The expressive trumpet player in the band at a recent wedding. A simple portrait of this musician, sweetened with some bounce flash. The light on his face, is by now perhaps predictably, bounce flash with the black foamie thing. Looking at the light pattern on his face, you’ll see there was no direct flash of any kind.
1/60 @ f2.8 @ 2000 ISO // TTL flash
Nikon D3; Nikon 70-200mm f2.8 AF-S II (B&H); Nikon SB-900 (B&H)
In comparison, here are a few other images. One with no flash, so we can see the effect of the bounce flash. Another image with just available light; and another using the light from the videographer’s camera …
The same shot with only available light, as it registered at the previous settings:
1/60 @ f2.8 @ 2000 ISO
.
Available light only, using the existing light in the room. Now we’re really pushing the limits, and a wide aperture on the 85mm lens, and the highest ISO on the camera (Nikon D3) that I’m still comfortable using. The shutter speed is also fairly slow, and I had to take a series of images to get a few that are sharp enough. Despite the popular belief, 1/60th just isn’t fast enough to hand-hold, and isn’t fast enough either when your subject is moving. (And no, a third stop jump to 1/80th wouldn’t have magically solved that problem either, for those who are thinking of a shutter speed in relation to the focal length.)
1/60 @ f1.4 @ 3200 ISO
Nikon D3; Nikon 85mm f1.4D (B&H)
I changed the WB in raw post-processing to give me the most pleasant tones.
.
When the videographer’s light came into play, I changed my settings ..
1/100 @ f1.4 @ 3200 ISO; no flash;
.. but still had to pull down the exposure by 0.6 stops in raw post-production.
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I’d have to say if I was in the same situation I would need to use flash. My camera is horribly noisy at 3200 ISO. I think most people don’t have camera’s that produce clean images at such high ISO’s so knowing how to use flash is essential. I used to be afraid of flash, but thanks to this blog I don’t hesitate anymore :-) Thanks to you, Neil!
Comment by Laura — June 9, 2010 @ 1:08 pm
Hello Neil. I noticed you are using the new 70-200 vr2 lens. I am about to push the button to buy this lens. Can you tell me if the new version worth the upgrade from the old one. I know there is some breathing with the vr2 which gives you a shorter zoom range at a given distance. Have you had any issues with that?
Thanks,
Arnold
Comment by Arnold — June 9, 2010 @ 2:25 pm
Comment by Neil vN — June 9, 2010 @ 3:07 pm
Neil, how high ISO are you comfortable in using usually? Actually the reason I ask is I wonder how much difference there is between DX and FX sensors. Since I find ISO1600 ‘usable’ on a D90, I would expect that on FX you could get the same level of noise somewhere ISO3200-6400? But I’ve never seen 100% sized pics from an FX.
Comment by Val — June 9, 2010 @ 7:36 pm
Comment by Neil vN — June 9, 2010 @ 8:10 pm
Thanks Neil.
Cool trumpet!
Comment by Brian — June 9, 2010 @ 9:03 pm
I love the way the flash cleans up and polishes the image while still retaining the mood of the scene. btw, I assume you were carrying 2 cameras at the time which allowed a quick change to the 85mm f1.4? I forgot to ask you at the flash workshop if you have any tips on carrying two cameras at once. I always feel like a ‘bull in a china shop’, fearing that I’ll spin around and knock a guest’s drink out of their hand with a stray lens…
Comment by Jeremy Miracle — June 9, 2010 @ 9:19 pm
Comment by Neil vN — June 9, 2010 @ 9:24 pm
Hi Neil,
Love the shot!
Surely with the new processing engine of Adobe camera RAW 5.7 (plus 6) or even Lightroom 3 you should quite comfortably able to use ISO-6400 on your D3, for a large print and possibly even ISO-12800 for a medium size print without even being concerned. Have you had chance to try the updates?
David
Comment by David — June 10, 2010 @ 11:54 am
Comment by Neil vN — June 10, 2010 @ 12:21 pm
Neil, I fully agree about keeping RAW files, a few years ago I didn’t know different and deleted all my RAW’s after developing them, :-( oh dear! :-D
Below is one post I would like to see revisited, if you would like to try a new processing engine noise reduction comparison.
http://neilvn.com/tangents/2009/08/11/dealing-with-high-iso-noise/
Maybe (for that first shot) with the Luminance noise reduction set on 20 or 30 and the Color noise reduction left on the default setting.
I think you will be very pleasantly surprised! :-)
Hope you’re having a great weekend.
David
Comment by David — June 12, 2010 @ 12:07 pm
Actually as an update to my post yesterday!
Would I be correct in guessing “The importance of permanently archiving your RAW files” will be a future blog entry? :-)
David
Comment by David — June 13, 2010 @ 12:12 pm
Comment by Neil vN — June 13, 2010 @ 2:07 pm
Hi Neil,
I noticed you use a high ISO allot, I have a Canon 50d and I hate going past 1600 even at that I see the horrible grain effect. Any tips? I know using a flash, but if I wanted to keep the natural ambient light and use flash as fill, and my camera settings are ISO 2000 or more?
Thanks
Comment by Paula — June 13, 2010 @ 4:48 pm
Comment by Neil vN — June 16, 2010 @ 4:41 am
The first one is definitely the best! One question though.. if the trumpet player is facing the crowd (which I presume he’s doing), then how can you bounce off a side-wall with your on-camera flash (to lighten up his face)? The flash would point to the crowd, not to a wall..?
Comment by Kris — July 23, 2010 @ 6:45 am
Comment by Neil vN — July 23, 2010 @ 6:49 am
Ah ok, you bounced off the ceiling?
Comment by Kris — July 23, 2010 @ 10:58 am
Comment by Neil vN — July 23, 2010 @ 2:14 pm
So a little bit behind you and a bit to the left (and with your foamie thing) ?
Comment by Kris — July 25, 2010 @ 12:39 pm
Neil,
Do you use Auto-ISO for these flash shots? Or did you manually set to ISO 2000?
Thanks
Comment by Sam — July 27, 2010 @ 12:48 pm
Comment by Neil vN — July 27, 2010 @ 12:51 pm