Thoughts on using a beauty dish (light modifier)
Thoughts on using a beauty dish as a single light source
A beauty dish is one of those light modifiers that sound attractive just by name already. And when photographers start exploring other options than direct off-camera flash and umbrellas or a softbox, a beauty dish is usually one of the first alternate light modifiers that catches attention. Mine too. Right after I bought my first Profoto kit, I purchased a beauty dish for it and started exploring using a beauty dish. A beauty dish is ideally used at a closer distance for portraits, with the light "focused" on the face, Read more inside...On-location corporate headshots – Efficiency and speed
On-location corporate headshots - Efficiency and speed
That's me, all set up for on-location corporate headshots last week. Five speed light & Softbox set ups, to be placed in a different area each, to efficiently give 5 different looks. My client wanted head-shots of a list of people, with varying backgrounds around their offices. And also with different sets of clothes. We decided that 5 different looks would work best, and give them variety. I considered the options I had. Two of them amounted to too much disruption: - dragging one light around, and setting it up every Read more inside...Photo session: Urban ballerina – Viktoria
Photo session: Urban ballerina - Viktoria
Late afternoon in New York, with the sun-light glinting off the glass buildings - dramatic light for a ballerina in an urban setting. However, the sunlight that was reflecting off the buildings wasn't consistent, and did not necessarily fall in a place where we could use it. So I created my own with an off-camera speedlight just out of the frame - but positioned so that it intentionally flared, and also gave beautiful rim-light on Viktoria. The pull-back shot shows how the speedlight was set up, and my own position, low down on the ground, Read more inside...Wedding photography – Adapting the use of light & flash photography
Wedding photography - Adapting the use of light & flash photography
When I posted the photographs of a recent wedding in an album on FB, there were a lot of questions regarding my lighting. The answer is an easy one - I change it up as needed, throughout the day. Whatever is needed to give me the best results the fastest. It's rarely just one thing. So with Alesha and Patrick's wedding, I used on-camera flash, off-camera flash (with a soft box), Profoto on-location lighting kit, and of course, if it worked, then I just used the available light. The one only lighting option that I Read more inside...Gelling your flash for warm light at sunset
Gelling your flash for warm light at sunset
Since the light from a speedlight is relatively quite cold, (ie, blue-ish), it can create an unpleasant color cast when you use flash with existing warm ambient light. A typical problem situation would be the Incandescent environment that we often find ourselves in at night. But there are other times when the WB from our speedlights (typically around 5400K) is just too cold (blue) compared to the light we have at sunset. (The Daylight WB preset relates to color of daylight during the middle of the day.) Then we need to do something with our Read more inside...Photo session – Modern Gypsies – golden birds
Photo session - Modern Gypsies - golden birds
Another series from the recent publicity photo session with the Modern Gypsies, with two of the girls in costume, as golden birds. With costumes this detailed and complex, I wanted a simpler background. One that didn't intrude, and somehow complemented the subjects. Classic architecture! Here are the behind-the-scenes images to how we came to some killer photographs for them ... Read more inside...review: Westcott Rapid Box – 26″ Octa Softbox
review: Westcott Rapid Box - 26" Octa Softbox
The Westcott Rapidbox - 26" Octa Softbox (B&H / Amazon) caught my attention, even among the huge variety of light modifiers available for off-camera speedlights. I bought one of these softboxes to try out at the most recent on-location photography lighting workshop in New York. And I like it a lot! It is relatively fast to set up, and collapses to a compact size and comes in a handy carry bag. Here is another photograph, with the comparative shot at the same camera settings, that shows exactly what impact the light had Read more inside...Off-camera flash with a small softbox
Off-camera flash with a small softbox
Most of the images shot as part of the Sigma 35mm f/1.4 DG lens review, were with available light only. But for one sequence, I used off-camera flash. I didn't intend carrying a lot of equipment, so I stripped it down to the minimum. That meant forgoing my usual softbox, the Lastolite EZYBOX 24×24" softbox (affiliate). Instead, I opted for the much smaller Lastolite 8.75" speedlight softbox (affiliate). And instead of a light-stand, Nicole's friend, Andrew helped out on the day by holding the softbox and slave speedlight. In Read more inside...Flash photography tip – Adding flash to ambient light
Flash photography tip - Adding flash to ambient light
When I saw the beautiful architecture of the Court House in Denver, CO, I knew that I wanted to use this as a backdrop for part of the mini photography workshop in Denver. In terms of composition, the imposing pillars and leading lines of the steps would simultaneously make a simple and classic background. Our model, Elizabeth, fortunately had this simple, yet elegant black dress as part of her wardrobe. For me, this photo comes together with the way the model (with her own style and styling), and the chosen location, complements Read more inside...- « Previous Page
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