Your camera doesn’t matter – except when it does
Your camera doesn't matter - except when it does
There's this specific narrative that gets pushed that your camera and photo gear don't matter all that much. That it is your imagination and your eye that counts for the most. Perhaps, perhaps ... but without the necessary gear to enable what you're trying to capture, you're lost. It seems so self-evident. I would even insist that you need photo gear that are better than your abilities - this way you're not constrained by your equipment. With this performance by Team Circus which they asked me to photograph for them, I had to Read more inside...Dramatic lighting effects for portrait photography
Dramatic lighting effects for portrait photography (model: Jessica Joy)
For this dramatic Hollywoord Glamor inspired portrait sequence of Jessica, I used two Litepanels Sola 4 LED Fresnel Lights (B&H / Amazon). But there's more that happening here with the lighting than just the main light and the rim light. There is the splash of color in the background, augmenting the blue rim-light coming from behind. Jessica's reaction to the first test shot was amusing - a surprised,"where did that come from?", when she saw the image on the back of my camera. The blue tones and Read more inside...Best softbox for on-location headshot photography
Best portable softbox for on-location headshot photography
I vary the lighting kit that I use for on-location portraits and headshot photography. It could involve multiple lights, or a single-light setup on location. My choice of lighting is most often decided by how complex it need to be, and the logistics of getting to the location and setting up. More than struggling with something, I detest the appearance of struggling with something. Let me explain - when working with clients, it all needs to appear smooth and efficient. Everything in place, and professional. No struggling Read more inside...Themes & context in Boudoir Photography
Themes & context in Boudoir Photography - on the streets of NYC
The model in this striking image is my friend, Jessica, a boudoir photographer. Her pose is intentionally this strong and assertive. The concept here is part of an on-going project she had planned for a long while now. She had asked me to collaborate with her in taking the photos. The main idea behind the project (and these are my words and interpretation of what we had discussed) - women are objectified in society, but there is a disconnect in how people respond (or don't) to provocative posters and images of Read more inside...Why use a high-resolution camera?
Why use a high-resolution camera?
The Nikon D810 (affiliate) is a camera that surprised me for how much I liked using it. The high resolution of this camera was a drawback for me initially. But it had very responsive AF. Also, super-crisp images because of the improved sensor and due to the lack of the anti-aliasing filter. Ergonomics. (I have big hands.) But I didn't anticipate that I would love the D810 as much as I do. For a long while though I kicked against the idea of using a camera with a very high resolution. But then the Nikon D810 convinced me. There's a story Read more inside...Posing people: Tips for improving your portrait photos
Posing people: Tips for improving your portrait photos
Throughout the numerous articles on the Tangents blog, I'm often asked about how I go about posing people. I've described some of it in the article, adjusting a pose with incremental changes. Instead of a traditional way of posing, it's mostly a "feel" thing, looking at my subject and seeing if there are elements that could be better balanced. This studio portrait of a model, Adrienne, doesn't follow rigid guidelines of formal portraiture. Her shoulder is a little scrunched up, and her head is tilted to the side. Yet, to my eyes, Read more inside...New York cityscapes – B&W infrared photographs
New York cityscapes - B&W infrared photographs
After a long hard winter and a slow warming up to summer (and a busy schedule), I finally squeezed some time to wander around New York City again with an infra-red B&W camera. I tried it out once during winter, but it just didn't work - without the sun and without heat, the images were dull and flat. Nothing there. Infra-red B&W needs bright light and contrast. Infra-red B&W photography seems dominated by landscapes where the trees and grass turn white, and the skies darker. But what I like about using this camera in Read more inside...How to overpower bright sunlight with on-camera flash
How to overpower bright sunlight with on-camera flash
The photograph on the left shows one of the toughest lighting conditions you get to deal with. Your subjects are half in the sun / half in the shade ... and there is no way you could interrupt and change things in your favor. There is no way to have the flower-girls move. No way to bring in additional, off-camera lighting. You can't scrim the sunlight either with large reflectors. There are these times when your options are limited, but you still have to get the best out of this challenging situation. There is one viable option Read more inside...recap: Boudoir photography workshop – Albany, NY (2015)
recap: Boudoir photography workshop - Albany, NY (2015)
Teaming up with Genine Gullickson, one of the best boudoir photographers I know, we co-presented an all-day workshop in Feminine Portraiture and Boudoir Photography. The workshop was held in Genine's studio in Schenectady, NY on May 31st. We had two lovely modes, and two stylists who took care of make-up and hair styling. We had a fun group of 7 photographers who attended this workshop. Genine's place - Clique Studio - is a loft-styled studio offering a variety of backgrounds and settings. (This immediately made the images Read more inside...- « Previous Page
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