositional device. Standing on a chair, I was able to get that point of view … but I also made sure that were I placed myself, I would be able to bounce flash up against the walls and ceiling of the entrance way.

Here you can get a better idea of how high the ceiling was, and where I bounced my flash off.

Since the light was too low shooting in that direction, I didn’t particularly meter for the ambient light, but rather chose my settings so that they made sense … ie, enough depth-of-field and a not-too-low shutter speed. I needed to hand-hold a non-stabilized lens, and flash might not entirely freeze my movement there, standing on the cushioned chair.

Here is one of the final images in this sequence … and another as a comparison where I disabled the flash so that you can see what the ambient levels where at.


Since the couple had no idea of what I was aiming for, it helps in showing the result. I do this during the session – it helps reinforce their confidence in me. But I don’t do this with such frequency that it holds up the flow of the photography. It is important to keep the energy level up.

The image at the top of the page then is one of a sequence … which is one of a number of sequences I took.  All of this with the motive to give the couple an interesting variety to their photographs. Using different lighting sources and styles definitely helps with that. It keeps it interesting for the couple, and it keeps it interesting for me as a photographer.


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33 Comments, Add Your Own

  1. 1Billy says

    I was wondering why you didn’t go down to F2.8 in the last image at the expense of depth of field? I don’t have a D3, and I cringe sometimes when I have to go up to ISO1600.

  2. 2 says

    With the Nikon D3s this was much less of a concern. 1600 ISO on the Nikon D3s looks like 800 ISO on the Nikon D3, which already was remarkable. So there was no need for me to sacrifice that extra bit of depth-of-field by going wider on the lens.

  3. 4Mary-Claire says

    It’s hard to tell in the first pull back shot, but is the flash pointed directly at the ceiling or slightly at an angle? I can see that the BFT is on the side by your head, so I’m just wondering about the directionality. Thanks for another great post! (Made me laugh to see you in your stocking feet with the bride and groom in the last photo).

  4. 7 says

    From Neil, I’ve learned that a lot of surfaces can be used as an bounce surface for flash. :)

    It’s also good that this building was gray, so the color cast from the bounced flash would not have been a significant problem.

  5. 11Michael says


    This a great article to show how to use bounce flash outdoors. Question: What Raw WB settings did you use for the final image? The color is sweet.

  6. 13Eduardo B. says

    Hi Neil, I noticed that you have been using now the D3s.

    How high do you usually go now with your D3s regarding high iso during a weeding ceremony comparing with the D3?


  7. 15Shane says

    Neil, awesome article.

    I love how in the first image you stuck the brides head right in the curve of the light on the back wall.

  8. 19revand says

    Hi Neil,

    I’ve read this post and it is so inspirational. Using bounce flash outside is something new to me and you show it perfectly.
    The tips is simple and practical. Actually, I’ve been managing the website about wedding photography and I wonder if you could allow me to post this article in my feature website. Of course all the credit goes to you and it will be a nice information for my subscriber. I have also social bookmark your website so people can find this useful article like I do.

    Please continue to create awesome tips like this and you are doing really great things for lots of people.

  9. 20 says

    Revand .. thank you for the compliment. Since the article already exists on my website, it is best to just link to it for your readers, instead of just copy & pasting it.

  10. 21Shelby says

    Hi Neil,

    What type of material is the black foamie thing? I have been to my local art store and they didn’t have a similar material. Where do you purchase your material?


  11. 23Trev says


    Saw in another thread you get it at Michael’s:


    And another link in thread was this place:

    I cannot vouch for in US, I am in Australia and got mine from Clark Rubber, but I bought what they call the ‘skin’ which is around 2mm thick and is the ‘skin’ carved off the outer layer of a roll. Very flexible, so if you are in Australia.


  12. 25bruceb says

    If you did not have the building to bounce off of, what would have been your next choice? Bounce off an assistant-held reflector? thx!

  13. 27Greg says

    Whomever it is that takes the behind the scenes pictures(of you taking the pictures), gets some good exposures also. Evidently, they’ve learned from the best.


  14. 28Selina says

    Hi Neil,

    Your work is so completely fabulous – as are your lessons!

    Forigve my ignorance but when you say in the above (bride in front of wall and tungsten lighting) “I chose my camera settings such that the ambient light in the background registered, and then added TTL flash. The flash picked up the exposure to where it needed to be. I had to dial a positive FEC to compensate for the brighter tonal values dominating the center of the image.” What exactly to you mean by making the background “register”

    Thanks in advance!

  15. 31SH. MOHSIN JAWAID says

    Neil,I have observed that in most of the cases you use your own tested/invented flash light modifiers,did you ever used the Gary Fong collapsible speedlite modifier ?

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